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Mary Shelley’s novel Frankenstein, is a book in which men pursue their goals against hopeless odds. Robert Walton’s decision to turn the ship around at the end of the novel is questioned by many. This essay will discuss the interpreted views on Robert Walton’s decision to retreat by Victor Frankenstein, Mary Shelley and myself. Although, some may disagree ultimately Robert Walton made the right choice to turn his ship around at the end of the novel and is therefore not a failure. The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ... ... middle of paper ... ...to life. I was abandoned, left alone to fend for myself and I was never taught the morals of life. I admit killing was the hardest thing I ever did and remorse haunts me every day. The pain and torture I experience is unbearable and the only satisfaction I have left is when I take my own life. When I remove my feet from the monster’s shoes I come to realize that Robert Walton is not a failure for turning his ship around at the end of the novel. The monster has experienced the worst of the worst and is planning to commit suicide. There is no point risking everyone on the ship’s life for a monster who is going to fulfil Victor’s deed himself. Overall I believe that Robert Walton made the right decision to turn the ship around and for that choice he is not a failure. Works Cited Shelley, Mary. Frankenstein. New York: A division of Random House, Inc., 1981. Print.
Throughout the book of Frankenstein, the creator of the being Frankenstein, Victor, is experienced as a suffering being. He recalls from the very beginning a time during his childhood where he was happy and surrounded by love, a time when his mother lived. Victor’s downfall or the beginning of his disgrace, initiates with the death of his mother. Victor leaves his family to start a new stage in his life, he leaves on quest for answers a true quest for knowledge. Personal motivation will lead Victor to take on the challenge of overcoming death, or to be more specific, give life to a dead body.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
Victor Frankenstein, blinded by pride, remained unaware of how his experiment would affect not only him, but the world around him as he formed his new discovery. His secret to creating life only caused more life to be lost. Because of Victor’s reckless behavior, he caused the depressed and lonely world around his own creation, one who, in the end, Victor did not want to take responsibility for making, no matter how remarkable. The Creation, a being of unfortunate circumstance, exemplifies how knowledge has dangerous and everlasting effects if not used safely or for good intentions. Unfortunately, The Creation leaves his own damage behind as well, again showing how knowledge is harmful, by killing Elizabeth, Victor’s wife, Henry Clerval, his dearest friend, and other members a part of Victor’s family and friends. This demonstrates how knowledge, if not used wisely, can lead to death and suffering. The power of knowledge, in Mary Shelley’s writing, is a gift bestowed on those who can handle the power responsibly, as opposed to using it for selfish boasting. In contrast, she uses these two characters to show the importance of being knowledgeable in both science and responsibility and the unforgivable mutilation that comes if you fail to overcome
At the end of the book, Victor Frankenstein seeks to get revenge on his creation for killing his entire family. However, he dies before avenging his family. The monster visits his bedside, and the reader learns a lot from his speech. Through this quote, and the end of the book, the author shows the themes of sacrifice, compassion and forgiveness, and that the way living beings act is more important than its appearance. In this quotation, the monster says he will kill himself because of all the crimes that he has committed, and that he has nothing to live for now that his creator died. The audience sees that all the evil that the creature committed was very difficult and he hated doing them because he was compassionate, and was built to
to take over and play the role of god. In this essay I will be
We begin this tale with reading some letters of good fortune of a man, whose name eludes me right now, to his sister. He is on a journey in what appears to be somewhere in the arctic when one day him and his crew spot a giant on a dog sled. Followed by awes of civilization they find the another man who has been in some sort of accident with his dog sled stranded on a broken sheet of ice. After some persuasion the man boards the ship and begins to tell his tale of how he ended up at his present state.
