Narcissus and Echo: Metaphors in Metamorphoses In Ovid’s Metamorphoses, readers are given stories about transformations and many are about unrequited love. One such tale is of Narcissus and Echo, and within this story is a metaphor encapsulating the gist of the entire tale. “… But while he tries/to quench one thirst, he feels another rise:…” (ln 32-33 93). This metaphor explains the situation in which Narcissus meets his downfall, gives examples of his character traits, and proves a universal theme stemming from this myth’s character. The metaphor itself explains the situation Narcissus is in when he meets his downfall and what said downfall is. The first portion of the quote, “But while he tries/to quench one thirst…” describes Narcissus’ …show more content…
This story gives us a theme revolving around this personality trait. Narcissism is a destructive force to oneself and poisonous to others. Narcissus’ narcissism causes him to waste away, giving up his entire life for a selfish love. His self-absorption becomes his death. His narcissism is poisonous to others as well. He constantly hurts and distresses the men and women seeking his attention. The prime example is, again, Echo. Narcissus’ scorn of her ultimately causes her death. This negativity causes everyone around him to ache, leaving him alone in the end with only Echo’s voice. Narcissism isolates and scars people, just as Narcissus was hateful and alone. The metaphor, “…But while he tries / to quench one thirst, he feels another rise:…,” displays the theme of narcissism and shows that thirsting after oneself only leads to downfall (ln 32-33 93). Said metaphor shows the lust narcissism brings and supports the theme in that the second rising thirst is unquenchable and all-consuming. It proves Narcissus’ cold personality and displays the events leading up to his metamorphosis into a flower hanging over the pond. In the end, this metaphor encapsulates the entirety of the story and the dark themes it
There is no perfect character. Even the strongest character who seems invincible have a flaw. Whether it be a minor flaw or a major flaw. Sometimes, that flaw alone is can contribute towards a happy ending, or in other cases, it can lead to the character’s sorrow. Major character flaws are often seen in tragedies. In “Theseus’s Habitual Letter Entries” is my creative work directly inspired by Theseus by Edith Hamilton. It summarizes Theseus in a satirical way. Instead of illustrating the story from a third person point of view, it takes on a first person point of view by having the story formatted as a diary. The story includes what Theseus is thinking throughout his journey. And his thoughts follow a more contemporary language. This work reveals
Sophocles' Oedipus Tyrannus can be argued that it is related loosely to Rita Dove's The Darker Face of the Earth. This comparative and contrasting characteristics that can be seen within both plays make the reader/audience more aware of imagery, the major characters, plot, attitudes towards women, and themes that are presented from two very different standpoints. The authors Sophocles and Dove both have a specific goal in mind when writing the two plays. In this paper I will take a closer look of the two, comparing and contrasting the plays with the various elements mentioned previously.
An important narrative within at least the first two books of the Metamorphoses must be the repetitive and increasingly disturbing nature of the sexual attacks upon Diana’s nymphs. The story of Callisto brings about the forth attack and to date in the book the most deceitful of all.
The narcissus in the woman’s garden release petals in one clump (Otsuka 15). Furthermore, the narcissus is a sign of bad luck to the family and their survival. Otsuka (103) uses another flower to represent both hope and sorrow. However, for our theme of the tragedy, a man in the camp dies and an unfamiliar and rare flower was spotted on the other side of the fence”. The man was purportedly shot while reaching for the flower, symbolizing the struggle for freedom and a better life (Otsuka 101) In the end, the death of the man represents persona tragedy from an innocent action, an action with a deadly
The first part of the passage shows how Oedipus, ashamed of his crime, is losing all his power, yet still clinging on to it. Perhaps more important, the passage prompts the readers to pity Oedipus. Oedipus started of by describing his “guilt” as “horrendous”.
Time and time again our stories feature a twist where it turns out the image that the characters experience is either blatantly false, or has been distorted, that their perceptions turned out to be an imitation of something that was never real; whether it be the realization that the Matrix is a computer simulation, that Madeline from Vertigo never existed, or that Dorian Gray’s face masks his corrupt personality. In these stories the revelation of the false image provides the characters with a massive, life changing shock. Plato claimed that this shock, dragging someone from the dark of a false image, to the light of truth would be painful, but would leave them enlightened, however in The Picture of Dorian Gray those who idolized the image of Dorian Gray, the false imitation, will be devastated upon realization of the truth of how he acts.
The purpose of this essay is to demonstrate that the events in Oedipus the King, written by Sophocles, are the result of the hero’s self determination and restless attempt to escape a terrifying destiny predicted for him by the oracle of Apollo at Delphi. My intention is to prove that although the Fates play a crucial part in the story, it is Oedipus'choices and wrong doing that ultimately lead to his downfall.
