Marianne Moore’s most popular poem, which is also her most ambiguously titled poem, is called “Poetry.” In this poem Moore decisively strayed away from her conventional writing style of contrariety and the bizarre, but it does seem to share other characteristics of her earlier poetry. Moore’s apparent purpose in writing “Poetry” was to criticize the present social outlook on the entire idea of poetry, to come up with a universal definition of poetry and of genuine poetry, and ultimately to convince those who dislike poetry of its benefits. She attempted to present this criticism and definition by means of blatant irony, and even though she desperately wants to describe the seemingly trivial activity of poetry, she fails to provide a definition that is not caught up in the negative.
Moore opens the poem with the line “I, too, dislike it” as an ironic response to the title (Loeffelholz 359). The irony in this first line is so severe that it will make the hair on the back of the reader’s neck stand on end. But this is because it is so easy for the reader to want to automatically ascer...
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
The definition of poetry, instead of becoming more selective and exact, has become a much more broad and open minded classification of literature. From It's beginning's in romanticist Puritan literature, to its more modernistic function on present society, poetry has become a way to blend the psychological side of human intellect, with the emotional side of human intuition and curiosity. Emily Dickinson and Walt Whitman were two early poets from the late 19th century. Unlike Walt, Emily liked to write at home, she was a more secluded author who enjoyed to look out the window for inspiration. Walt on the other hand loved to travel. He found inspiration through nature and the diversity of thriving cultures throughout the world. Although these writers found inspiration from two different methods, their poems have distinct similarities in theme, images, and main ideas.
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
Ramazani, Jahan, Richard Ellmann, and Robert O'Clair. "Marianne Moore." The Northern Anthology Of Modern and Contemporary. ed. New York: W.W. Norton & Company, 2003. . Print.
Leonard Cohen’s life has been a bohemian enigma of a ravenous lover, the “poet laureate of pessimism” who is not afraid to color the world with reality and present his painting as it is: naked and true (Nadel 1). The depth of his voice accompanying his “music to slit your wrists by” makes his unbearable charm of a Byronic hero all the more appealing (Nadel 1). And what is it that heroes always lament about? A fair lady.
Poetry’s role is evaluated according to what extent it mirrors, shapes and is reshaped by historical events. In the mid-19th century, some critics viewed poetry as “an expression of the poet’s personality, a manifestation of the poet’s intuition and of the social and historical context which shaped him” ( Preminger, Warnke, Hardison 511). Analysis of the historical, social, political and cultural events at a certain time helps the reader fully grasp a given work. The historical approach is necessary in order for given allusions to be situated in their social, political and cultural background. In order to escape intentional fallacy, a poet should relate his work to universal
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
It is a way to crucially engage oneself in setting the stage for new interventions and connections. She also emphasized that she personally viewed poetry as the embodiment of one’s personal experiences, and she challenged what the white, European males have imbued in society, as she declared, “I speak here of poetry as the revelation or distillation of experience, not the sterile word play that, too often, the white fathers distorted the word poetry to mean — in order to cover their desperate wish for imagination without insight.”
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
Marianne Moore ranked with Emily Dickinson among America’s finest woman poets. Moore crafted her poems superbly. She generally used poetic forms in which the controlling element is the number and arrangement of syllables rather than c...
On the surface the poem seems to be a meditation on past events and actions, a contemplative reflection about what has gone on before. Research into the poem informs us that the poem is written with a sense of irony
One of Emily Dickinson’s greatest skills is taking the familiar and making it unfamiliar. In this sense, she reshapes how her readers view her subjects and the meaning that they have in the world. She also has the ability to assign a word to abstractness, making her poems seemingly vague and unclear on the surface. Her poems are so carefully crafted that each word can be dissected and the reader is able to uncover intense meanings and images. Often focusing on more gothic themes, Dickinson shows an appreciation for the natural world in a handful of poems. Although Dickinson’s poem #1489 seems disoriented, it produces a parallelism of experience between the speaker and the audience that encompasses the abstractness and unexpectedness of an event.
Whether the reader sees the satire or not depends on the reader themselves. Those who see this poem may not realize they're guilty of believing that the love and patience in stanza one exists. The presentation of this argument works because it seems sweet at first glance, logical when looked at again, and satirical when looked at against the views of the society.