Milton's Passage
Works Cited Missing
In this passage Milton surveys the battlefield after the inconclusive first day of fighting between the rebellious third of the angels and the equally-sized contingent God has sent to face them. The purpose is to portray the disarray and destruction caused by the battle, especially on the side of the fallen, and to contrast that chaos and baseness with the dignity and honor of the champions who defeat them. Little has been accomplished by the fighting, except to demonstrate the difference between the warriors on the two sides. Neither side is defeated, but the side of good has displayed its superiority in valor and glory, and the evil have shown themselves to be the lesser precisely because of their moral inferiority. Though they have fought to a draw, only the angels do so honorably, holding their ground as we watch the Satanic Host fly in a state of fear and panic. Milton seems to evoke a parallel with two of the most famous battles in history, as presented by the father of history, Herodotus: the Spartan duels with the vast Persian force of the Great King Xerxes. In the first battle, at Thermopylae, the Spartans stood their ground faithfully, and through obedience and discipline shamed their (in Herodotus' portrayal) morally inferior foe by forcing them to pay an outrageous price for victory. In the second, at Plataea, the Spartans this time defeat their more numerous foe, again due to their inherent superiority, which is ascribed, ultimately, to their virtue.
If Milton's scene is imagined cinematically, the view begins low, looking down to see "all the ground" where the detritus lay "strown," "in "heap[s]," and "overturn'd" (388-90), and generally tipped over and fallen down in a catalogue of ways. The rebel angels' fallen condition is made literal by the work of the loyal warriors, whom we see in exactly the opposite condition, in spite of having fought just as hard and taken the same beating. We look up from the jumbled mass to see the angels in their state of "high advantages" (401), seeming to fly in formation unbroken by the onslaught, unperturbed by their wounds.
Milton presents a dual image of battle lines shifting and being wrenched out of shape in parallel with the picture of bodies being crushed and mangled. Following his announcement that the devils' "Mightiest quell'd", we are shown that the "battle swerv'd" and we see "inroad[s] gor'd" into the broken battle formations and the broken bodies of the fighters (386-87).
Puritans in the colonies had established communal and family hierarchal orders to govern themselves. At the top of the power structure was the village Pastor who over saw all community grievances and disputes, being either spiritual or worldly in nature. In the family structure the power belonged to the father or the male elder of the household. David Goldfield said, women in Puritan New England were held in high regard and given great responsibilities though they were assumed to be legally and economically dependent on the men of the families. Women’s economic contributions were indeed central to the family’s success. In addition to caring for children, cooking, sewing, gardening, and cleaning, most women engaged in household p...
Typically, when someone thinks of a lottery they think of something positive and exciting but contrary to this idea in Shirley Jackson’s “The Lottery”, the connotation has an entirely different meaning. As the story begins, readers lean towards the belief that the town in which Jackson depicts is filled with happiness and joy. “The morning of June 27th was clear and sunny, with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green” (Jackson 247) We soon realize that this notion is far from the truth. As the townspeople gather in the square for the annual lottery, which sole purpose is to stone someone to death by randomly pulling a paper out of a black box with a black dot on it, it is learned
McKenna, James J. “Safe Cosleeping Guidelines.” Mother-Baby Behavioral Laboratory, University of Notre Dame. N.d. Web. 22 March 2014
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Parenting has many different approaches for various tasks. One of the most difficult tasks for most parents is bed time. What do you do when it is far past bedtime and your little one is reluctant to go to sleep? Do you put them in their room, walk away and check on them periodically? Do you snuggle them to dream land? Both techniques have their pros and cons. The checking on them periodically, otherwise know as the cry it out method, coined by Dr. Richard Ferber is the first major method. The second method, the cuddling is known as attachment parenting, developed by Dr. William Sears. Weighing out the pros and cons of both sleep solutions will help you choose which method is best for you and your family.
