Mary Shelley's Frankenstein

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Mary Shelley’s novel “Frankenstein” is infused with metaphors, revealing the state of the world during 1818 when the first edition was published. Firstly, through the initial dialog between Victor Frankenstein and the monster he created, an image of a repulsive creature is depicted, revealing the destructive relationship possible between a creator and his offspring. Secondly, it can be observed that the metaphor of the monster reveals Shelley’s criticism of the displacement of religion during the era of the enlightenment. Thirdly, Frankenstein can be seen as a condemnation of the treatment given to those with a visible difference within society. Additionally, Shelley’s creation of the monster in her novel could be seen to reveal the toxic effect of a world without female influences. Finally, Victor Frankenstein’s creation of his monster may have been to reveal the detrimental effects isolation can have on any living being. Thus it is revealed that Mary Shelley’s novel, through the creation of the monster, has many allegories to comment on society’s condition. Firstly, it is significant to observe the initial depiction of the monster and the dialogue with his creator, Victor Frankenstein, to understand Shelley’s comment on the harmful effects of a negative relationship and the significance of the monster’s portrayal. It is understood that the monster’s physical appearance in the novel is created to represent an object of terror, which is an integral element of the gothic genre. Halberstam argues that Frankenstein’s monster causes its audience to rethink its idea of who is the object of fear, instead of what (Halberstam 1995, p28). In this context, the monster suggests that it is in fact, people, or bodies of people... ... middle of paper ... ... Wedding Night: Lacan and the Uncanny.” October 58: 5-23. (e-reading) GILBERT S, GUBAR S 1996, “Mary Shelley’s Monstrous Eve.” In Paul HUNTER (Ed), Frankenstein. Norton Critical Edition. New York; London: Norton; 225-240. (NCE) Halberstam, J. 1995, "Making Monsters: Mary Shelley's Frankenstein" Skin Show: gothic horror and the technology of monstors, Durham: Duke University Press, pp28-49 JOHNSON, B. 1996. “My Monster/My Self.” In Paul HUNTER (Ed), Frankenstein. Norton Critical Edition. New York; London: Norton; 241-250. (NCE) Poovey M. 1980, "My Hideous Progeny: Mary Shelley and the Feminization of Romanticism" PMLA, Vol. 95, No. 3, (May, 1980), pp. 332-347, retrieved 25 January 2013 JSTOR database Shelley, M. W. 1996. Frankenstein. Charlottesville, Va.: University of Virginia Library. Stephen J. L, Aspects of European history, 1494–1789 (1990) pp. 258–66
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