Mexican American Culture De La Raza
explanatory Essay
404 words
Art is always around us. The word “art” is in Earth, so that must tell us something about our planet. In this planet, we are made of so many different people, and different people equals different cultures. And inside those different cultures are different, unique styles of art. When the people of those cultures come together to show each other the power of their art, it’s an amazing feeling. In the United States, we have an American festival called South by Southwest. In this festival, people come together to show each other new films, music, and interactive art. It’s a place where people with creative minds can come together to not only enjoy but to learn about the power of the arts. In the Chicano culture, there’s a place where people of all races and skin color can preserve, promote, and learn about Chicanos, Mexicanos, Native Americans, and Latinos art and culture. And this place is called Centro Cultural de la Raza. …show more content…
They are always having events and showing people their way of expressing their culture. The Centro also provides classes and presentations on film, dance, music, and arts which originate from Mexico. Dolores Huerta and Cesar Chavez helped grass-root community movements in San Diego in the mid 1960’s. People involved with the social protest that Chavez and Huerta were leading, saw that there needed to be place that was run by Chicano people. MAYA (The Mexican American Youth Association) was formed and they started recruiting students from San Diego State University to start this community. In 1968, the San Diego Parks and Recreation Department gave MAYA the permission to use the abandoned Ford Buildings in Balboa Park, and that’s where Centro Cultural de la Raza was
In this essay, the author
- Explains that the word "art" is in earth, so that must tell us something about our planet. in the united states, people come together to show each other new films, music, and interactive art.
- Explains that centro cultural de la raza is located in balboa park in san diego and it is always busy. they provide classes and presentations on film, dance, music, and arts which originate from mexico.
- Explains the purpose of centro cultural de la raza is to show the youth the history of chicano culture.
- Explains that the word "art" is in earth, so that must tell us something about our planet. in the united states, people come together to show each other new films, music, and interactive art.
- Explains that centro cultural de la raza is located in balboa park in san diego and it is always busy. they provide classes and presentations on film, dance, music, and arts which originate from mexico.
- Explains the purpose of centro cultural de la raza is to show the youth the history of chicano culture.
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- Explains that active citizenship expands the traditional artistic canon to bring in new voices, perspectives, art forms, and organizational practices that will attract and engage new participants.
- Explains that citizen participation is a fundamental strengthening pillar of democracy, where subjects are an active part in public governance.
- Describes the benefits of participatory management, such as citizen participation, inclusion, integration, and hearing in the development, implementation and evaluation of cultural policies.
- Opines that acciones, percepciones y discursos, and debates pblicos can be viewed as circulares and insoluble.
- Explains that the methodology and strategies proposal, in order to transform centex, shares many elements with other interesting concepts to analyze: participatory research and participative art projects.
- Analyzes how chelsea bailey and dipti desai expressed a strong sense of social activism, which states the dual condition for challenging the community to take part in their proposals and activities.
- Explains that interweaving of research and aesthetic practices opens up possibilities for not only coming to understand varied expressions of history and culture as a researcher/artist but also for participating in the transformation of historical and cultural knowledge through an active engagement with issues relevant to specific communities.
- Explains that the new centex aims to develop research, art production, and contemporary thought, focusing on the public space and sphere in valparaiso.
- Describes the participatory art project as an artwork collectively constructed and placed in the public space with a social purpose, where the focus is centered on both the community research (process) and the end product (artwork).
- Explains the expanded field of post-studio practices, which includes social engaged art, community-based art and experimental communities.
- Explains that both strategies of art production allow, in an ideal setting, reflection on art and its transformations and expressions, acknowledging that art is a social construct and responds to time and context that is fully linked to where it is produced.
- Opines that los artistas con base en una comunidad han adoptado la idea de relación cooperacion entre artists y publico para demostrar que las singulares percepciones del artista and sus mecanismos de creación pueden valer para la solución de
- Explains that all practices focus on vulnerable communities in social risk and lacking conventionally aligned traditional artwork. they respond to the greatest challenge to expand the culture and arts as a social right with easy access for all.
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