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Recommended: The use of irony
The love story is one of the oldest and most cherished traditions in any world culture. The prevalence of romantic works throughout history, whether Greek myths, Jane Austen’s dramatic narratives, or today’s dime-a-dozen romantic novels, ultimately encourages us to believe in the power of true love. We identify with the archetypal star-crossed lovers, who combat established convention in order to assert their romance, because we too yearn for our own “happily-ever-afters.” When used in conjunction with reason, love is the highest form of compassion – without it, we could not possibly interact productively with one another or develop as individuals. But when we take a new perspective and examine love as an independent, free-acting entity, a dark side can emerge and destroy the idyllic images of romantic bliss that have pervaded literature throughout the ages. William Shakespeare, in his comedy A Midsummer Night’s Dream, takes the idea of pristine, pure, and rebellious romance and turns it on its head. Shakespeare uses irony to characterize impulsive love not as a blessing, but as an irrational, destructive force that leads us away from a valuable, constructive life.
Irony serves as Shakespeare’s weapon of choice in dismantling our idea of love as strong and noble. Irony in itself, however, is so nuanced and complex that it requires further explanation. Richard M. Eastman provides that explanation in his book Style, which illuminates the basic structure and function of irony and other stylistic elements found in literary works. In Eastman’s words, the “rudimentary pattern of irony” is “an assertion pointing in one direction together with some signal to the reader that the real sense lies in another” (Eastm...
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...pairs our rationality, and, ultimately, in our course of vulnerable irrationality, it swoops in to transform and destroy us. In Shakespeare’s comedy, all does turn out right in the end, but that is because A Midsummer Night’s Dream is a work of fiction. In the real world, love has the potential to be very dangerous – but only if we let it realize that potential. Shakespeare ultimately impels us not to let love control us; we must instead control it by continuing to assert our values and our individuality in the face of its pernicious destruction. We must cling to our reason in the face of love and use that rationality to keep the malicious aims of love at bay. Only then, can we experience our own true love and reach our own “happily-ever-afters.”
Works Cited
Eastman, Richard S. Style. 3rd ed. 1970. New York: Oxford University Press, 1984. Print.
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”. The general umbrella of love encompasses various kinds of love such as romantic love, the love of a parent for a child, love of one’s country, and several others. What is common to all love is this: Your own well-being is tied up with that of someone (or something) you love… When love is not present, changes in other people’s well being do not, in general, change your own… Being ‘in love’ infatuation is an intense state that displays similar features: … and finding everyone charming and nice, and thinking they all must sense one’s happiness. At first glance it seems as though Shakespeare advocates the hasty, hormone-driven passion portrayed by the protagonists, Romeo and Juliet; however, when viewed from a more modern, North-American perspective, it seems as though Shakespeare was not in fact endorsing it, but mocking the public’s superficial perception of love. Shakespeare’s criticism of the teens’ young and hasty love is portrayed in various instances of the play, including Romeo’s shallow, flip-flop love for Rosaline then Juliet, and his fights with Juliet’s family. Also, the conseque...
...l concept, many consequences can arise as a result of it. Their display of self-destructive and reckless behavior endorses the idea that young lovers are not yet mature enough to handle the ramifications that appear as a result of a complicated relationship. Their willingness to rush into major events, such as marriage and even death, further shows how passion can cloud one’s judgement and control one’s thoughts and actions. Though written a long time ago, the message that Shakespeare conveys in Romeo and Juliet about young, passionate love applies to modern society as well, where great consequences arise from people acting on emotional impulse as opposed to calm reasoning.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
“The course of true love never did run smooth” ~William Shakespeare. In the play A Midsummer Night’s Dream, Theseus and Hippolyta plan their wedding, which includes a play by the craftsman. While the other characters are trying to figure out their love for one another, the fairies interfere. Throughout the play the characters alternate lovers often. Although they bicker at one another, everyone finds their way to their true soul mate. The characters in William Shakespeare’s A Midsummer Night’s Dream are successful, after many trials and tribulations, in acquiring their desired relationships.
What is love? Love is a very powerful emotion! Love is something that can come at any time in your life. It can appear in any way, shape, or form. In the famous play “Midsummer Night's Dream,” by William Shakespeare, love is a major theme that affects many people and causes many challenges. In order for love to conquer these challenges one needs to stay true to their love, they may need the help of some magic, and must be persistent.
