In the book Mariette in Ecstasy, Rob Hansen paints a story of the extraordinary happening at a priory in upstate New York. His depiction of life in the priory is centered around the newly inducted Mariette Baptiste, the young and beautiful daughter of a local physician, and the disputed events that threaten to tear the priory apart from within.
Rob Hansen does an incredible job of placing the reader in the priory for themselves and allowing them to see just what kind of life the sisters live. On Mariette’s first day, the women rise at five o’clock to a ritualized call and response, where Sister Hermance shouts, “In Jesus Christ, my sisters, let us rise!” and the sisters respond with, “His holy name be praised!” (Page 5). The women follow a rigorous and regular schedule for the rest of the day. Embedded in their lifestyle are a lot of rituals and intricate tasks, which have been almost completely legitimized by their repetition.
The women of the priory also live a highly ascetic life, believing that the hard work performed and simple living conditions in themselves alone can give rise to an experience that is greater than anything achievable through other worldly goals. Mariette herself writes prayerfully, “Were it necessary to give up all the worldly pleasures of my life to gain one instant of happiness for you, I would do it without hesitation.” (Page 135).
The way the sisters go about living their spiritual life has a touch of Peter Berger’s idea of masochism to it as well. In Mariette’s talks with Père Marriott, she says, “as I began to meditate on the crucifixion and Christ’s own trials in this world, I became rapt in thought and I found myself again before Jesus, who was suffering such terrible pain…An unquench...
... middle of paper ...
... common problem of theodicy. If God is good, why would he not help his own followers and prevent them from being led astray? The act of calling in a surgeon implies that religion is not “good” or “powerful” enough which calls into question the order of things within the priory and even the plausibility structure that has been securely established for so long.
Ron Hansen for the most part avoids directly addressing these religious issues; instead Mariette in Ecstasy aligns more with what Mikhail Bakhtin argues a novel is, a presentation of many perspectives. In the end these two perspectives both have their own idea of what the objective truth of the presented world is, and while Ron Hansen avoids directly presenting one side as the one that’s right, his novel brings up the existence of more than one side, which alone is more than many similar religious works do.
Jeanne de Jussie, a dedicated Catholic nun, recorded events that took place in Geneva during the Reformation as the official chronicler for the Saint Clare convent. Although littered with biases, Jeanne de Jussie’s experiences reflect broader trends during the Reformation; therefore, The Short Chronicle is a valid source and not merely a personal attack against the Protestants. Her experiences and beliefs, including those concerning celibacy, reflected those of many members of the Catholic Church during the Reformation. Also, her categorization of Protestants as ‘heretics’ was consistent with the practices of the Catholic Church. Although biased, her fears about Protestant views on celibacy and marriage were legitimate and consistent with
protagonist postulant Mariette Baptiste. Hansen’s challenges readers to explore beyond his descriptive narrative to find further meaning in the themes of suffering, power, and gender. Mariette Baptist represents a prideful, young woman who challenges and undercuts the Priory of The Sisters of The Crucifixion through her eccentric faith. Mariette’s piety generates discourse within the convent about the sincerity in her disposition for a religious life. The sisters are challenged to see Mariette’s faith as real and pure. Her religious practices involving self-inflicted penances disrupt the conventional ways of the priory. Furthermore, Mariette implores herself
Over the course of history there has been numerous works of literature which presented the reader with great descriptions of story characters and their overall personalities and one of the most prevalent examples of such use of character depiction is shown in the story “A New England Nun,” written by Mary E. Wilkins Freeman. In this short story, Freeman is able to illustrate a woman who is struggling with the commitment of marriage after waiting fourteen years for her fiancé Joe Dagget to return from Australia while also maintaining a lifestyle that involves monotonous, domestic activities in her home. However, more importantly, Freeman is able to clearly establish the character Louisa as someone who is suffering from obsessive compulsive disorder
How would you feel if you came to school one day and found out your friend had died overnight of a drug overdose? Then imagine the entire school were forced to relive this experience and perform it for the whole school community. This situation, excluding the performance, occurs all too often in Australian high schools and is an issue that Chris Lilley explores through his controversial, satirical comedy, ‘Summer Heights High’.
They are already in a compromising situation in celebrating her eighteenth birthday at a gas station having coffee which was already established as being not the norm earlier with Marie recounting her own large party where her “mother made a large party” (154). There reality is broken when the teenagers arrive and “One of the girls went to the juke box and put money in” and they are forced to leave because of Carol condition which causes her to have a breakdown from the noise (157). The arrival of the kids forced them to come into contact with their own reality which can never coincide with the one they have fabricated. This small reminder of what the norm is supposed to be is often brought to their attention through others such as when they “could see, in the light shaft of light, a boy, two girls and a dog” (155). In this instance, they are walking on the way to their weekly picnic, which is in itself repetitive, when they are shown the norm of other having fun “the boy splashing in the water with the dog” while they are forced to go through the motions without much emotion. This depiction of the norm unsettles their reality and, even though they don’t stop trying to alter reality to shelter Carol, shows how dysfunctional their own situation is as it can be seen as a potential version of themselves without Carol’s
Naivety as well as the longing to fit into society with a loving man and stable, well-to-do peasant family deceived an honorable woman. Bertrande de Rols’ young marriage had difficulties from the start. With the guidance from family, the Catholic Church and Basque customs, Bertrande attempted to follow the sixteenth-century expectations for women, but was misled by her own fear, loneliness and catastrophic past.
