Mary Flannery O'Connor is one of the most preeminent and more unique short story authors in American Literature (O'Connor 1). While growing up she lived in the Bible-belt South during the post World War II era of the United States. O'Connor was part of a strict Roman Catholic family, but she depicts her characters as Fundamentalist Protestants. Her characters are also severely spiritually or physically disturbed and have a tendancy to be violent, arrogant or overly stupid. (Garraty 582) She mixes in her works a full-fledged gothic eeriness with an authentic feeling for the powers of grace and redemption. O'Connor's substantial literary reputation is based upon her two novels and her short stories collected in Everything That Rises Must Converge (1965), A Good Man is Hard to Find (1955), and The Complete Short Stories of Flannery O'Connor. Despite the fact that her unique style of writing has caused many judgments and rumors about her, O'Connor has received many awards and honors throughout her entire life.
On March 25, 1925, Mary Flannery O'Connor was born in Savannah, Georgia as a first and only child to a strict Roman Catholic couple. Her parents were Edward Francis O'Connor, a real estate broker, and Regina L. Cline O'Connor. (Garraty 581) Until 1938 O'Connor attended St. Vincent and Sacred Heart Parochial Schools. She was known as Mary in grade school but eventually dropped it and went by Flannery O'Connor. (Garraty 581) During grade school O'Connor claimed that her hobby was collecting rejection slips. Then the family moved to the Cline house in Milledgeville, Georgia when her father became sick with disseminated lupus. Lupus is a disease of the connective tissue, which would later claim her life. While in Milledgeville, O'Connor went to school at Peabody High School (Garraty 582). During high school she wrote and illustrated books while still maintaining a high academic average. Her father died of lupus in 1941. In 1942, at the age of 16, O'Connor entered Georgia State College for Women, which is now known as Georgia College. (O'Connor 2)
During college O'Connor majored in social sciences (O'Connor 2). She also drew cartoons and made illustrations for college paper and yearbook. O'Connor also edited the college literary magazine (Garraty 582). One of her professors started off her writing career by submitting some of her works to the Writers' Workshop at the University of Iowa, because of this she was awarded a Rhinehart Fellowship.
In her short story "Everything That Rises Must Converge," Flannery O'Connor allows the story to be told from the perspective of Julian, a recent college graduate who appears to be waiting for a job, while living at home with his mother. His relationship with his mother is rocky at times, to say the least. It is constantly mired with conflicts about the "Old South" and the "New South". Julian must come to terms with himself, either he is an over protective son or just a pain in her ass. Even though Julian seems to dislike his mother's viewpoints, he continues to depends on her for "stability". When the final confrentation between Julian's mother and the large black women results in her having a heart attack, to which Julian is oblivious to, it causes him to be overwhelmed with greif and fear. He only then realizes the extent of his self-deception is fully confirmed.
Mary Rowlandson was an Indian captive, and also an American writer. She was born in England approximately 1637-1638. She immigrated to Lancaster, Massachusetts with her parents. Joseph Rowlandson became a minister in 1654 and two years later he married Mary. They together had four children, one whom died as an infant, but the others were Joseph, Mary, and Sarah.
An old friend of hers from college became editor of Texas Monthly Magazine. He remembered how fabulous a writer Mackintosh was from their college years. Their first meeting was in a poetry class when he laughed at her name.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes (topics) of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
A common aspect of Flannery O’Connor’s literary works is her use of heavily flawed characters. O’Connor’s characters often exhibit gothic and incongruous characteristics. O’Connor’s short story, “Good Country People,” is no exception to her traditional writing style with characters such as Hulga Hopewell, Mrs. Hopewell, Mrs. Freeman, and Manley Pointer. O’Connor uses gothic characterization and symbolism to produce a great short story about a few ruthless country people.
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
The book talks about narcissistic personality disorder which is mistakenly regarded as a big ego or inflated self-esteem. The latter entails a big psychological condition that affects negativity in marriages and work environment as the victims own self sense of self. According to the book, the victims have self-confidence and shows arrogant behaviors. This is caused by low-esteem and sense of insecurity. The author has been licensed and has nationally creditably on social work for more than 20 years.
The current government and economic model of Cuba, its world relations, and America’s stance on the country, have all greatly changed since the Cuban Revolution. Changes are still underway and will likely be coming. Although there has been a mix of opinions with the Cuban people on Cuba’s government, and Fidel’s leading, many seem to be happy with Raúl Castro taking charge, even and especially from other countries; America being one.
An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the most significant passage, for, despite its complexity, is a fine and concise message that O’Connor wishes to put forward. However odd it may seem, the story about the fatal trip (which possibly only the cat survives) offers interesting comments on the nature of the world, the shallowness of Christian beliefs and an endeavour to answer the question of how to deserve salvation.
Narcissistic Personality Disorder is a mental disorder that is considered to be an impairment in personality functioning, the presence of pathological traits, lack of empathy for others and a need for admiration. This type of personality disorder has some related disorders such as antisocial behaviors, interpersonal exploitation and envy. According to Luo, Cai, & Song (2014), “Narcissism refers to a kind of abundant self-love, characterized by a series of characteristic including self-desire for admiration, fantasies of superiority, hypersensitivity to criticism, exploitation of people, and lack of empathy for others” (p. 1). There have been ongoing discussions on how this type of behavior is processed in the brain. It is not clearly known
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.
Flannery O’Connor is best known for her Southern Gothic writing style and grotesque characters. Dorothy Tuck McFarland states that “O’Connor created bizarre characters or extreme situations in order to attain deeper kinds of realism” (1). This writing style is seen in Flannery O’Connor’s short story “A Good Man is Hard to Find”. Flannery O’Connor uses many techniques to gain the reader’s attention and keep them captivated. One way that O’Connor does this is by revolving her stories around symbols and integrating religious elements into her works. O’Connor is widely recognized for incorporating her Catholic faith into her stories. “She was a devout Roman Catholic, with a Southern upbringing” (Whitt 1). There are many types of ways to interpret “A Good Man is Hard to Find”. One method is by using formalist criticism. Formalist criticism exists when a reader can approach, analyze, and understand a story by using elements like the setting and symbolism.