This epic simile portrays shockingly disgusting imagery of war and death, which are both consequences of eating the fruit of knowledge. Sin and Death, Satan’s daughter and son (who is also his Grandson) take full advantage of the Fall of Man and construct a bridge between Hell and Earth through Chaos, constructed of anything ‘Solid or slimy’. This allowed death, sin and disease to enter the world, similar to the great Greek Myth of Pandora’s box, where a woman named Pandora unleashed all the negative emotions from their captivity inside a box. Thus, showing both Milton’s classical influences and education at Christs College, Cambridge and how attitudes to women have remained constant through many centuries, from the period of the Ancient Greeks to the 1600s. Man’s disobedience would be the sole point of blame for all the wrongs in the world to Milton’s audience, not only was this a story but the events transpired. This was an easy way for the Church to explain the mass destruction caused by the Great Plague from 1665
"The monstropolous beast had left his bed. The two hundred miles an hour wind had loosed his chains. He seized hold of his dikes and ran forward until he met the quarters; uprooted them like grass and rushed on after his supposed-to-be conquerors, rolling the dikes, rolling the houses, rolling the people in the houses along with other timbers. The sea was walking the earth with a heavy heel.
Shirley Jackson's “The Lottery” is a short story about the annual gathering of the villagers to conduct an ancient ritual. The ritual ends in the stoning of one of the residents of this small village. This murder functions under the guise of a sacrament that, at one time, served the purpose of ensuring a bountiful harvest. This original meaning, however, is lost over the years and generations of villagers. The loss of meaning has changed the nature and overall purpose of the lottery. This ritual is no longer a humble sacrifice that serves the purpose of securing the harvest but instead is a ceremony of violence and murder only existing for the pleasure found in this violence.
"The Lottery," a short story written by Shirley Jackson, is a tale about a disturbing social practice. The setting takes place in a small village consisting of about three hundred denizens. On June twenty-seventh of every year, the members of this traditional community hold a village-wide lottery in which everyone is expected to participate. Throughout the story, the reader gets an odd feeling regarding the residents and their annual practice. Not until the end does he or she gets to know what the lottery is about. Thus, from the beginning of the story until almost the end, there is an overwhelming sense that something terrible is about to happen due to the Jackson's effective use of foreshadowing through the depiction of characters and setting. Effective foreshadowing builds anticipation for the climax and ultimately the main theme of the story - the pointless nature of humanity regarding tradition and cruelty.
The theological aspects that arise in the excerpt are original sin, grace, atonement, and the resurrection of Christ. Lines 203 through 209 speak about man’s wrong doing to God. “But yet all is not done; Man disobeying, Disloyal breaks his fealty, and sins Against the high Supremacy of Heav’n,…” Milton puts emphasis on the fact that all men must die “He with his whole posterity must die.” These lines introduce the concept of original sin in the excerpt. The doctrine of original sin is that because of Adam’s fall in the garden and their disobedience to God in eating the forbidden fruit, men are held accountable for their sin because of Adam’s disobedience men take on a sin nature.
Milton establishes himself as the legitimate teller of the tale – and this tale will take us beyond the mythology of the Greeks’Aonian Mount and inoculate us against Hell’s prodigiousness. He is taking us beyond mythological or explanatory pictures of ourselves, to an area where we may bask in a greater comfort:
Winning vast amounts of money can make anyone slaphappy, but unfortunately this type of wager won’t be discussed in Shirley Jacksons “The Lottery.” Jackson catches the reader’s attention by describing a typical day by using words such as “blossoming, clear and sunny skies” to attract the reader into believing a calm and hopeful setting which eventually turns dark. In this short story Jackson tells a tale of a sinister and malevolent town in America that conforms to the treacherous acts of murder in order to keep their annual harvest tradition alive. Jackson exposes the monstrosity of people within this society in this chilling tale. She allows the reader’s to ponder and lead them to believe that the lottery is actually a good thing; till she implements foreshadowing, to hint at the dreadfulness behind the lottery and its meaning. My goal in this paper is to discuss why Jackson’s “The Lottery” is a portrayed as a horror story, and the importance the townspeople used to glorify ritualistic killings, to appease to an unseeable force in return of good harvest for the upcoming year.
Burgess, A. W., & Holmstrom, L. L. (1974). Rape: Victims of crisis. Bowie, MD: Robert J. Brady Company.
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
The Fallen Angels in Paradise Lost The fallen angels are Satan's minions and the voices by which Milton may express a variety of opinions and views, showing the diversity. and the intricacies of Hell, and the immorality of their actions and proposals. Whilst we are often impressed by the skill with which the individual leaders perform their tasks and speeches, we are never left in any doubt as to the truth of G-d, and the futility of their debates. By examining the angels as a group, Milton is able to leave the infernal dungeon, to take a flight throughout history, giving his own point of view.