faith to reject fate. Therefore, she detaches herself from her strong affection for “Elizabeth,” and accepts the reality that God has taken her to “everlasting state.” The speaker compares the death of the child to nature: “corn and grass are in their season mown” (10) to reveal her sadness that her child does not live long as it is common in the natural order. But the speaker concludes with comfort in her faith that it is in “His [God’s] hand alone that Guides nature and fate” (14).
When Bradstreet’s next grandchild, Anne, passed away, she was unable to resist it. She lost her control and become disappointed. She wrote a poem under “In Memory of My dear Grandchild Anne Bradstreet, Who Deceased June 20, 1669.”5 The poem starts with the speaker
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The speaker starts sadly with a little anger, but sooner after that she changes her tone to accept God’s will. She believes that he is not going to be alone because he will meet the other deceased in the eternal life. She proclaims: “ Three flowers, two scarcely blown, the last i’th’ bud, / Cropped by th’ Almighty’s hand; yet is He good” (3-4). She is happy because her grandchildren will be more secure in heaven under the grace of God. She begins to accept God’s will: “Such was His [God] will, but why, let’s not dispute” (6). She knows it is a sin to interfere and complain about God’s plan for the universe. Thus, she reforms her hypocrisy and dissatisfaction and considers God to be “merciful as well as just” …show more content…
She caught severe disease after only two years of arriving in America. Her sickness and expectation of death strengthened her faith and made her consider each day as being her last day. After she recovered from her sickness, she believed that to be blessing. Her sickness became a turning point and self realization for Bradstreet. She built a strong foundation for her faith as a Puritan woman and overcame all her doubts about the existence of God and started to seek salvation from God. When her husband was a way for business, she missed him because of her true and deep love for him. Yet his absent and severe physical and emotional feeling created inner conflict between worldly desire and spirituality. Her love for her husband competed with her love for God. But by using her writing, she sustained her faith and overcame her physical
Anne Bradstreet’s inability to perfect her work before it was released frustrated her to the point where she internalizes the book’s imperfections as a reflection of herself. Bradstreet uses an extended metaphor of a mother and a child to compare the relationship between herself as the author and her book. Rather than investing her spirit in God, she repeatedly focuses on trying to improve the quality of her writing with no success, “I washed thy face, but more defects I saw” (Bradstreet 13). Like a mother protecting her child, Bradstreet’s attempts to prevent critics from negatively analyzing her work of art (20). Her continuous obsession about people’s opinions consumed in the Earthly world and essentially distracted her from developing a spiritual relationship with God. Bradstreet was enveloped by her dissatisfaction with her to the point of ridiculing herself, “Thou ill-formed offspring of my feeble mind” (1). It was obvious that her mind and spiritual
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
Anne Bradstreet’s poetry resembles a quiet pond. Her quiet puritan thinking acts as the calm surface that bears a resemblance to her natural values and religious beliefs. Underneath the pond there is an abundance of activity comparable to her becoming the first notable poet in American Literature. Anne Bradstreet did not obtain the first notable poet’s title very easily; she endured sickness, lack of food, and primitive living conditions during her time in the New World. Despite these misfortunes she used her emotions and strong educational background to write extraordinarily well for a woman in that time.
Anne Bradstreet starts off her letter with a short poem that presents insight as to what to expect in “To My Dear Children” when she says “here you may find/ what was in your living mother’s mind” (Bradstreet 161). This is the first sign she gives that her letter contains not just a mere retelling of adolescent events, but an introspection of her own life. She writes this at a very turbulent point in history for a devout Puritan. She lived during the migration of Puritans to America to escape the persecution of the Catholic Church and also through the fragmentation of the Puritans into different sects when people began to question the Puritan faith.
Bradstreet’s poetry is fully religious. Being a pious woman, as everyone was at that time period, she wrote poems claiming high morals and religious motifs. Her writings were very popular among puritans who started colonizing America. His Puritan belief was the reason of her special attitude to her life, soul and sufferings. “She thought that God was so hard on her because her soul was too in love with the world. She also wrote some poems where she asked God to watch over her children and husband” (Gonzalez, 2000).
When Death stops for the speaker, he reins a horse-drawn carriage as they ride to her grave. This carriage symbolizes a hearse of which carries her coffin to her grave a day or two after her death. As they ride, they pass, “the School… / the Fields of Gazing Grain— / [and] the Setting Sun—” (lines 9-12). These three symbolize the speakers life, from childhood in the playgrounds, to labor in the fields, and finally to the setting sun of her life. When the speaker and Death arrive at the house, it is night.
Anne Bradstreet is often praised as being one of the first feminist voices in colonial America which, perhaps, is misleading. Her poetry adhered to the standard themes and styles of her male contemporaries, glorifying male-dominated society and never questioning the authority of the men that controlled her life both personally and spiritually. She was content to be the property of her father, husband, and Puritan society as a whole. However, because she worked within the confines of the Puritan era's gender roles and literary techniques, Anne Bradstreet was able to shed light on the oft overlooked existence of women within the society.
