Antonio, a Venetian merchant, complains of melancholy; his friend Bassanio asks for a loan to travel to Belmont to court the beautiful heiress, Portia. Antonio agrees, but says that he must borrow the money from one of the city's moneylenders because all of his ships are at sea. At Belmont, Portia is also melancholy because, according to the terms of her father's will, she must marry the man who chooses the casket (out of a choice of gold, silver or lead) containing her portrait. If he chooses wrongly, he is condemned to remain unmarried forever.
Antonio approaches Shylock, a Jewish moneylender, to ask for a loan. Shylock hates Antonio and tricks him into promising to forfeit a pound of flesh if he cannot pay in time. Shylock's daughter Jessica elopes with the Christian gentleman Lorenzo. Bassanio, accompanied by friend Gratiano, departs for Belmont. The Prince of Morocco comes to Belmont and chooses the wrong casket; meanwhile, in Venice, rumors swirl that Antonio's ships have been lost at sea. The Prince of Arragon also chooses the wrong casket, and then Bassanio arrives at Portia's house. He and Portia fall in love, and he makes the correct choice (the lead casket), but their happiness (and that of Gratiano, who will marry Portia's lady-in-waiting, Nerissa) is interrupted by news that Antonio has lost all his money and failed to pay the debt, and Shylock is demanding his pound of flesh.
In Venice, Antonio is taunted by Shylock, who refuses to listen to reason. Portia disguises herself as a man and secretly follows Bassanio to Venice. The Duke of Venice presides over the trial. When Shylock refuses to accept Bassanio's offer to repay the loan, the Duke announces that he has called on a legal expert to settle the matter. A letter arrives from the expert, saying that he has sent one of his brightest pupils to pass judgment--the pupil is Portia, who arrives dressed as a young lawyer. She reads the contract, and declares that Shylock is entitled to the flesh. The moneylender praises her, but Portia then adds that the contract says nothing about shedding blood, so Shylock must cut the flesh without making Antonio bleed or else be arrested for shedding a Christian's blood. Shylock angrily retreats and says that he will take Bassanio's money, but Portia denies him even this, declaring that he has conspired against a Venetian citizen's life and thus his own life is forfeit.
Bassanio makes many choices that sets a path ahead of him. Bassanio is low on money since he is not very good at keeping it. Nevertheless, Bassanio continues to acquire money and owing several people. Bassanio is in love and is taking a chance to go win the love of a fair lady. He asks his good friend, Antonio, for money for his travels. “I owe the most in money and in love, /and from your love I have a warranty/to unburden all my plots and purposes/How to get clear of all the debts I owe.” (1, 1, 131-134) Antonio agrees to lend the money to Bassanio out of love. Antonio wishes Bassanio to be happy and with the woman of his choice. Bassanio reaches Belmont in high hopes of winning over fair Portia. He chooses to risk the consequences of the lottery just for a small chance to be with his love. “Confess and love/ Had been the very sum of my confession. / O happy torment, when my torturer/ ...
The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia’s home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia’s love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola’s brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke’s officers promptly arrest Antonio for a past offense. Then, Olivia later comes upon Sir Andrew and Sebastian bickering at her home. Olivia, thinking Sebastian is Cesario, leads Sebastian to marriage in a nearby chapel. Finally, Cesario inevitably reveals that he is Viola and Sebastian recognizes her as his sister. The Duke reciprocates Viola’s love offerings and proposes to her. Olivia assures Malvolio...
The flooding surges of the land, and leaves behind water for the people, and fertile land, which can be used for agriculture. The impact the Nile has on Egypt during the ancient times and present are consierably apparent. The influence the Nile has is so extensive, that even the speech is transposed. For example, "To go north" in the Egyption language is the same as, "to go down stream"; "to go south" the same as "to go upstream." Also, the term for a "foreign country" in Egypt would be used as "highland" or "desert", because the only mountains or deserts would be far away, and foreign to them. The Nile certainly had an exceptional influence on Egypts, both lifestyle and thinking.The Nile also forced a change on the political system and ruling in Egypt.
Othello has a beneficial quality to him; a quality that he uses time and time again. He uses his foreign and exotic nature to his advantage. Othello’s mystique and masculinity captivates his young Venetian wife Desdemona and sets him apart from her other uninteresting Venetian suitors, and Othello’s stories about the dangerous and exciting outside world and warfare provide marvelous entertainment and wonderment for her. After Brabantio, the father of Desdemona and a powerful senator, learns about the marriage of his daughter and Othello, he is outraged and accuses him of “looting” his daughter. For he sees her as property and doesn’t account for her free will and desire to marry the middle aged Othello, different in race and class. In the courtroom Othello gives a speech, “What conjuration and what mighty magic, for such proceeding I am charged withal, I won his daughter”. (Act i Scene iii) Othello denies the use of witchcraft or ma...
Venice is a busy place where all the characters are constantly worried about their income, they give loans and they borrow money to maintain their business. Here we see the first clash of love and money. Bassanio needs to impress a rich heiress from Belmont, but unfortunately, he does not have the money to win a lady from a rich family as a wife, “O my Antonio, had I but the means to hold ...
