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Music during the Renaissance period
Music during the Renaissance period
Music styles in the Renaissance
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Even though there was not enough information to state about Maddalena Casulana, she was the first Italian woman composer to ever have her musical pieces published and printed out for the public during the late Renaissance era around 1544-1590’s. Her talent of being able to play the lute and have a voice got her a lot of recognition amongst many other composers, female and male, from her time. In addition, the madrigals, which are several voices arranged in a way that they do not need any instrumental support, helped her gain the confidence that she already had to conduct for great composers and in front of royalties. Not much is known about where she was born but many followers who admired Casulana like author and astronomer Alessandro Picolmini, claimed that Casulana was born near Sienna, Italy. …show more content…
She composed four madrigals called “Il Desiderio” which were published in Venice.In 1568, she was the first woman to ever get her musical work published and printed out. She was also fortunate enough to perform for Orlando Di Lasso, another late Renaissance composer, who invited Casulana as guest to a royal wedding. Even before she was famous, Casulana always had a passion to study music. In her early ages, she trained and gave private lessons in her hometown. She went to different states teaching what she had already known about composition of music and singing. She also found herself a husband, but there is not enough facts to speak about how he contributed to her life. The madrigals that Casulana created allowed for her to put all of her personal style into play giving her freedom to how she wanted to compose and sound in her own music. That is what gave her originality amongst other composers setting aside the fact she was also a
In an article in Musical Quarterly in 1999, Beth L. Glixon wrote that Strozzi was “the most prolific composer – man or woman – of printed secular vocal music in Venice in the middle of the 17th century”. In 1644, Strozzi published her first opus “the first work that I, as a woman, all too daringly bring to the light of day”. Dedicated to the Grand Duchess of Tuscany, these madrigals featured texts written by her father. Her remaining eight published collections appeared after Giulio Strozzi died in 1652, with some texts written by her father’s friends; others by herself. Almost all of her works were secular and most were written for a lyric soprano. They show her flexible mastery of musical form as she moved easily between cantatas, ariettas and duets. Her significant body of work included six volumes of cantatas, more than any other composer working in that genre at the time.
Let me begin by offering a tidbit of biographical information about Florence Price. Florence Beatrice Smith Price was born April 9, 1888 in Little Rock, Arkansas. She was the third child born to Dr. James H. Smith, a dentist, and Florence Irene Gull, a schoolteacher. Previous to studying composition and organ at the New England Conservatory of Music in Boston, Florence received her first musical training from her mother at age four. After much musical education, she was soon found teaching in the music departments at Shorter College in Arkansas (1906-1910), and Clark University in Georgia (1910-1912). In 1912, she married Thomas J. Price and together they had three children. Florence successfully established herself as a concert pianist, church organist, composer, and teacher, which soon became her claim to fame. A prominent composer of the Harlem Renaissance, Florence Price published her first composition at age eleven, and at age sixteen began receiving modest fees for her publications. Among her most famous compositions is the Symphony in E Minor, which received its world premiere at a performance by the Chicago Symphony in 1933. Florence died on June 3, 1953 of a stroke in Chicago, Illinois. It wasn’t until after her death in 1953, that she became well known for her miraculous musical talent.
Mathilda Sissieretta Jones or more commonly known to the world as Black Patti was an American Soprano opera singer who in June of 1892 had become to first ever black women to be to perform live at Carnegie Hall. This performance would not only determine her position was one of the greatest singers of her time, but one of the greatest singer of all. She was born to the name Mathilda Sissieretta Joyner in January of 1869 from Portsmouth Virginia. After moving to Rhode Island with her family she had begun signing in local choirs which were directed by her father. It was not until she had become a prepubescent and began studying at the Providence Academy of Music that he talents had begun
Have you set off for the coast of the Gulf of Mexico and a current pushed you all the way to the coast of Tampa bay, Florida? In 1528, a current pushed Cabeza De Vaca and 300 other men to southwest Florida. When they arrived cabeza ordered the 300 men to abandon the ships and go on the island and search for treasure. The men had to figure a way to travel to west Mexico from Tampa Bay, Florida. After months the goal was no longer colonization, it was survival. Cabeza De Vaca survived by developing surviving skills, getting resources, and meeting new people.
