FIRST PAPER ASSIGNMENT - Literary Point of View Literary point of view is no different from a lens which functions as a filter controlling the audience’s access to certain information about the characters and the plot. It provides a perspective, a directed interpretation that to the events and characters. James M. Cain’s Mildred Pierce and the Michael Curtiz’s film adaptation of the novel are constructed to be multi-layered, interweaving various themes through the story of Mildred Pierce, yet, they both engages and focuses on the position of women in the bourgeois family and in the American society. The film empowers first person narration from Mildred Pierce to introduce a series of flashback sequences - in a way that it in fact disempowered the female enunciative control and exclude women from power and privilege. The flashbacks are the resolution to the mystery, thus Mildred’s voice-over narration reveals her place, representational of women’s place, in relation to truth. However, Mildred’s female voice is undermined by the masculine ideology of the implied filmmaker. In Mildred’s flashbacks, the camera has the freedom to be detached from Mildred, hence creating an omniscient point of view, providing …show more content…
It involves a third person omniscient point of view throughout the story and expansively captures the emotional struggles. The detailed accounting of Mildred’s world and close attention of her thoughts, for example “Mildred felt the quick, hot excitement of a conspiratorial deal” (Cain, 93) emphasizes the all American traits of determination, perseverance and resilience that Mildred exhibits. She is placed in a position with more control, as she asserts her authority over her daughter “By whatever means she would have to take, she knew she would have to get Veda back” (Cains, 247)
In conclusion, most of the female character are often isolated, victimized and ultimately killed by the male characters. Furthermore, it is rather ironic how Mary Shelly, the daughter Mary Wollestonecraft who wrote the Vindication of the Right of Women chooses to portray women. In this novel, the female characters are the exact opposite of the male characters; they are passive, weak and extremely limited. Mary Shelly repeatedly shows women in a victimized position exhibiting to the audience how things should not be. In conclusion, Mary Shelly’s novel is a reflection of how women were treated in the 1800’s.
Society can change people negatively or positively. Mildred is a character in the book “Fahrenheit 451” by Ray Bradbury. Mildred has been changed by society by becoming self-centered, robotic, and unfeeling.
In Mildred Pierce, Joan plays Mildred, a female protagonist. Bert, the inactive husband, was jobless and Mildred had to support the family. She left the abuses of the patriarchal authority, opened her own restaurant and became a strong woman who was financially independent. Monte, who ended up leaching on her wealth, is also considered the ‘wrong man’. Waldman calls this the ‘wrong man’ solution: the only thing wrong with the heroine’s former situation of confinement is that she fell victim to the ‘wrong man’. The ‘right man’ will correct the problem’. (Williams, 1988) Joan had 4 marriages, in which the first 3 of them ended in divorce. In one of her marriages, her husband had become comfortable with her being the breadwinner of the family. His incompetence and temperate character soon got on her nerves. Mildred’s rejection of patriarchy, taking over the role as a father, showed the independence of women during post-war
In the book Fahrenheit 451 Mildred is the one of the major characters, and she develops a behavior that looked like she did not care about all her problems. Her intent of suicide means that she was stressed, and at the same time she was sad with too much pain inside of her. Although she was looking easygoing inside of her exist a big problem that is increasing conforming is passing the time. But her really feelings are so inside of her thoughts. When everybody see Mildred behavior could not see her true reality, and her really reason of her attempt of suicide. Montag and Mildred meet in Chicago, and they get married when they had twenty years old that was their most big mistake because Mildred get married thinking that her love will be eternal.
Optical illusions can appear to be moving, but really are not. At a certain angle they seem different than in actuality. The same is true about people. It is part of human nature to self deceive as some do not necessarily see the truth from both the outside and inside of a person. On the surface appearances are misleading as it does not take any depth into consideration. In Harper Lee's novel "To Kill a Mockingbird" Scout, the protagonist innocence leaves her naive to the harsh realities of Maycomb. As she involves herself more with the town, people's true colours begin to unravel. Her eyes begin to open to the mirage of her pure life by rumors and actions of the people around her. Along with the verdict of Tom Robinson. Scout learns that reality is different than it appears through her unassuming neighbors, father and the trial.
James M. Cain’s 1941 novel Mildred Pierce is widely recognized as a literary classic. Its 1945 film adaptation starring Joan Crawford has also achieved classic status in the film noir genre. However, there are key differences between the two despite their apparent similarities. Due to various reasons and creative choices, the film can be regarded to as a loose adaptation as the main theme of book is how Mildred is affected by the draw backs of her time such as the Great Depression and her relationships while the film is a glamorized version of the story that translates the text more into an onscreen mystery. This dynamic completely changes the narrative configuration of the film as it changes many of the key plot points in which the book was written.
...iety too, as seen in Mildred’s friends. Mrs. Phelps and Mrs. Bowles are similar to Mildred, they say they voted on the last president simply for his looks. They don’t care about any of the important qualities only the superficial ones. Montag is further shocked when they talk so nonchalant about the war and their family’s, saying “(Insert quote here” (Bradbury ). This in addition, proves that not only is television addictive but can desensitize you from earthly troubles. Television allows you to step into a different world, and when Mildred’s friends are forced to come back from it, they cry and are angry. Montag forced them to comfort their disgraceful dismal of family ethics, decline of the upcoming war, and neglect of the high rates of suicide in their society.
Ray Bradbury carefully implements these four important characters to bring a new outlook of life to the reader. Both the branches of Mildred and Faber might lead to joy, but the effects operate in polar contradiction. Though parlor entertainment and books can both allow a reader to place themselves in an imaginary world, the message in books can ultimately improve life, while parlor walls can destroy it upon fiction that consumes the mind. Bradbury essentially questions the foundation of life by defining what happiness should be based on. He is asking reader whether our lives are contracted on fantasy and materialistic desires like that of Mildred, or whether they convey the intellectual power of freedom, knowledge, and wisdom gained from experience that we are afforded as human beings.
As women's studies programs have proliferated throughout American universities, feminist "re-readings" of certain classic authors have provided us with the most nonsensical interpretations of these authors' texts. A case in point is that of Kathleen Margaret Lant's interpretation of Tennessee Williams' A Streetcar Named Desire in her essay entitled "A Streetcar Named Misogyny." Throughout the essay, she continually misreads Williams' intention, which of course causes her to misunderstand the play itself. Claiming that the play "has proved vexing to audiences, directors, actors, readers, and critics" (Lant 227), she fails to see that it is she herself who finds the play vexing, because it does not fit nicely into the warped feminist structure she would try to impose upon it.
Pierce by James Cain, may be a good role model for an entrepreneur or a
Women in the novel are accurately portrayed as they were in the 1920’s. Lewis presents two different scenarios in the novel, but both of these cases can follow the same mannerisms. First, Lewis depicts the loving housewife. Myra, Babbitt’s wife, continually comforts Babbitt throughout the whole novel. Myra even accepts the blame when Babbitt decides to cheat on her. Women are depicted throughout the novel as inferior when...
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
Although told in an aloof and anonymous third-person, the narrativeis always shifting, almost imperceptibly, from an objective stance to less neutral observations which, because of their perspective or particular choice of words, appear to be those of Mrs. Kearney. (Miller,...
The feeling of not being heard or not being allowed to do what you want is placed upon women in the 1930s. Harper Lee’s depiction of women, in her novel To Kill A Mockingbird, is they should be able to have an important voice in society, make changes they feel are important, and do certain actions without conforming to gender normalities.