Love is often perceived as something perfect and flawless in today’s society. However, Romeo and Juliet, a play written by William Shakespeare, portrays love as a form of passionate and violent force that comes with both rewards and consequences.The tragedy focuses on two young lovers called Romeo and Juliet, whose families are intertwined in an ancient feud that disrupts the peace in Verona, Italy. For love, the two teenagers are driven to overcome obstacles they will never imagine doing, and as a result, they along other family members are forced to pay the price of their lives. Through the play Romeo and Juliet, Shakespeare exhibits the reality of young love through the portrayal of the Queen Mab Speech, the impulsive actions taken by both lovers, and the results caused by the powerful nature of their love.
William Shakespeare has a habit of creating complicated plots, and A Midsummer Night’s Dream is no exception. Three distinct worlds are presented within the play, and the story’s theme is most prevalent when they collide or mirror one another. Shakespeare’s allusions very intentionally cast light on these themes as he uses them to develop characters, settings, and comedy. The point of that development is the effective delivery of the theme that love renders us equals.
Our classic idea of romantic love is embodied in Romeo and Juliet. Shakespeare presents this as a force of nature, so strong that it transcends societ...
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
William Shakespeare’s Romeo and Juliet is perhaps one of the most well-recognized love stories of all time. However, it is more than just a classic love story, it is a tale of desperation and obsession. While developing these themes, Shakespeare contrasts Romeo and Juliet’s obsession with the concept of real love; he also demonstrates the danger of obsession-Romeo and Juliet do not heed Friar Laurence’s ominously omniscient warning “[t]hese violent delights have violent ends/ and in their triumph die, like fire and powder,/ which, as they kiss, consume”(II vi 9-11), and obsession with honor is likewise dangerous. He probes the theme of despair; the suicidal impulses that become reality for Romeo and Juliet are grounded in the dynamic and
In the play “Romeo and Juliet”, Shakespeare shows that love has power to control one’s actions, feelings, and the relationship itself through the bond between a destined couple. The passion between the pair grew strong enough to have the capability to do these mighty things. The predestined newlyweds are brought down a rocky road of obstacles learning love’s strength and the meaning of love.
Love and Marriage in A Midsummer Night’s Dream There is something to be said for the passionate love of young people, and Shakespeare said it in Romeo and Juliet. The belief that any action can be excused if one follows one's feelings is a sentimental notion that is not endorsed by Shakespeare. Thus, Theseus' suggestion in 1.1 of A Midsummer Night’s Dream, that Hermia marry a man she does not love rather than "live a barren sister" all her life would seem perfectly sensible to Shakespeare’s contemporaries. Shakespeare writes for a public who views marriage unsentimentally. At all levels of society, from king to commoner, marriage is entered into for commercial and dynastic reasons.
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience, in case the play “offend[s]” us, but the primary offence we can take from it is to our rational capacity to understand the narrative, which takes place in a world of inverses and contrasts. The fantastical woods is contrasted to the order of the Athenian law, and Elizabethan values of the time are polarised throughout the narrative, such as Helena’s feeling ugly even though she is tall and fair. A Midsummer Night’s Dream is thus not solely a comedic meditation on the nature of the origin or meaning of love, it also cautions against trying to rationalise the message of the play. Puck, who by his very nature cannot exist in rational society, propels the action of A Midsummer Night’s Dream. He is a manifestation of mischief and the unpredictability of nature, which governs not only the fantastical woods outside of Athens, but also the Athenians themselves when it comes to love. Yet, it is Puck, and thus nature, which rectifies the imbalance of the lovers in the beginning of the play. Rationalising, o...
“Is love a tender thing? It is too rough, too rude, too boisterous and it pricks like thorn.” (Act I, Scene IV) In the popular literary novel “Romeo and Juliet” love is ecstatic, forceful, even violent. This theme shows throughout the play, causing a tension which constantly grinds against itself and creates a heightened plot. The play is carefully constructed to not be sappy. In turn Shakespeare creates a clear divide from the books and plays which make up a large portion of the love genre such as A Walk To Remember by Nicholas Sparks, or The Fault In Our Stars by John Green. Both these books are world class, selling millions of copies each, but they certainly are different. By separating the play from the others like it, Shakespeare crafts