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How hollywood cinema is classical
How hollywood cinema is classical
Essay on classical hollywood cinema
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The star system was an important part of the Studio System in classical Hollywood cinema. From the 1910s, stars were born. Studios create new personas, new names and new backgrounds for the stars. A new image, whether or not it had anything to do with how the person really was in real life, would be invented for the new stars. The stars would be distinctively different and moviegoers would be able to recognise them individually. The Hollywood studios, that the stars are under contract with, managed their publicity, roles, lifestyles and even fan clubs. During the classical Hollywood period, the stars themselves did not have much say in the films that they appear in. The companies would choose the role they deem most suited to boost their popularity. …show more content…
In Mildred Pierce, Joan plays Mildred, a female protagonist. Bert, the inactive husband, was jobless and Mildred had to support the family. She left the abuses of the patriarchal authority, opened her own restaurant and became a strong woman who was financially independent. Monte, who ended up leaching on her wealth, is also considered the ‘wrong man’. Waldman calls this the ‘wrong man’ solution: the only thing wrong with the heroine’s former situation of confinement is that she fell victim to the ‘wrong man’. The ‘right man’ will correct the problem’. (Williams, 1988) Joan had 4 marriages, in which the first 3 of them ended in divorce. In one of her marriages, her husband had become comfortable with her being the breadwinner of the family. His incompetence and temperate character soon got on her nerves. Mildred’s rejection of patriarchy, taking over the role as a father, showed the independence of women during post-war …show more content…
Her image as a glamorous independent woman in Mildred Pierce during the depression era allowed women to feel relatable to her. She was hence able to make a comeback in 1945 after receiving much attention again from the public. Joan knew the importance of a star’s image in the Hollywood industry and cautiously took great care of her own, rejecting roles that she felt would bring down the name of “Joan Crawford”. Joan taking up the role as Blanche Hudson in What Ever Happened to Baby Jane also shows how certain stars function as a marketing idea and that this led the film to its great success. Having acted in many films and taking up different roles, audiences would generally remember the stars for the more prominent characters they played in a particular film. Their image would then easily be confused with the film character. Joan Crawford won the Oscar’s award for Mildred Pierce in 1945 and hence, it would not of much surprise that the public’s image of her was shaped by the role she played
Mildred Pierce is one of the greatest novels written by James M. Cain. After the success of the novel, the Hollywood film came out, produced by Jerry Wald. The novel and the movie are very different from each other. “James M. Cain sent several letters of complaint to producer Jerry Wald, objecting to the changes Wald wanted to make, especially the dramatic idea of making Veda a washout musically and putting her in a tawdry nightclub” (Bennett Notes). The three main differences in the film were, the murder of Monte, Veda not having a successful career, and the time period only covering 1941 to 1945.
The stars, particularly Hollywood stars, made a huge contribution to attracting vast numbers of people to the cinema.
Mildred depicts a conventional 1950s woman in the aspect of being completely naive and oversimplified as a character. According to ‘Essential
Mildred Pierce, by James M. Cain, begins in pre-Depression California, and ends during World War II times, also in California. The main character, Mildred Pierce, is a very attractive housewife of 29, raising two daughters, Ray and Veda. Although Mildred loves both her daughters, Veda is a particular obsession with Mildred. She constantly slaves away throughout the novel to do whatever she can to make Veda happy, despite the constant abuse and deception Veda inflicts upon Mildred. After a divorce from her first husband, Bert, in the opening pages of the novel, Mildred is forced to sacrifice her pride and become a waitress in order to support her family. If Veda were ever to find out, she would be appalled; a constantly recurring theme throughout this story is Veda’s pride and arrogance, and her condemnation of jobs she deems to be menial. Mildred’s main goal is to nurture Veda’s musical talents, and manages to pay for expensive music lessons from her meager salaries as a waitress and pie baker. However, Mildred’s luck is soon to change, as she takes up with an attorney and former partner of Bert, Wally. Mildred is able to use Wally’s business and real estate savvy to build a restaurant out of a deserted model home, and from there create a thriving chain of three food businesses. After becoming bored with Wally, however, Mildred craves a relationship with another man, a prestigious local man named Monty. Veda highly approves of her mother’s choice, as this makes her feel as if she too were more prestigious and affluent, despite having misgivings about her mother still being so low as to have an average, pedestrian job. All seems to be going well; even through Veda’s constant demands and tantrums, she still gets everything she wants, and Mildred and Monty are happy. Monty, however, falls on hard times with the coming of the Great Depression, and he constantly mooches off of Mildred’s affluence, making it a struggle for Mildred to cater to Veda’s every whim. Mildred soon dumps Monty to focus on making Veda a musical prodigy; this fails, however, when Veda is told that her piano is not up to par from a local famous music teacher. After Veda recovers from this shock, she explores the opportunities offered by an acting career, and begins to spin more webs of deception and selfishness. After Veda forces money out of a local rich family, lying and claiming their son got her pregnant, Mildred and Veda have a major argument, and Veda disowns her mother.
Women like Martha followed the custom of publicly staying out of men’s affairs to honor their husbands, but privately they were the glue that held their lives together and kept the home running from day-to-day. Though these courageous and tireless women worked hard behind the scenes and did not enjoy the freedom and benefits their male counterparts did, they were an inspiration to future generations who recognized their hard work and accomplishments that paved the way for change in the words, “all men are created to equal” to include all of humanity and not just certain men.
