Impact of Gender in Media and Film

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I have to start and apologize for my cynical view. It is difficult for me to separate emotional stimulus from a purely analytical approach. Without using Carl Sagens Baloney Detection Kit at my side I easily diverge from logical analysis approach and immerse myself in my emotional defense. What I want to do is pull two separate and different works together and focus on the impact of gender in media and film. First I will summarize my position then address the two selected works. One work is from noted Marxist Louis Althusser where he points out eight different Ideological State Apparatus (ISA) of which I will focus on two for this writing, the family ISA and the culture ISA. The second is from noted Canadian activist and trans-gender celebrity Holy Devore. She/he writes about the concepts of femininity and masculinity and the effects on a hierarchical structure in society and the roles of that structure in society. My point of view is simple and straightforward and based on one axiom which I will ask you for the sake of this writing to assume to be true. This axiom is stated as follows; “Before the beginning was a cause and the entire purpose of the cause was the creation of effect.” This in most forms is an extension of a religious positions where the cause is identified as a supreme being, force, God , Allah or which ever deity is selected for prescription of the religious structure. The second group facts to consider are identified as a dynamics of survival and are developed from close but simplified observations of multiple cultures, societies and nations. In essence they can be described as follows; the basic and primeval thrust toward survival is survival of self. Survival of self is the strongest of all thrust toward surviv...

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...role of Femininity and Masculinity come to mesh together when some films and media are analyzed with these concepts in ones forethought. While media has always been a great instrument to disseminate concepts and new technology traditional roles and concepts of society govern how and what the writer and film producer are capable of communicating to the public at any one point. A film like “The Way We Were”, intermingle the Marxist concepts of an ideological society and oscillates between femininity and masculinity of the protagonist while concentrating on the group orientation and goals. One day science, media, and history may come together to explain the formal interrogative of our roles in society, family, government and media. For me I am satisfied believing some members within the media community produce films and books for the simple intent of entertainment.

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