Calea zacatechichi belongs to the Compositae family or the sunflower family. Its genus is calea, and it is known as the species zacatechichi. Some of the common names for this plant are Aztec Dream Grass, Bitter Grass, Dream Herb, and Madre. It grows between three feet and four feet eleven inches in height. It was originally found in central Mexico growing in the mountains above 5000 feet. Below are pictures of the plant showing its leaves, its flowers, and the last picture is of the leaves being dried. The chemical analysis of Calea zacatechichi or Aztec Dream Grass has as the primary psychoactive compound, germacranolides. This is the reason for the sharp bitter taste of the herb. The herb naturally produces the following chemicals: “1B-acetoxy-zacatechinolide,
It was an early age when Monteverdi’s career began, he then published his first pieces, and this was based on as a collection of three-voice motets, at the age of fifteen. It was by 1591, when he went to Mantua as a musician for the Gonzaga court, by then he had already published books of “spiritual madrigals” in 1583, then another canzonettas in 1584, by 1587 and 1590 he published his first two books of “madrigals.” It was in Mantua he continued writing madrigals, and then in 1607 he produced his first work in the new genre of opera, the setting was of Orfeo. 1613, he was then appointed maestro di cappella at ST. Mark’s Cathedral which was held in Venice. Monteverdi had remained in Venice for the rest of his life, writing music in all different kinds of genres, including his final opera, “incoronaszione di Poppea in 1642.
Μαριάμ, better known as Mariam, is the goddess of quiet change. Her greek name means wished-for child, or rebellion. She has the power of quietness, but also has the power of great hearing, which helps her on her many journeys. She has a forever sympathetic love for not only people, but animals too. Mariam brings warmth to the surviving winter flowers and keeps the arctic from melting. She has the ability not to fly, but to gracefully float to wherever her destination may be. She may be one of the most selfless, caring goddesses out there, however she does have a bit of a dark side. Her quiet, but fiery spirit allows her to accomplish just about everything. She often gets looked over, which allows her to inherit many successful encounters.
At this time she was known for her performing with the Kneisel Quartet and performing her own Quintet for piano and strings, in F-sharp minor and her Gaelic Symphony. Before the Gaelic Symphony, she was known for her piece the Grand Mass in E-flat major, which consisted of an orchestra and voices. She has also written chamber music that included a piano trio and a piano quintet. She also wrote piano concertos. Also, she wrote one opera that consisted of one act called the Cabildo, that wasn’t performed until after she passed away. Overall, Beach had a variety of music compositions throughout her whole career. Also, she was a part of a group called the Second New England School of Composers, and she was the only female composer in the group. Furthermore, throughout the rest of her career, she either performed with the Boston Symphony again as a Piano soloist or the Boston Symphony started performing her own
“Revenge only engenders violence, not clarity and true peace. I think liberation must come from within” Sandra Cisneros. Cisneros is saying that with revenge only comes violence; it won’t free people from anything. Only acceptance and moving on will unshackle someone from what revenge would only lock them into. Simply put, revenge creates a prison in one’s own mind seeking out that revenge will not lead to freedom. In Edgar Allan Poe’s “The Cask of Amontillado” and Kurt Wimmer’s Law Abiding Citizen both storylines reflect on this idea that when a person seeks revenge he or she is really building a prison of guilt. Similarities are best found between the setting and the plot whereas the characters differ throughout each story.
“Cask of Amontillado” The Cask of Amontillado is a 1846 short story written by Edgary Allan Poe. Poe is very know for his dark and cryptic fictions stories. Most of his fiction stories are about revenge, they all have some sort of twist to them. I think that most of his stories also include and incorporate his life detailed within them. With some research Edgar Allen Poe dealt with sickness, death and addiction.
These next few paragraphs are going to be about a monster. It is going to be about someone that is not immoral like all of the other gods and goddesses. She was a lovely girl before she had to flea her town because of what she has became. Medusa was a monster.
The invention of the linear perspective has been one of the greatest contributions that have been made to art throughout its history. For the first time it became possible to perform scientifically the representation of three-dimensional space on a surface of two dimensions. Perspective was the essential element that revolutionized painting, sculpture, and architecture from the fifteenth century, giving rise to the phenomenon that was called the Renaissance.
From Madrigals to Now Ever since the Renaissance period in the 14th century, the madrigal has been alive and still continues to live on today through modern-day music. A madrigal is a multi-voice song based off of poetry that’s sung a cappella is the simplified definition from “Songs”. The madrigal was first born 1520 in Italy as a pastoral song.
However, several improvements that were made in this time period allowed women to learn music through private female institutions and seminaries. Currently in the 21st century, female composers
Harr, James. Essays on Italian Poetry and Music in the Renassisance: 1350-1600. Berkeley: University of California Press, 1986.