1. What kind of CONFLICT do we see in ACT I, Scene I?
Who is involved?
Egeus is a father that only wants best for his daughter Hermia. Hermia is in love with a man named Lysander, and the man her father wants her to marry is Demetrius. Lysander thinks up of an idea and tells Hermia to sneak out into the woods the next night so that they may get married at his aunt’s house just outside of Athens. Helena, Hermia best friend loves Demetrius, but realizes he only has eyes for Hermia. Helena tells Demetrius about Lysanders plan hoping that he will love Helena. So the conflict in this scene is that Egeus does not want his daughter to marry Lysander. But instead they both elope.
2. Explicate Hermia and Lysander's exchange re love in ACT I, Scene I (lines 130-155).
In these lines Lysander and Hermia are expressing there love for one another. “The course of true love never did run smooth,” is saying that even everyone has some bumpy roads along the way to marriage and true love. Some people may not like the fact of ones love for another’s, but have to deal with it. Hermia is telling him that she is too old but to young to get married. And I am thinking that she is a little scared to go all the way with it but her heart is telling her to.
3. What is HELENA's situation in ACT I?
Helena, Hermia’s best friend is stuck in a situation of loving someone that loves another. The person Helena loves (Demetrius), loves Hermia. Hermia does not love him though but loves someone else. She plans ...
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
The story starts with a fight about love. Egeus, who is Hermia’s father, does not want Hermia to be in love or with Lysander at all. Egeus wants his daughter to be with Demetrius who is in love with Hermia, but Hermia does not love him. Egeus goes to Theseus who is the Duke of Athens. Egeus tells him about the situation, and of course the Duke will go with Egeus side since he is the father of Hermia and he decides what she should do. Now Hermia is stuck with marrying Demetrius, becoming a nun, or being put to death. Hermia and Lysander decide to run away in the woods where there are no rules and where nothing can stop them from being in love. Hermia trusting Helena, who is her best friend with the secret she tells her. Helena is in love with Demetrius. She goes to tell Demetrius that Hermia has decided to run to the woods in hopes Demetrius would take her back.
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
In act 1, Scene 1, we are introduced to the paternal love of Egeus and Hermia. Egeus, being Hermia’s father has all right over who she marries and so he chooses Demetrius as Hermia’s to-be husband however she doesn’t truly love Demetrius and has her heart set in Lysander. This led to troubled times for her as if she didn’t marry Demetrius she had two options: execution or becoming a nun.
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
In the struggles of Hermia and Lysander to find a place where they can freely express their true love, it is evident that the course of something as scarce as true love always comes with obstacles. Lysander says: “How now, my love? Why is your cheek so pale? / How chance the roses there do fade so fast?” (1.1.130-131), showing that he and Hermia make a faithful couple truly showing their adoration for each other. However, Hermia’s father Egeus refuses to allow to these two lovers marry. This is the conflict Hermia faces: to disobey her father (and the Athenian law), or to mind her father’s will and allow this “edict in destiny” to lose course. “O hell, to choose love by another’s eyes!” (1.1.142), Hermia decides. Hermia chooses to follow the path her true love brings rather than to do what her father insists. In this example, complications manifest in the troubles with true love. In addition, even Titania and Oberon have difficulties
In A Midsummer Nights Dream we meet Lysander and Hermia, who when we first meet them are not allowed to be together because Hermia’s father decided that Hermia had to marry another man. In act 1 scene 1 Egeus, Hermia’s father said “As she is mine, I may dispose of her;/”. If Hermia wasn’t to marry the man Egeus wished her to marry, she would have to either go to a nunnery or be killed. Since they could not be together in Athens Lysander and Hermia ran away into the woods where all the events of the night took place. There were many problems which the two lovers faced which challenged their love in the play. In one scene, Puck accidently put a spell on Lysander to make him fall in love with Helena
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The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
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Hermia is the daughter of Egeus. She is a tiny woman that possessed sparkling eyes and a lovely voice. Hermia is very adamant about what she wants from the balance of the play. She has only eyes for Lysander and is very faithful, even when faced with the obstacles of death or the nunnery. Throughout the play Hermia emotions were confused at times. She even says "Am I not Hermia? Are you not Lysander? (Act III Scene 2 Line 292). We see at this point that she is confused and her feelings are hurt. At that very moment I think she feels like she has lost part of herself, a part that she has given to Lysander. So when Lysander returns to her, she is her self once again.
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Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.