Anne Bradstreet loves her children so much because she raised them all with pain and care. Bradstreet often talks about her children loving people, and people loving them, “And with her mate flew out of sight” (14) and out of her reach so she can not watch over them. Bradstreet’s strong Puritan heritage gives her unquestionable belief that God is watching over her children for her, and her children are watching for God. With this relationship between her and God, Anne Bradstreet accepts the departure of her children. In this poem Anne Bradstreet talks about success, “Coupled with mate loving and true” (23) this is Bradstreet’s idea of success for her children in this poem. Anne Bradstreet’s idea of success is so much more than just this line, in the fact that she wants her children to be educated, and live good productive Christian lives. All of these things are implied in the poem as simple as finding a mate and “flying” off.
The setting in which Ann Bradstreet lived was a “hierarchal Puritan society in, which would appear to allow no room for assertive female activity outside the domestic sphere” (Davis, 49). Preachers of the time period would not encourage women’s freedom to write about any subject, instead they expectant them to write only to “Advance virtue by promoting the fear of God in the female sex” (Davis, 49) consequently not leaving any room for skillful or creative writing. This makes a significant case for Bradstreet as her main focus was not Christ in most of her writing, even though she would seldom discuss religion. Davis also on her work saying that under certain circumstances that woman could write and an example of that is Mary Rowlandson’s Indian captivity narrative. The circumstances are ones in which, Bradstreet, will exploit to gain the trust of the male ego, with much masterful poetic skill enabling her to speak freely. Bradstreet arrived in Massachusetts on the Arbella in addition with the
‘Yes, my child. Providence brought him to her threshold at the critical moment. When I called for the chaise, I went in. I saw she was dying. Randolph was bathing her head with camphor, and his tears dropped on the pillow like rain. Her father stood a little way from the bed. He looked pale and his lip quivered. Ah, Fanny, my child, death takes hold of the heart that nothing else will reach. When Mrs. Gordon heard my step she looked up at me and said, “I believe I am dying; pray with me once more Doctor Atwood; pray that my father may forgive- that- he- may-“ here her voice faltered, but she looked at Randolph, and I understood her, and went to prayer.
The poem “ Upon the Burning Of Our House, July 10th, 1666” by Anne Bradstreet is a poem about her house burning down. I can sympathize with many of her feelings in this poem because I shared many of them when my house was robbed. During the beginning of the poem she talks about her belongings that she lost and the things she would never do again, then towards the end she talks about how the incident brought her closer to God. Anne Bradstreet shows how living through a struggle, such as having your house burn down can bring you closer to God.
God; whereas Taylor wrote solely on his love for God. Bradstreet was a pioneer in the idea of writing about loving your husband and self. This was one of her greatest achievements and also greatest gifts to the world, even though it was not appropriate to write about such subjects she did anyway. The combination of Bradstreet and Taylors poetry about love prove to the world that love can exist in any part of life and should be appreciated and
By reading Bradstreet’s work, a fair sense of what Mrs. Bradstreet was like can be grasped. She clearly stated her opinion of those who objected to her writing: “I am obnoxious to each carping tongue, / Who says my hand a needle better fits.” (Bradstreet,“ The Prologue”155). Bradstreet refused to give up her passion for writing even if it meant going against the opinions of anyone in her colony, including religious leaders. Although Bradstreet referred to herself as being obnoxious, her written works portray an entirely different Bradstreet. She seeks no reward or fame for her writing: “Give thyme or parsley wreath, I ask no bays” (155). Bradstreet seeks no reward for her writing because she doesn’t think her work is very good: “My foolish, broken, blemished Muse so sings” (154). She refers to her writing as her: “ill-formed offspring” (“The Author To Her Book”165). Even after her work is published she is ...
Katherine Philips is desperately trying to renew her faith in life, but she is struggling to do so because of the death of her son. She is attempting to justify the loss of her child as a form of consolation, while keeping somewhat emotionally detached to the later death of her stepson in “In Memory of F.P.” The differing phrases, words, and language contrast the two elegies and emphasize the loss and pain in “Epitaph” while diminishing the pain in “Memory of FP.”
According to BellaOnline, Bradstreet was, “married to the governor of Massachusetts Bay Colony and had eight children.” Even though her marriage might have become filled with routines and lost a little passion, the poet never lost the love for her husband. She states that the power of her “.love is such that rivers cannot quench”(Bradstreet, 7). Bradstreet expresses her emotions to be so strong that not even a roaring river can possibly satisfy them. She prizes her husband’s “.love more than whole mines of gold/ Or all the riches that the East doth hold,” (Bradstreet, 5-6) meaning she values his affection more than any amount of money she could obtain.