Matthew Arnold's Dover Beach
Great works of poetry convey a feeling, mood, or message that affects the reader on an emotional, personal level. Great works of poetry can do that -- translate a literal story/theme -- but masterpieces, like Matthew Arnold's "Dover Beach," are a double-edged sword, containing a second, figurative theme -- a message between the lines and underneath the obvious. Not only is Matthew Arnold's 1867 poem, "Dover Beach," a unique and beautiful literary work describing a lover's longing for trust and faith, but on a figurative plain it also stands as a metaphor for that constant evil called war.
Literally, "Dover Beach" flows through four irregularly rhymed sections that increase in emotional impact and describe a lover's need for faithfulness in an otherwise dark and unfaithful world. In this traditional sense, the narrator of "Dover Beach" is either a man or woman standing at a window wearily reflecting on the world while staring at the beauty of the night coast. In the first section (Arnold's poem is very prose-like in its lack of a distinct structure or rhyme scheme, sputtering through the first nine lines in an abacdbdce rhyme scheme), the lover declares that "The sea is calm tonight." The poem continues with simple imagery of the atmosphere, describing the full tide, the moon, the beaches of Dover, the night air, the waves, all of which we presume are viewable from the narrator's window. The scene is cemented: a moon-bathed beach, the waves drawing back, only to crash back in a "grating roar of pebbles." "The eternal note of sadness" is set as the lover begins to question the beauty he sees and the love he longs to keep.
The next two sections of "Dover Beach" describe a w...
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...re ignorant armies clash by night." Whether Arnold intends to imply that these things were murdered and driven from the world by war or that they never even existed in the first place is left to the readers to decide for themselves.
On a traditional, literal level, Matthew Arnold's poem, "Dover Beach," is a vivid voice praying for faithful love in a beautiful yet evil and faithless world, but figuratively, the poem is a metaphor for the cycle of war and the darkness it brings to the world. The waves represent the battles, the pebbles the innocent people flung about by their power, and that note of despair present throughout the entire poem hints at no possible end for weary romantics like the poem's narrator. Crying both for the endurance of love and an end to war at the same time, "Dover Beach" stands as a poetic masterpiece of one eternal note: sadness.
He describes how the sand on the beach flows and moves on the shore. For example, in the first line of stanza two, he says, “Slush and sand of the beach until daylight.” This description of the sand really helps you visualize it.
Good poetry provides meaningful commentary. One indication of a poem’s success in this is the depth of thought the reader has as a result of the poem. The poems I anthologized may take different
In this poem, Frost includes his fear of the ocean and exaggerates its destructive power. As Judith Saunders stated that “The first thirteen lines have depicted an ocean storm of unusual force, and through personification the poet attributes to this storm a malign purposefulness” (1). Frost provided human characteristics on the storm to help prove his point that the ocean has bad intentions and its only purpose is to hurt him. Frost does not describe the waves as a result of unfavorable weather; he explains them as having a malignant intention to destroy the world. This poem revolves around the forces of nature and could be included in the long list of nature themed poems by Robert Frost.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
In Longfellow’s poem, The Tide Rises, the Tide Falls, Longfellow states “The little waves, with their soft white hands, / Efface the footprints in the sands.” By personifying the waves in the ocean, longfellow reveals the truth that all humans eventually die and their mark on the world is erased, like the waves wash away the footprints. In this imaginative way, Longfellow shows how no one lasts forever. Multiple times in other parts of the poem, Longfellow writes “And the tide rises, the tide falls.” Longfellow is expressing that the ocean is continuous, regardless of what happens. After losing his second wife, Longfellow was very depressed, and in this poem he is accepting that life goes on after someone dies. Using his imagination, Longfellow states the truth of the inevitability of death and the fact that life does not stop in the event of
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
On August 27, 1965, a weather satellite detected a weak tropical disturbance, which was named Betsy, near the Barbados. However, by August 29th the “disturbance” had grown into a hurricane. Betsy not only became one of the most dangerous, but also one of the most expensive storms in the history of the United States. In fact, Time Magazine has rated Hurricane Betsy number 11 in its “Most Destructive U.S. Hurricanes of All Time.” Moreover, this famous hurricane gained the nickname “Billion Dollar Betsy” because it was the first tropical storm to have caused more than $1 billion dollars in damage.