In both The Bell Jar and Enormous Changes at the Last Minute, we often see women as being subordinate to men. For example, in "Debts", one of Grace Paley's characters is happy because she has found "a husband to serve"(Paley, Enormous Changes at the Last Minute, 11). Her life has no meaning apart from her role as wife. She is defined by her husband. The idea that women are defined by their husband is so pervasive that we even find it in the language of the stories. In "The Burdened Man" there is a newspaper article describing the shooting of a wife and her lover by her husband. The husband and the lover are called by name, Sgt. Armand Kielly and Alfred Ciaro, respectively. The wife is only referred to as Mrs. Kielly. In The Bell Jar, when Buddy Willard proposes to Esther, he asks her "How would you like to be Mrs. Buddy Willard?"(Plath, The Bell Jar, 75). In both these instances, the language used defines the women in terms of their husband. This casual indication of dominance says a great deal about the culture.
The movie Norma Rae is a 1979 drama film about a textile worker from Alabama that becomes involved in labor union activities in the factory where she works. Though it is a film, it is based on the true story of Crystal Lee Sutton, a textile worker from North Carolina, who worked for J.P. Stevens textile plant, and was fired from her job for trying to organize a union (southerstudies.org, 2009)…………… The analysis and information provided will provide a summary of the movie, detail the motives of the workers to join a union, show managements reaction to the organizing, and discuss what the workers were hoping to achieve by gaining union representation, describe the union representation process,…………….
The story of Charles Foster Kane was truly one that could go on as timeless. Born in poverty Kane was given away with the promise of having a better life. In a material point of view Kane lived a very fulfilling life filled with anything he ever wanted. Although throughout the movie, Kane despised the situation in which he was brought up in. Being placed under the care of his mother’s banker really influenced the way he viewed the world. He considered himself a people’s person a sort of hero for those in worse situations than his own. The mass appeal for this character along with the truly original storyline and plenty other factors led many people everywhere to gain a huge appreciation of this movie. Despise its early failure following its
Moreover, the film Mildred Pierce follows the struggles of a hard-working mother, Mildred Pierce, as she divorces her husband and supports herself and her spoiled daughter, Veda, by starting a successful restaurant business chain. In different ways, the film challenges the notions of masculinity and femininity as gender roles are reversed with different characters but identify this, you have to look at the films ideology. Ideology is a system of ideas that structure and make sense of society. If you look at 1940s America, post World War 2, the society at the time adhered to a very hegemonic patriarchy in which men were the ones with power, the ones providing for the family; where as the women of the time were seen subordinate and were more
The Studio System Key point about the studio system could be: Despite being one of the biggest industries in the United States, indeed the World, the internal workings of the 'dream factory' that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch. Starting in 1920, Adolph Zukor, head of Paramount Pictures, over the decade of the 1920s helped to fashion Hollywood into a vertically integrated system, a set of economic innovations which was firmly in place by 1930.
First, the 1900’s is a time where women are trying to put away the homemaker image and obtain work. This causes many hardships between husbands and wives. Jane is on the verge of beginning to leave her homemaker image and begin a career in writing. “I am sitting by the window now, up in the atrocious nursery, and there is nothing to hinder my writing much as I please, save lack of strength” (Gilman, 1599). Jane is starting to recognize that she is loosing her feminism. John recognizes this and tries to do everything he can to stop Jane. John knows that Jane is putting aside her role as being a wife, homemaker and mother. In these times, husbands’ do not believe that women could balance both home and work responsibilities. Jane decides to oppose the homemaker life and branch out into writing. The feminist role is “The concept of "The New Woman," for example, began to circulate in the 1890s-1910s as women are pushing for broader roles outside the home-roles that could draw on women's intelligence and non-domestic skills and talents” (http:/...
In the late 1800’s to the 1900’s women were not superior. Their spouses did not only govern them constantly, they were in complete care of their husbands. They could not make decisions; the men must tell the women how, when, why, and where to do something. If a husband says a woman must do something, she must listen. Like Louise from “The Story of an Hour” and the narrator from “The Yellow Wallpaper,” they, too, are cared for by their husbands and are inferior to their husbands or any other men. The only jobs they have are inside the home. The confinement in their homes leads them to be overly enjoyed when they are freed from their husband’s power.
For this assignment, I decided to do my film review on To Kill a Mockingbird (Mulligan, R., & Pakula, A. (Directors). (1962). To Kill a Mockingbird[Motion picture on VHS]. United States of America.) I have a personal connection to this film because it is one of my most beloved novels by Harper Lee. I have never watched the film so it was a nice experience to see the characters I have loved for years come to life just before my eyes. The film particularly focuses on a white family living in the South of the United States in the 1930s. The two siblings, Jem and Scout Finch, undergo major changes while experiencing evil and injustice in their small town of Maycomb. Jem and Scout’s father is named Atticus and he is a well-respected man in the town as well as being a lawyer.
...he stopped being the protector and the only rational thinker in the family. In this short story, the men had power over women and they undermined them. The narrator insisted to her husband that she was sick, but he never took her serious instead, he confined her in an isolated place away from home and her child. Eventually both husband and wife loose because, they are trapped in fixed gender roles and could not go against them.
The Golden age of Hollywood marked a time in American films history in which films were produced and distributed at rate never seen before or since. During this period, the film market in America was basically entirely run by 8 major companies. This period would also be known as the American studio years. Within these 8 companies there were two categories of power that each major studio system fell into. The big 5 consisted of studios that functioned as vertical integrated which meant that they produce film, distribute films, and they own theater chains. The 5 studios in this category were Paramount, MGM, 20th Century Fox, Warner Bros, and RKO. Then we have the big little 3, which was composed of Columbia, Universal, and United Artist. They were called the big little 3 because these companies either distributed or made films but they did not on movie theaters, so they had a lot less power. The studio era was not only largely controlled big studio companies, but also by various amounts of expectations and assumptions about hoe movies should be made, what kinds of stars should be on different kinds of films, and a need to acknowledge the ordinary conventions of society