The Unravelling of an Unstable Mind In Charlotte Gilman’s short story “The Yellow Wallpaper”, she portrays the true importance of individualism in desperate times of need. In the story, Gilman depicts the unraveling of an unstable woman battling what could be postpartum depression. The narrator and her husband John, who also happens to be her physician, move into a rental home for the summer so that she is able to rest and recover. Shortly, she finds herself frequently examining the pattern of a hideous yellow wallpaper that resides in her room. What begins as a curious observation, soon leads to a frightening obsession of the wallpaper.
The short story, “The Yellow Wallpaper,” written by Charlotte Perkins Gilman focuses on a young woman’s psychological downfall and her fascination with the wallpaper within the house she and her husband are living in. The woman begins to believe that the wallpaper is coming alive, which leads her to become confused with reality and fantasy. Gilman selects the crazed woman as the narrator of the story. Furthermore, Gilman uses first person point of view to effectively convey the woman’s emotions and feelings during her mental decline. Gilman begins the story with the narrator describing her and her husband’s vacation home and then her illness.
Jane also seems to be fearful of her husband and even states so “The fact is I am getting a little afraid of John,” (Gilman 963). Jane also talks of how she is afraid... ... middle of paper ... ... John as “that man” symbolizing that by becoming Jeanie, the woman in the wall, she left her past life behind (Gilman 967). “The Yellow Wallpaper” speaks of a woman who struggled of more than mere insanity, but also the pressures of life. Her life continuously seemed to weigh her down and she felt trapped by what was expected of her along with her mental disease. Her environment, marital relationship, and desire to escape her illness thrust Jane deeper into insanity.
In the story The Yellow Wallpaper, Gilman uses personal experience with a vivid fictional ending to accomplish her goal of informing her readers of feminist and social issues. Characters within the story are the narrator, who becomes known as Jane at the end; John, the narrator’s husband and physician; Jennie, John’s sister who becomes the typical housewife in that time to allow the narrator to rest; and Mary, who takes care of the baby. The narrator and John rent an estate in the country, which could also be looked upon as “a haunted house” (2) in the narrator’s eyes. Ever since the birth of their child, the narrator has developed a temporary nervous depression. John, being a high standing physician, feels the “rest cure” is exactly what she needs to help with her newfound depression, which restricts her emotions and does not allow expression, ultimately making it worse.
The hard work of life reminds her of the letters in the attic that she does not want her children to find and that she took great pains to keep a tidy house. Readers learn that she had prepared herself for death at sixty, and then “got over the notion” after she actually became ill and recovered 78). Cornelia’s attentiveness makes Granny feel old, but her other children, Jimmy and Lydia, still ask her advice, reminding Granny
They struggled because their communication was no good. They stressed because they both knew that their relationship was going to end since Georgiana was going to die. They were uncomfortable because Aylmer was not happy with Georgiana’s birthmark. And Georgiana was happy having her birthmark, but to please her husband she decided to risk her own life so it could be removed. In article, Overview: “The Birth Mark” by Kelly King Howes said that, “ Georgiana is not a particularly well-rounded character, although she does undergo some intellectual growth as she reads her husband 's journal and recognizes both the greatness of his mind and the consistent overreaching of his ambitions.
Analysis of The Yellow Wallpaper Gender played a very large role in the short story The Yellow Wallpaper by Charlotte Perkins Gilman. It symbolizes the way women were viewed in the 1800’s by society and most importantly, men. The narrator in the story believes that she is sick with a nervous condition. Her husband being a physician, down plays it and forces a treatment of completely isolating her in a room from the outside world, as well as restricting her from being active and writing. As the narrator writes in her hidden journal, we start to discover how peculiar she really is when she becomes obsessed with the yellow wallpaper.
This highlights the point that one should not be suffering in marriage because marriage is supposed to be symbolic of the love between two people allowing them to morally bear children. The woman remains nameless to show that there is no specific name,... ... middle of paper ... ...ecause john stifles her writing and creativity, the narrator begins trying to make some sense of the wallpaper. She begins creeping, as the woman appears to be doing. She replaces her feeling of being watched and studies it coming to the conclusion that the woman is trapped. She levels with the woman because she is trapped behind bars(on her windows), while the figure is trapped behind the wretched designs.
It was full of mistakes. It was a child "of my feeble brain," (1) meaning she obviously wrote the book herself and she believes her brain was weak. Next, Bradstreet states, "Who after birth did'st by my side remain," (2) meaning that she kept the book after it was finished. Her word choice here shows that she was not very happy with the way her book turned out. She wanted to keep it from the publishers so she could fix it over time.
“The faint figure behind seemed to shake the pattern, just as is she wanted to get out. I got up softly and went to feel and see if the paper did move.” (Gilman 652) Jane also begins to believe that the wall-paper know what it was doing to her “This paper looks to me as if it knew what a vicious influence it had!” (Gilman 653) Jane starts to relate to the women being trapped in the paper and like she is trapped with-in the bedroom. Jane becomes one with the women in the wallpaper and referrers to the women as I. Jane begins creeping along the baseboards trying to release the women from their prison of wall-paper, which will release her from her