For a deep existential and mid-life crisis, look no further than Miguel Arteta’s independent drama ‘The Good Girl’. This 2002 black comedy features ‘Friends’ famous Jennifer Aniston as Justine, the 30-something housewife working at the local Retail Rodeo, a Walmart-like store sprinkled with Texas hints of bible study nights and drudgery. Screenwriter Mike White, a previous collaborator with director Miguel Arteta in “Chuck and Buck”, showers us with emotional turmoil as we watch Justine
The real star of this film is its characters. Aniston’s depressed character Justine is in a seven-year marriage to the ‘piggish’ nice-guy house painter Phil (John C. Reilly), who spends most days on the couch watching TV and smoking marijuana alongside his
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Holden is Justine’s escape from her mundane life, as is she from his, subsequently causing him for fall utterly in love with her. She does love him back, though is unsure to what extent. Through his child-like constant need for attention and unrealistic dream of riding off into the distance with his new lover, we see Justine slowly wonder if she truly wants to be with Holden. She ponders each night whilst her unknowing husband sleeps besides her if her momentary root for escape has gone too far, or if she’s too afraid of losing what she already has. Or perhaps, what she doesn’t have. Justine consequently later makes a choice which may not make her happier, but will make her feel better as a person, whether or not that choice was a good one is up to you. Mike White’s take on human nature and the mental drag of wanting a big change in your life is something that most viewers can relate to in some way. Watching “The Good Girl” triggers us to think what we would do in each of these situations, further pushing the burden of real life notions though us whilst
Holden’s first betrayal was that of his memory and innocence by an egotistical peer. At Pencey Prep, he roomed with a student named Stradlater; the epitome of a teenage jock. Stradlater was openly very vain; as Holden stated as he watched Stradlater gaze at himself in the mirror, “he was madly in love with himself. He thought he was the handsomest guy in the Western Hemisphere” (27). Because of his inflated ego and good looks, Stradlater figured that he would steal the breath from any girl he wanted. To Holden, he admitted that the girl of the hour was a “Jean Gallagher” (31). Here was the betrayal: this “Jean” and the Jane that Holden had spent childhood summers with playing a cool game of checkers on the porch were one and the same. Holden had ...
Holden struggles to make connections with other people, and usually resorts to calling them phonies whenever they upset him. He finds natural human flaws in people and runs away from connection immediately. His date with Sally shows this. Near the end of the date, Holden tells Sally about his plans to run away from life. When Sally gives him practical advice, Holden is quick to escape connection by calling her “a pain”. Sally’s advice would definitely guide Holden in a more realistic direction, but that is not what he wants to hear. Conflict always arises in his mind even if there is little in reality. His struggles with finding connection also make him too apprehensive to call his old friend Jane. Holden likes to think of Jane as a pure and perfect girl that he can
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
" Hollywood producers influenced by the backlash trend in the media, created a series of movies that pitted the angry career woman against the domestic maternal "Good woman"."
When one does not stand for something, one is bound to fall for anything. Because Holden lacked paternal figures in his life or a greater influence he took the idea of innocence as his mantra. His need to find an identity led him to find a role model in children, which led him to believe permanent innocence would mean happiness and sanity. He held on to his idea and sought out to find innocence in the dimmest of places. His intoxication with this idea and his disappointing encounters with adults ensure him that nothing but corruption is found once a child grows up. He rejected the idea of adulthood and created further problems for himself. In the process of this well-intentioned plan, Holden loses the little of himself he had. He is left standing only with a hunger for innocence. Because, to him, innocence is all and love is innocence.
Holden’s sexual struggles are visible through his interactions with Sunny, Sally Hayes, and Carl Luce. Holden’s fascination with sex interferes with his elevated morals; as much as he wants to engage in intercourse, he voices his need to establish an emotional connection with his partner first, which prevents him from having casual sex. As much as physical intimacy is important to him, Holden needs to be taken care of and understood emotionally, as well, displaying that he holds sex in high regards and does not view it as something to be done carelessly. Holden just needs to be loved; but, unfortunately, his romantic life is sub-par at best, and until that changes, he’ll always feel confused – and very, very lonely.
A Few Good Men (1992) is a classic American film, with classic gender disparity. The name itself is indication enough. Set on a military and legislative backdrop, the hegemonic order between masculinity and femininity thrives. In an interview, Aaron Sorkin (the film’s screenwriter) was asked to elaborate on his worst experience as the screenwriter.
Holden returns to school and goes to his bedroom in the dorm. In his room quietly reading, his neighbor Robert Ackley came in. Holden describes him as a pimply, insecure, annoying boy with a bad dental hygiene. When Holden’s roommate Stradlater who was “madly in love with himself” (27) arrived home after the football game, Ackley abruptly left. Stradlater tells him that he has a date with a friend of his, Jane Gallagher. Jane is someone that Holden really cares for and because he knows the way Stradlater is, Holden became worried for her. “It just drove me stark raving mad when I thought about her and Stradlater parked somewhere in that fat-assed Ed Banky’s car”. (48) Holden became depressed and lonely, so out of the blue Holden decides to pack his things and leave for New York a few days earlier. On the train to New York, Holden meets the mother of one of his schoolmates. Not wanting to tell his whole life story, he told her his name was “Rudolf Schmidt”, the name of th...
