Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Hamlet puts on an antic disposition in the beginning act in order to prove Claudius’ guilt and avenge his father’s death, but as an audience we finally see how this “madness” affects other characters in later scenes. Most importantly one can see how this contrast not only affects, but also ends Ophelia’s life. Ophelia’s heart, that she believed was filled with love, is soon ripped into pieces when Hamlet acts mad and says, “I loved you not” (3.1.118). Later in the play, Ophelia finds out that not only has her father been murdered, but he was also killed by her own love, Hamlet. After this scene, Ophelia is lost and confused in emotions causing her to take action in the way she believes will benefit her best. This action includes taking her own life because she can no longer bear the pain of all the tragedies. As the queen describes this death she says, “Till that her garments, heavy with their drink,/ Pull’d the poor wretch from her melodious lay/ To muddy death” (2.7.181). These ironic moments again prove that the contrast in actuality and make-believe are crucial to the tragic ending of the play. In these moments, we feel pity and sorrow for Ophelia because we wonder if she had known the truth, would this have happened? Her desire to satisfy her own needs in this moment allow this tragedy to occur though; therefore, at the same time we wonder if the truth would have made a
In Hamlet, one of the many things Shakespeare shows us is how the world can change a person, how certain circumstances can knock a person so out of proportion with who they used to be that they take on a new persona, a new identity. One such character is Ophelia, a young, innocent girl, who, throughout the play is torn between father and lover, accused of not being as innocent as she seems, and finally driven to insanity. In the end, she is driven to suicide, an innocent victim of the world around her.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
In this research I will discuss madness in Shakespeare's plays ; Hamlet , King Lear , and Macbeth. throughout those three tragedies we meet with kinds of madness, what the real reasons that push the heroes to be mad . Is Ophelia in Hamlet became mad because of the death of her father or Hamlet's deny of her love ?. Is Ophelia really mad or she suffered from mania mitis resulting from her social's stress?. In King Lear , he is the most dangerous type of mental disorder, the madness of Lear resulting from that he is old age. His senility led him blindly to deconstruct the justice of heaven ; he distributed his kingdom just between two daughters. He judged how his daughters loves him with their speech not with their actions, and that not acceptable
Hamlet - A Question of Madness
Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father.
In Lewis Carol’s, Alice in Wonderland, he tells of the meeting between two of his characters, Alice, and the Mad Hatter. Carol writes about the struggles the young girl Alice has with him due to the fact that he appears to be entirely crazy, though the question stands if there is some method to his madness. Playwright and actor, William Shakespeare, uses this controversial connection between real madness and loss in his play Hamlet, portrayed in his characters Hamlet, and his crazed actions towards his loved ones, in Ophelia and her reaction to the death of her father, and lastly, in his character Laertes and his quick, rash reaction to act upon his desire for revenge.
Madness in Hamlet by William Shakespeare
At first glance, William Shakespeare's tragedy Hamlet appears to be an obvious story of a man who goes mad over the murder of his father, the king. Madness is a common theme throughout Hamlet, but often times Hamlet himself is the only character seen as mad. An explanation for this is that a first time reader does not carry the perception that any other characters are mad, simply Hamlet. When in actuality Hamlet is surrounded by people who are indeed mad.
Upon losing sight of his individuality and sanity, Hamlet has a sudden need to shield Ophelia's’ heart from his own wrongdoings. Before the tragic death of his father, Hamlet and Ophelia share a connection in which they were able to