To the society and Victor he was but to the viewer, he was only a helpless creator who lost his way. Victor Frankenstein shows that experimenting with the work of God or nature is immoral and will only end in corruption. No one can play God. The movie shows that a person who chases notoriety for his or her own personal intentions may find the consequences of their actions to be truly demoralizing, causing him to become the monster more than his creation. His faults in his creation lead to his demise.
From that point on the creatures’ heart becomes cold and makes sure to destroy his creator. When Victor dies the creature repents for the damage that he has done and would live with continuing pain till his death. “…My agony was still superior to thine; for the bitter sting of remorse will not cease to rankle in my wounds until death shall close them forever” (380). William Frankenstein is the younger brother and ... ... middle of paper ... ...erstood that the real monster was his ambition which led to his overall tragedy. He died miserable because of his pride; one could say he is selfish because when creating the creature he did not think of the benefit of others.
He only waited for his creator to die. He choose to end his miserable existence, rather than face life alone and lonely. He was right to blame Frankenstein for his failures; his appearance, the way society accepted him, his need for companionship. The monster was the reflection of the man that the world couldn’t see.
Work Cited Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
A monster is a relentless force that has no regard for life, and that is exactly who Victor Frankenstein is. During the novel Frankenstein there is much debate on the topic of who is the true monster, however, Victor Frankenstein is the true monster in Mary Shelley’s Frankenstein. As a result of being isolated from the one’s he loved, this lead to Victor being hostile, selfish, and full of ambition. Victor was obsessed with his goal to create life. With this obsession, it led Victor to become isolated from society and those who he loves.
Victor abandoned him due to his looks and fear while the world just did it naturally. The creature never asked to be brought back to life, so Victor was the cause of his misery. The monster just went along with his instincts but the relationship between the two became war. In conclusion, loneliness is an important theme in Mary Shelley's novel Frankenstein. Being alone differs from being lonely.
The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad... ... middle of paper ... ...ou, Clerval, my friend, my benefactor—’” (Shelley 129). Victor feels guilty for the actions of his creation but is too much of a coward to confess to anyone about what he has done. His selfishness and secrecy cause his friends to suffer and also make him a tragic hero within the novel. In conclusion, Mary Shelley’s Frankenstein shows readers how irresponsibility and the excessive need for knowledge can cause suffering among others as well as oneself.
He is disgusted of the idea that he would be bringing another horrible creature into the world which had the potential to wreak havoc and potentially procreate. The creature discovers that frankenstein has broken his promise and declares further revenge on Frankenstein. Unfortunately, breaking the promise was not in the best interest of Frankenstein because this resulted in the death of his good friend Henry Clerval as well as his wife Elizabeth Lavenza. He is now all alone, his brother is dead, his father, his best friend, and his wife as well. This really destroys Frankenstein, He now hates the creature more than ever, he has taken everything away from him, Victor dedicates his life to trying to destroying the
Shelley is examining a different pursuit of knowledge: one that is still innocent in intent but obsessive in nature. This is also examined in The Reading Monster, which draws a parallel between the Monster and Frankenstein. Just like Frankenstein let his ambitions “run amok through the overreaching ambition and obsession of the mad scientist,” the Monster did the same, but with humans (Brantlinger 471). The Monster seeks to be accepted by a society of beings that are nothing like him, and will never welcome him, but still strives to do so. Upon mastering his rhetoric, he confronts the family, but is chased away due to his hideous appearance.
If having his own creator reject him wasn’t enough isolation, he is soon shunned and hated by society. They all look at him as evil from the assumption of his physical appearance. Since humans cannot accept him for his appearance, the monster demands Victor to “create a female for... whom [he] can live in the interchange of those sympathies necessary for [his] being” (Shelley 174). His search for friends, and even family, fails, leaving the monster with vengeance against Victor and