“‘The Necklace’ is one of the most famous of Maupassant's short stories but also one of the most enigmatic” (Adamson). Guy de Maupassant was born in Normandy to wealthy parents. His childhood setting and character reflected in his fiction writing. His mother provided the characterization of slighted, overbearing women in most of his stories. The plot is about the loss of a diamond necklace by a low-ranking officials wife. She finds outs the price of a similar necklace is 36,000 francs. Madame Loisel spent 10 years paying off her debt for the necklace only to find out that the gems were paste costume jewelry instead of diamonds. Guy de Maupassant develops his theme that objects can have a perceiving power in his short story “The Necklace” through the use of characterization, symbolism, and irony.
In Guy de Maupassant’s “The Necklace,” Mathidle is unhappy with the life she currently has. Furthermore, Mathidle is always striving to be like her “rich” friends. Even though Mathidle’s husband tries extremely hard to please Mathidle, Mathidle is always unsatisfied with her materialistic wealth in the beginning of her life. Likewise, Mathidle is an object-oriented idealist who momentarily escapes reality only to experience a tragic loss and eventually finds happiness through her journey.
In Guy de Maupassant’s “The Necklace”, Mathidle is unhappy with the life she currently has. Furthermore, Mathidle is always striving to be like her “rich” friends. Even though Mathidle’s husband tries extremely hard to please Mathidle, Mathidle is always unsatisfied with her materialistic wealth in the beginning of her life. Likewise, Mathidle is an object-oriented idealist who momentarily escapes reality only to experience a tragic loss and eventually finds happiness through her journey.
Other details in the story also have a similar bearing on Mathilde’s character. For example, the story presents little detail about the party scene beyond the statement that Mathilde is a great “success” (7)—a judgment that shows her ability to shine if given the chance. After she and Loisel accept the fact that the necklace cannot be found, Maupassant includes details about the Parisian streets, about the visits to loan sharks, and about the jewelry shop in order to bring out Mathilde’s sense of honesty and pride as she “heroically” prepares to live her new life of poverty. Thus, in “The Necklace,” Maupassant uses setting to highlight Mathilde’s maladjustment, her needless misfortune, her loss of youth and beauty, and finally her growth as a responsible human being.
Between misplacing priorities and self-absorption Mathilde Loisel is created in the story, “The Necklace” by Guy de Maupassant. Mathilde has just about everything a woman could want: remarkable beauty, a loving husband, and a comfortable lifestyle. Material riches are the only category in which she believes she is inadequate to other women. This one factor sets up the conflict present in the story. Throughout the turmoil she must endure, due to her egotistical ways, one would think she would have a change in heart and mindset. Mathilde has a dissatisfied disposition that does not evolve even as her situation does; she is disgruntled being in the middle class, as well as attending a first class event, and ultimately being in the working class.
In Guy de Maupassant's "The Necklace" and Toni Morrison's "Recitatif," materialism and the desire to be envied are vital ingredients in the themes of the stories. Both authors enhance their themes through the manipulation of plot and the use of women as their central characters. Maupassant and Morrison prove the notion that women are effective characters in depicting themes that deal with the social issue of craving material wealth.
Janwillem Van De Wetering says, “Greed is a fat demon with a small mouth and whatever you feed it is never enough.” Guy De Maupassant’s “The Necklace” tells of Mrs. Mathilde Loisel’s longings for the finer things in life. Her desires are so intense she risks her husband’s affections, the friendship of an old chum, and even her mediocre lifestyle to pursue these cravings. One small decision based on an ill-placed desire causes a slow drawn out death of the spirit, body and relationships.
Around the world, values are expressed differently. Some people think that life is about the little things that make them happy. Others feel the opposite way and that expenses are the way to live. In Guy de Maupassant’s short story, “The Necklace”, he develops a character, Madame Loisel, who illustrates her different style of assessments. Madame Loisel, a beautiful woman, lives in a wonderful home with all the necessary supplies needed to live. However, she is very unhappy with her life. She feels she deserves a much more expensive and materialistic life than what she has. After pitying herself for not being the richest of her friends, she goes out and borrows a beautiful necklace from an ally. But as she misplaces the closest thing she has to the life she dreams of and not telling her friend about the mishap, she could have set herself aside from ten years of work. Through many literary devices, de Maupassant sends a message to value less substance articles so life can be spent wisely.
Guy de Maupassant is a realist whose claim to fame is the style in which he conveys political and socioeconomic themes in his literary publications. He achieves his writing style by putting small unfortunate life events under a spotlight. His literary performance is described in his biography from Cambridge, the writer says “He exposes with piercing clarity the small tragedies and pathetic incidents of everyday life, taking a clear-sighted though pessimistic view of humanity” (Halsey, par. 1). Guy de Maupassant’s story The Necklace is a great representation of the style he uses. In The Necklace the main character Mathilde Loisel a beautiful but impoverished woman married to a clerk is in conflict with her lack of wealth and desire to acquire
It took ten years for Mathilde and her husband to pay off the debt of buying a new necklace. Those ten years were not spent with the luxuries she experienced so many years ago at the party, nor were they filled with the simple things she once owned and despised. She came to know “the horrible existence of the needy. She bore her part, however, with sudden heroism.” When passing her rich friend again in the street, she was barely recognizable. Who she was the day she ran into her friend was not who she was the night she wore that necklace.