One of the ways Fahrenheit 451 can be related to Arnold’s Dover Beach is by connecting the absense of true love in both of them. Throughout the book, Montag slowly realizes that he does not truly love his wife Mildred. In the beginning, Montag believes that he truly loves Mildred. However, as the book goes on, he meets Clarisse, and begins to change his way of thought. He slowly begins to wake up from the dream world that he is living in. As he begins to know Clarisse, he slowly realizes that Mildred does not share the same deep passion for life that he does. At the beginning of the Sieve and the Sand, Montag frantically reads books to gain more knowledge. Mildred complains and kicks the books around, showing that her and her husband are growing apart. At the end of the book, Montag is talking to Granger, and says "... Even if she dies, I realized a moment ago, I don't think I'll feel sad (155)". This shows that Montag does not care for his wife as much as he thought he did before. In the poem, Arnold states "…a land of dreams ...hath really neither joy, nor love, nor light". The world in Arnold’s poem is a land of dreaming. While people are dreaming of true love and joy, there is none in the real world that you live in once you wake up from the dream. Once the “confused alarms of struggle and flight” wake you up, you realize that the world is really void of love and happiness. The world in Arnold's poem is a world parallel to that of Bradbury's: Both are worlds that do not contain love or light, as much as people in them would like to believe otherwise.
John Donne's poetic masterpiece, "A Valediction: Forbidding Mourning," is a very touching and romantic poem. His words not only touch the intended recipient, his lover, but also all of the poem's readers. Through the use of metaphors and detailed imagery, Donne paints a beautiful picture of the bond that two people in love can have.
The. Throughout this poem, Arnold mentions all of these traits and ties them all. together. We are all a & nbsp; The irony in this poem is the main plot of the poem. A man has taken a woman to a beautiful beach in France. There they look over the cliffs at the beautiful ocean, the moon is full and bright, and the night air is calm and peaceful. She thinks that she is going to this romantic place to be wooed by this man. Instead he turns to her and talks to her about Sophocles. She, not. understanding what exactly is going on, later realizes that he was getting to. the point of having each other and always being there for one another. & nbsp; The poet uses visual and auditory images to mainly help the romantic fantasy-like place. “The sea is calm, the tide is full” and “Of pebbles”.
The first line in this poem is only taken up by one word, ‘morning’ this may represent a peaceful approach to the day. I came to this conclusion because the poet tells us in the third line ‘sound of the blue surf’ this indicates that the sound of the sea is harmonious and it is the first image that is put into the island mans brain. The word ‘morning’ on its own can make us think that someone is actually saying morning as in good morning. ‘blue surf’ could also mean relaxation however the word ‘blue’ could mean sadness. This choice of wording makes us the readers think that the blue surf is a relaxing thing but it is sad that the island man Is away from it or that the island man Is missing his homeland.
Relief,” Millay used a similar form of imagery to describe the rain that resulted in the remembrance of the persona’s love: “…I miss him in the weeping of the rain…” (Millay, 3). This description of the rain not only helped better visualize the rain itself, but also emphasized the sorrowful and desolate undertone of the poem. Another exemplification of visual imagery utilized in Millay’s poem was used to illustrate the tides: “…I want him at the shrinking of the tide…” (Millay, 4). The retreating of the tides was easily concei...
Dickinson begins the first line of her poem by writing in iambic tetrameter. In the second line she switches to iambic trimeter and proceeds to alternate between the two. This rhyme scheme proves to be particularly effective in complimenting the subject of the poem-- the ocean. When a reader looks at the poem it is easy to see the lines lengthening then shortening, almost in the same fashion that the tide of the ocean flows and ebbs.
In this piece of literature, there is a boy and a girl who are absolutely infatuated by each other, and feel as if they could spend the rest of their lives together at that location. When the author says, “In a kingdom by the sea” (Poe 2), I immediately think of a gloomy beach. In my mind I see the couple on a beach with an unmoving ocean to one side, and flat landsc...