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
Frankenstein became racked with despair after the death of the monster’s first victim exclaiming that, “Anguish and despair had penetrated my heart; I bore a hell within me which nothing could extinguish” (Shelley 70). Frankenstein felt anguish, not only for the death of his loved one, but also for the guilt he felt being the one who caused it. This inner turmoil creates an undying anger in Frankenstein at the root of which is remorse. Additionally, this fiery despair leads Victor to a new ambition of revenge. Frankenstein devotes the rest of his life to killing the monster for he feels, “I must pursue and destroy the being to whom I gave existence; then my lot on earth will be fulfilled and I may die” (189). Frankenstein’s ambition had changed course from the creation of the monster to the destruction of it; nonetheless, his life was taken in the pursuit. As a result of his ambition, Victor Frankenstein has created a monster causing him much remorse and untimely
The authors negative and self-centered diction when addressing the monster shows Victors true feelings and thoughts as a result of his obsession. “But now that I had finished, the beauty of the dream vanished and breathless horror and disgust filled my heart.” (47)The use of the words “I” and “my” show that Victor never thought of the monsters feelings or thoughts but rather he thought only of his own. “horror” brings to mind utter fright and hate, which Victor felt towards the monster. Victor simply wanted to get away from the monster to selfishly preserve himself. The term “disgust” implies that Victor wants absolutely nothing to do with his obsession and that he cannot even stand the sight of his own creation. Specific details show that ambition can blind one from seeing the viewpoints of others. “...I would rather die than return shamefully-my purpose unfulfilled. Yet I fear such will be my fate; the men, unsupported by ideas of glory and honour, can never willingly continue to endure their present hardships.” (180)Robert Walton was not concerned that his own crewmates were dying but rather that he would have to return home a failure. Walton did not consider how they were feeling but rather insultingly compared their lack of honour to that of his own. The phrase “I would rather die…” implies that Walton is willing to die to achieve his goals and that he selfishly
Mary Shelley’s novel Frankenstein is a Gothic novel that contains two genres, science fiction and Gothicism. The novel is a first person narrative that uses a framing technique, where a story is told within a story. Shelley gives the book a distinctive gothic mood tone by the use of her chosen setting which is dark and gloomy, by doing this it reflects the hideousness of the creature; the point of views helps towards the realism of the novel; and characterization able the reader to interact with the characters and feel sympathy or hatred towards each one. To entice the readers into her suspenseful novel Shelley uses foreshadowing. The narrative structure shows a wide range of perspectives rather than just one, by doing this it provides the reader with greater insight of the characters personalities. Symbolism and imagery evokes the readers’ emotions where sympathy is concerned. Shelley has entwined these techniques to produce a novel where the readers’ sympathy jumps from character to character and moral judgements are made due to the characters actions.
Victor initially aspires to take on the role of a caretaker to his creature, claiming that as its “creator and source” he shall take on the role of a father who “should deserve…[to] claim the gratitude of his child” (36). Although Victor imagines himself in the role of a father, the use of biblical references in the connotations of “creator” and “father” suggest that he is incapable the relationship of a domestic family but rather desires that of a god to his worshiper. This incapacity for domestic affection can be traced to Victor’s emotional isolation and detachment from his own family relationships. Hence, Frankenstein refuses to make emotional connections with the monster after its creation. When the monster first comes to Victor, “he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear…I escaped and ran downstairs” (40). In this passage, the monster’s mannerisms recall those of newborn babies; though inexperienced, his babbling represents an attempt at connection with Victor. However, Victor does not listen to the monster, and instead runs away, denying both himself and his creation human
Mary Shelley's Frankenstein We are first introduced to the creature when Frankenstein, his creator, is describing him. First he is described as something beautiful "limbs were in proportion" and "features were beautiful". However, his ability to self-contradict becomes apparent very quickly when he finishes his sentence by saying: "â?¦These luxuriance's only form a more horrid contrast with his watery eyesâ? ¦" With words like "shrivelled complexion" and "straight black lips", this gives the impression to the reader that firstly the creature does not look a human being and, secondly, he is hideous in Frankenstein's eyes.
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...