His love for Portia blinds him of the fact that possessions do not always bring others close to you. Later, this decline in moral values is seen when Portia pretends to like the Prince of Morocco, one of her suitors, by inviting him to dinner, but later reveals her true opinion of him after he chooses the golden casket. Once the Prince of Morocco leaves Portia's house, after picking the wrong casket, Portia expresses her feelings concerning the outcome, "A gentle riddance. Draw the curtains : go. / Let all of his complexion choose me so," (II.vii.78-79). Portia's hope that anyone with the prince's dark colour chooses the wrong casket shows her low morals in that she does not want to marry any of them. Through deceiving the prince, Portia's displays her prejudice towards the prince's race. These examples show how deception, as seen through love, leads to a decline in the moral values of
is unfolded, the reader sees a wife in love with the husband who was wise enough to earn her love (and consequently her fortune!). Beware, gentle reader! Do not fall under the spell of Portia the control freak! The following scenerios must be proof that this woman is not to be trusted!
Shakespeare’s The Merchant of Venice is riddled with characters deceiving one another, the play holds much significance on one’s physical appearance and how the appearance of a character is a crucial component to the continuation of the plot. The first occurrence of deception is in fact Bassanio, friend to Antonio, is arguably the most significant character in The Merchant of Venice, as none of the plot would occur without him. Bassanio used his appearance to deceive not only the people of Venice but also Portia of Belmont and uses funds which are otherwise unavailable to him in an attempt to appear wealthy. For instance, when Bassanio
casket to open in order to see if he will be able to marry Portia, but Bassiano
Mass media “references to people with mental health problems found more than four in ten articles in the press used derogatory terms about mental health and nearly half of press coverage related mental illness to violence and crime” (Esseler, 244). This is causing for people to look down upon the mention of mental illnesses and many times ignore the importance of confronting this issue. Therefore the importance of removing this stigmatization is crucial. Education allows to make more informed decisions and then changing the perception of mental illness can lead towards policy changes toward the improvement of mental health (Sakellari,
more alive and the love that is in the story line more prevalent. Portia hooks in Bassanio with the gift she bestows upon him. For example, “In “The Merchant of Venice” spotlights shiny displays of sacrifice and gift giving. At the same time he (Shakespeare) lets the shadows of darker motives encroach on the glitter of those displays”(Berger 1). The darker motives show that Portia is a little bit conniving in her way the she bestows the ring onto Bassanio. She uses the ring to self-protect, setting herself into a win-win situation. For example, “Portia’s gift to Bassanio is an act of self-protection “in a naughty world”(Shakespeare 5.1.91), a something for nothing that she can transform
The Merchant of Venice written by William Shakespeare takes place in Italy in the late 1500s. The play focuses on 4 main characters: Antonio, Bassanio, Shylock and Portia. Antonio is a Venetian merchant who is in love with his best friend. Bassanio is the best friend of Antonio and the husband of Portia. Shylock is a Jewish moneylender and is hated by the people of Venice due to his religion. Lastly, there is Portia, wealth woman from Belmont. She is forced, by her father’s will, to marry the suitor who chooses the correct casket. Bassanio ends up being the lucky suitor and gets to marry Portia. Soon after the marriage they receive news of Antonio's appending sentence to death. Portia being a loving wife gives Bassanio the money to pay the bound. She decided to disguise herself as a doctor names Balthasar and replaces Bellario, so he can defend Antonio. Balthasar’s (Portia) duty is to look over the cause for the Duke and see if the still stands. She wants to save Antonio from death because he is the best friend of her beloved husband. In court, Portia demonstrates her intelligence and bravery in ways the Italian society consider worthy.
Shakespeare’s The Merchant of Venice is a simple story line with three distinct plot lines incorporated into each other intricately. These three plot lines are the bond plot, the casket plot, and the ring plot, each equally vital to the meaning and conclusion of the play. In this essay, I will discuss the roles of the characters in the plot, the symbols, images, and rhetorical figures central to each plot, and finally how the events of the three plots are intertwined.
Defeating the enemy, light-heartedness, and a happy ending for the lovers are all elements in a comedic play. William Shakespeare’s The Merchant of Venice shows that love conquers all and that you can always defeat the enemy. Even if a pound of flesh is the difference between life and death, or if one wrong person chooses the casket that decides your fate. For example, The Merchant of Venice, Antonio, not only survives the fate of having a pound of his flesh taken from his body on account of his friend that could not repay the bond to a man who is seen as the devil, but gets thrice his money back and the villain is taken down. Not to mention that Antonio’s best friend, Bassanio, not only repays the bond and gets out of his debt to help his friend, but also marries himself a rich wife. In contrast, Portia, who was bound by her dead father to marry a man whom she could never love, cheated her fate and married the man she truly loved. What makes this play a comedy is clearly evident; the villain is defeated and destroyed, and happy endings are given to those that deserve them like the Christians.
Bassanio knows that he’d be leaving his newly wedded wife at home, alone, to be with a friend. Antonio also wants to know whether Bassanio will come to his death and resolve between the two. This fuels the fire of Portia’s want to be Bassanio’s only love. At the end of Act III, Portia configures a plan: rather than pulling Bassanio away from Antonio, she decides that she will help Antonio. Portia therefore decides that she will give Bassanio the money, in double, to bring back to Venice to conserve Antonio’s life. As a result of this, Bassanio will be indebted to her. Portia later