The only person the narcissist will ever pity or feel sorry for is him/herself. If the narcissist believes he/she can get away with doing something (even if it's illegal, immoral, or will hurt someone), he/she will do it. At different times, many high profile individuals are classified as a narcissist in the media. The movie “The Wolf Of Wall Street” demonstrates how a rapid success leads to the narcissistic behavior. “Feel good” holiday movies, usually focus on traditional family values of heroism whereas Martin Scorsese in his film “The Wolf of Wall Street,” does the opposite. The movie focus on lavish life of Jordan but it was a true satire for an individual exploring quick fortune and shortcut of getting rich. Although many critics argue that “The Wolf of Wall Street” focuses mostly on the greed of Belfort, his extravagant luxurious lifestyle and portrayal of women as sex toys and leaves viewer with no moral message, I would disagree, as the film does delivers a moral message that rapid success can cause an individual to develop narcissistic behavior, which eventually leads to destruction and the financial message that will be helpful in investments business.
Sophocles, the author of “Oedipus the King” led individuals such as Freud to critically analyze this play specifically for its psychological content. Freud utilized this play to expand his dream analysis research as well as the inspiration of the infamous “Oedipus Complex.” Oedipus operates under freewill, yet his fate has been determined by the Gods although the end result may require a winding path of less than obvious events that occur to achieve the prophecy. The supporting roles in “Oedipus the King” truly exploit the protagonist, Oedipus, and his character flaws. All in all, Sophocles demonstrates the power of an individual’s psyche by illustrating the fears and dreams that are transformed into actions; such actions also lead to the rise and fall of the great Oedipus by the end of “Oedipus the King.”
The depiction of the Greek and roman myths are given unique insights from different authors. The Hymn to Demeter and Ovid's Metamorphosis provide and insight to Demeter's love for her daughter, Persephone, and explores its affect on the surrounding environments. The theme of separation and isolation is present in both of these myths, however, in Ovid's Metamorphosis, he symbolizes the environment in important events, has characters playing different roles, and empowers female deities.
There were two major rape narratives in the Metamorphoses: one in Book I, when Jupiter rapes the nymph, Io; and one in Book II, when Jupiter rapes Diana’s follower, Callisto. After the first instance, Ovid sympathizes considerably with Io. First, he addresses her with the title “fleeing girl” (Ovid 9), which gives her the characterization of being innocent and unwilling towards Jupiter. In addition, after the rape, Io is turned into a heifer then taken away from her home to be kept in captivity by Argus, which makes the readers sympathize with her because she is being held against her will for being the victim of rape. Lastly, Ovid conveys sympathy for Io when she looks into a river and sees that she is a heifer and becomes “terrified of herself”
Each time a story is told, elements of the original are often changed to suit new situations and current societies, or to offer a new perspective. Over the centuries, Ovid’s tale of "Echo and Narcissus" has been told many times to new audiences, and in the late nineteenth-century, it took the form of The Picture of Dorian Gray. "Echo and Narcissus" is the tale of a beautiful boy who fell in love with his reflection in a pond, and spurned others who loved him because he was so fixated upon himself. As a result of his extreme self-worship and consequent inability to love another, Narcissus perishes. Although several aspects of the original myth are retained in Wilde’s novel, The Picture of Dorian Gray is shocking and its characters commit acts that lead to ultimate decay and destruction. By changing elements of Ovid’s original tale, Wilde expands the myth of Echo and Narcissus to express the inevitable punishment and ruin that excessive desire brings.
This myth also parallels with the story of Narcissus and Echo. Both Narcissus and Adonis are troubled with sexuality, therefore illustrating Dorian’s relationship with Sibyl. Adonis avoids Venus and the myth suggests that such behaviour leads to death.
“What followed; snatching from her dress gold pins Wherewith she was adorned, he lifted them, And smote the nerves of his own eyeballs; saying Something like this, they should see no more” (45). As such, Oedipus becomes the full focus of irony, as he now knows the truth, while wishing that he never knew it. Oedipus could not see the truth when he had his sight. As such, Oedipus went on a search to cure his ignorance, while Tiresias was fully aware of the truth (12). However, searching for the truth reveals that Oedipus is the problem, and it was hidden in plain sight. Lastly, Oedipus’ life comes to full circle as he now accepts the role of one who knows, while wishing he doesn’t know. A question to investigate is how Oedipus’ character changes throughout the play, which is revealed by changes in his
Transformations from one shape or form into another are the central theme in Ovid's Metamorphoses. The popularity and timelessness of this work stems from the manner of story telling. Ovid takes stories relevant to his culture and time period, and weaves them together into one work with a connecting theme of transformation throughout. The thread of humor that runs through Metamorphoses is consistent with the satire and commentary of the work. The theme is presented in the opening lines of Metamorphoses, where the poet invokes the gods, who are responsible for the changes, to look favorably on his efforts to compose. The changes are of many kinds: from human to animal, animal to human, thing to human, human to thing. Some changes are reversed: human to animal to human. Sometimes the transformations are partial, and physical features and personal qualities of the earlier being are preserved in mutated form.