Mary Shelley magnificently recounts the story of a desperate creator and his despicable creation in her novel entitled Frankenstein. Set in eighteenth century Europe, it holds a sinister yet meaningful message regarding desire for love and acceptance. Through the narration of a young man traveling toward the North Pole, the author introduces the protagonist: a scientist named Victor Frankenstein who finds himself at the northern tip of the earth. Frankenstein has used his scientific knowledge to create a living being, however his plans derailed as his experiment took an unexpected course. The product is a mysterious monster that has roamed free since his creation and is currently living in the North Pole. As Victor searches for the creature, he tells his tale to the traveling man, Robert Walton, in an attempt to dissuade him from the trap of following rash desires. Victor can see that Walton was a man obsessed with a goal, like he was, and wishes to help him curb his impulses that could lead to disastrous results. Shelley writes within accordance to the Romantic Period in which she wrote, for she incorporates countless aspects of nature into her writing. Nature constantly and considerably affects the shifting moods of the protagonist during his youth, research, recuperation, return to Switzerland, and final pursuit of the beast. In fact, the natural environment that surrounds Victor Frankenstein closely mirrors the mental confusion and conflict that he experiences throughout his adventures.
Shelley in Frankenstein and Goethe in The Sorrows of Young Werther wrap their stories around two characters whose mental torment and physical actions are similar to one another. Both the stories deal with characters who are struggling to find happiness in their lives in the world they live in, but they could not because of rejection. Werther was seeking to be loved and have a family with the girl she loved whereas, the creature was seeking for a companion and people to relate with and call family because he was all alone.
Knowledge can be used in a pure manner as well as manipulated to cause or provoke harm. In Mary Shelley’s, “Frankenstein,” there is a great knowledge that, although begins with good intentions, leads to havoc and misfortune. This novel demonstrates the pursuit of knowledge and what may occur when too much of it is gathered; it shows that, not only can knowledge be used for good, but also for evil and to cause harm.
...unnatural and goes against “god’s creation”; it also posed a threat to those close to him, while at the same time, leading to his own physical and mental deterioration. Modern day science deals exactly with the issues of which Shelley was keenly aware of while illustrating the journey and aftermath of Frankenstein’s ambition. In a society where technological and scientific advancement are highly valued, people get so caught in getting ahead that it becomes inevitable. People end up getting blinded by their desires and forget about how it can negatively affect the wellbeing of everyone as an individual and as a whole. Ultimately, Mary Shelley acknowledges that the future of scientific discovery, if uncontrolled, could be detrimental; her novel serves as a warning to readers, both past and current, of one’s own powers and how it can affect the world in which they live.
Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Mary Shelley brings about both the positive and negative aspects of knowledge through her characters in Frankenstein. The use of knowledge usually has many benefits, but here Shelley illustrates how seeking knowledge beyond its limits takes away from the natural pleasures of known knowledge. She suggests that knowledge without mortality and uncontrolled passions will lead to destruction. Victor and his monster experience this destruction following their desires and losing self control. Walton, on the other hand, becomes of aware of the consequences and is able to turn back before it’s too late. Shelley also suggests that without enjoying the natural pleasures of life, pursuing knowledge is limited, but how can knowledge be limited if it is infinite?
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
In Frankenstein by Mary Shelley, the idea that knowledge can grow to become dangerous is prominent throughout. In this story, the search for learning and the desire for knowledge strongly impacts three main characters. Victor Frankenstein, Robert Walton, and the creature all fall into the hands of which the consequences of knowledge hold and suffer terribly due to its repercussions. In this novel, Victor warns Robert that acquiring knowledge can lead to “destruction and infallible misery” (Shelley 31) and as the book evolves, this statement is found to both true and detrimental.
In this novel, Shelley focuses on the debate between scientific discoveries, religion and the moral ethics of how far man should pursue his desire for knowledge, which reflects the society of the 19th century’s concern of where the scientific advancements were going similarly to the present day debate on whether stem cell research is valid.
Throughout history, humankind has been obsessed with the pursuit of knowledge. Especially in this day and age, exciting discoveries occur almost regularly, specifically in scientific fields. Today, remnants of water are found on Mars, and extraterrestrial life is seriously debated, pushing the boundaries of basic knowledge. Focus on populace’s thirst for intelligence is hinted at in Mary Shelley’s Frankenstein, through the two main characters: Victor Frankenstein and Robert Walton. Frankenstein and Walton are similar on many levels, with defined parallels in their desire to find more. Through these characters, Shelley suggests a theme of knowledge and its potential dangerous aspects.