I chose to start this paper by quoting an entire poem of Anne Sexton's. Why? Because no one told the story of Anne Sexton's life as often or as well as Anne Sexton herself. Over and over she wrote, recounted, and recast her struggles with madness, her love affairs, her joys and griefs in parenting, and her religious quests. For example, "Rowing" touches upon the need for Anne to tell stories about herself, her longing for connection with others, her mental problems, and her searching for God - one could not ask for a better introduction to the world of Anne Sexton.
Baron Richard Von Krafft-Ebing, a 19th century German psychiatrist, was quoted as having said, "We find that the sexual instinct, when disappointed and unappeased, frequently seeks and finds a substitute in religion." This may have been the condition of Margery Kempe when she desired to cease all sexual activity with her spouse because of her devotion to God. Instead of performing her duties as a wife, she chose instead to spread her knowledge of God to her community and did so not only in speech, but also in literature. Whatever her motivation for creating such descriptive language, it is evident that her faith in God conquered both her fear of public opinion and the constraints placed upon all women during the period. Living in the 1400s, she steps out of a woman's role and into the territory of a man by living her life publicly, abandoning her position of mother and wife, and recording her life in writing. Fortunately, because she was writing for religious reasons, her work was both permitted and accepted. In The Book of Margery Kempe, she describes her experiences with brilliant imagery, some of which is sexual, all of which is sensual. By using her own senses to portray her spiritual...
Stekel, Wilhelm, and Louise Brink. Sadism and Masochism: The Psychology of Hatred and Cruelty. 2 vols. New York: Liveright, 1953. Questia School. Web. 17 Feb. 2014.
The humanity of the world, and especially the humanity of Jesus Christ and his Passion and death, was the entire focus of the development of and the point of devotion in Christocentric and affective spirituality. Imagining scenes from Jesus' life on Earth and his human feelings in order to move oneself to compassion was a large part of the affective spirituality. Women of the medieval era used their femaleness as a sign of closeness to Christ, and that for Christ as "divinity is to humanity, [for women, it was] as male is to female" and the Incarnation of Christ was the "ultimate identification" (12). Women with the mentality of affective spirituality expresse\ confidence in the Incarnation in their devotion to the Eucharist, and revered "Christ's physicality, his corporality, his being-in-the-bodyness; Christ's humanity" as above all, that his humanity was his "body and blood"
MDMA, also known as Ecstasy, beans, rolls, or just plain X. This drug has a long history, which began almost 90 years ago. In 1912 Merck, a German pharmaceutical company, first synthesized MDMA (Erowid). MDMA was then patented in 1913 or maybe 1914 (patent #274.350) by the same German company supposedly to be sold as a diet pill (The Invention). The patent has no mention of any intended uses of the drug. There are other urban legends associated with Ecstasy, such as in 1953 the US Army tested MDMA as a possible truth serum, but there is no evidence for this (Saunders).
Some believe that it is therapeutic; others take it to capture the feeling of love all around. Ignorance calls it "the love drug." What is this drug that has taken control of the lives of so many adults as well as children? It is Ecstasy, or in Medical terms, MDMA. This drug has long-term effects that will leave users more ignorant than they started out when they chose to abuse it. As much as users believe that it does no harm, this drug is very dangerous and the use of it must be put to and end by all means.
When women are kept in their classical role of mother and caretaker, all is well and their lives are simple. Children relate positively to their mothers in this typical setting; while Dantés was in prison, during a time of distress, he remembered something his mother had done for him. For example, Dumas writes, “He remembered the prayers his mother had taught him and found meanings in them which he had formerly been unaware.” (41). Mothers teach their children to the best of their ability, evidenced in Dantés, as well as when Caderousse says Mercédès is instructing her son, Albert. It is in these moments that a mother’s love, compassion, and necessity are revealed. Lives are calm and enriched as long as women are in their niche. This includes non-maternal nurturing roles, for example, Mercédès attentiveness to Dantés father and Valentine’s special ability to care for Nortier. This loyalty is valued and shown as essential for the stability of life. Though The Count of Monte Cristo depicted women as best suited to the home, they intermittently stepped further out of that r...
Chaucer describes a nun Prioress called Madame Eglantine. A nun should be modest, had to have poverty, and pity. Chaucer describes the nun in the opposite way to show us, how the nun Prioress had all the characteristics that a nun should not have. She was a nun modest, well educated and with good manners. She also had tender feelings, and a strong love for God and his creations. The author connects the relationship between how she sang and with her nose. He is sarcastic when relating her physical and spiritual beauty. "She sang the divine service well, entuning it in her nose in a most seemly way." (122-123) She was a well educated person, who reflects her manners in her language and with her actions. "She spoke French well and properly" in this quote properly means with good manners, not with slang words or with the popular language used in France. "For the French of Paris was unknown to her."(124) All of these characteristics show how the nun Prioress was focused on things that should not be important for a nun.
Due to their roles in society, the Friar, the Monk and the Prioress all take vows to which none of them remain faithful. The Friar has a charming personality, which he uses to his own advantage to exploit the poor, get charity from the rich “Natural gifts like his were hard to match. / He was the finest beggar of his batch, / And, for his begging-district payed a rent… ” (249-251), and seduce women, th...