Holden doesn’t like the complexity of life and relationships. This is why he distances himself from his family and friends. After Holden is expelled from his school, he tries to stay away from his parents for fear of their reaction, even though learning of his expulsion is inevitable. He visits his sister Phoebe in their home multiple times throughout the novel because due to her young age, his sister and his relationship is simple. "For instance, within Holden, the desire to reject others conflicts with the desire to be accepted by others: he doesn't want to lend Stradlater his coat, but his overt actions belie this covert, warring want: he despises Ackley, but he invites him to see a movie; he hates movies, believing them to foster phoniness in society” (Mitchell). Holden struggles to “catch” others because he believes he is not accepted by others.
It is made evident that Holden is enamored with Jane Gallagher, and this first manifests itself when Holden talks about her to Stradlater. “I used to play checkers with her,” Holden recounts. “ ‘She’d get [her kings] all lined up in the back row. Then she’d never use them. She just liked the way they looked when they were all in the back row.’ Stradlater didn’t say anything. That kind of stuff doesn’t interest most people” (41). In a world where almost everything is so “goddam depressing,” thinking about Jane’s minor traits actually makes Holden happy, even if it is the kind of stuff that does not interest most people. It allows him to channel his childhood, where he was oblivious to the phoniness around him. However, this silly nostalgia cannot get across to Stradlater, who is more interested in Jane as a sexual being than trivialities such as her checker tactics or struggles with ballet. This physical interest eventually becomes the root of their brawl in their dorm. Although Holden’s interrogative mood agitates Stradlater, Holden is only showing his genuine care for Jane. Unlike Stradlaer, Holden has enough sense to know that Jane, being the humble, intelligent girl she is, deserves to be treated right. So, even though Holden lets his anger get the better of him and eventually start a fight, he has reason to do
Holden is the main character of the book. He is a complicated boy how seems to get thrown out of boarding schools left and right. He is constantly thinking about depressive thoughts of his past, like times he was with his brother, who is dead. His thoughts of his brother bring serious rage for some reason. In one instance he tells about the day after his brothers death, and Holden was filled with such anger and loneliness, he punched through all the glass doors in his garage. This required him to go to the hospital, and unfortunately his stay at the hospital forced him to miss his brothers funeral. He also keeps thinking about his old girl friend Jane. Holden is reminded of past times with her, where her father upset her, and Holden was the only one there to console her. So with that in mind, he thinks he still may have a place with her, and Holden believes that all his happiness will rest with her. Holden is just a guy who is searching for something to get him out of his depression, but he has no idea what it is, and above all how to get it.
Holden Caulfield can be analyzed through his thoughts, actions and circumstances which surround his everyday life. Holden acts like a careless teenager. Holden has been to several prep-schools, all of which he got kicked out of for failing classes. After being kicked out of the latest, Pency Prep, he went off to New York on his own. Holden seems to have a motivation problem which apparently affects his reasoning. The basis of his reasoning comes from his thoughts. Holden thinks the world is full of a bunch of phonies. All his toughs about people he meets are negative. The only good thoughts he has are about his sister Phoebe and his dead brother Alley. Holden, perhaps, wishes that everyone, including himself, should be like his brother and sister. That is to be intelligent, real and loving. Holden’s problem is with his heart. It was broken when his brother died. Now Holden goes around the world as his fake self, wearing his mask. Holden is looking for love, peace and understanding. He is scared to love because he is afraid he might lose it like he did with his brother. That is the reason for Holden's love of the museum, he feels safe because it never changes it always stays the same. Holden is troubled with the pain of death, it effects every aspect of his life causing him to not care about the future, himself or anyone, except Phoebe and Alley.
movies are about men’s lives, and the few movies about women’s lives, at their core, still
Holden's nervous impulse to protect women seems to have sprung up in his psyche from a very young age. After his brother, Allie, started to experience more severe symptoms of leukemia, Holden notes that his mother seemed "nervous as hell." His own mother's emotional problems (Lombardi) transfer to Holden on a very deep, psychological level because he feels partially responsible for his brother's fate in the first place. Seeing his mother in such a distraught state makes him feel even guiltier. The unintended consequence of this is that Holden grows up with a constant fear that he is going to hurt any woman that he grows close to. This manifests itself many times during his time in New York, with one of the earliest examples being his meeting with Sunny in the hotel room. Holden protects her innocence, but not for any particularly noble reason. He hangs her dress back up and insists that he just wants to talk, but Holden did not do this in an attempt to be some paragon of righteousness. Holden, on a deep, psychological lev...
He complains about his school, saying that it is just like any other school and uses language that makes him sound very obnoxious. Holden seems to focus on girls quite a bit, just like any other teenage boy. He seems to focus on one girl in particular, a girl named Jane. We soon learn that Holden’s personality is not your average personality. Holden does seem to have some friends but he does not fall into many peer groups with the type of personality he has. Holden isn’t able to read social cues like most teenagers learn to do. For this reason, he seems to play around a lot in the wrong situations. Even his friends have matured enough to recognise that Holden needs to ‘grow up’. Holden’s resistance to emerging adulthood is the cause of many of the problems he is faced with during the