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1960s decade of change
How did culture change between the 1950s to the 1960s
Analyses of mad men
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AMC’s 2007 premier of Mad Men coined the beginning of a television revolution. Viewers of the hit program became captivated by every aspect of the show, from the retro designed setting to the verbiage spoken by characters, Mad Men leaves audiences with an intense wonder to observe how the story unfolds. Mad Men portrays the 1960s in a way the current generation has never before seen and for our nation’s elder generations it creates an extreme sense of nostalgia. While the show’s setting portrays the 1960s viewers have gained the ability to unravel many culturally relevant references from both past and present times. Regardless of age, gender, social status or ethnic background Mad Men reflects specific aspects viewers are able to relate with. Due to the show’s portrayal of the time period in which the story it is set, the reckless behavior, success and overall dysfunction portrayed has gained a wide variety of dedicated viewers. Taking a look back to the 1960s viewers observe a revolution in American society. The 1950s left our nation in a cookie-cutter way of life, however, due to the increasing awareness of our nation’s inequality, decreasing overall standards, changing views of war and shift in popular culture American society broke away from ideas of perfection of the ‘50s. Viewers see an accurate depiction of these aspects, at one time or another, portrayed throughout Mad Men. The shows accuracy for portraying this time period of radical change is nearly spot on with the reality of the decade its self. In short, Mad Men reflects American society because of the nostalgia it creates, the wonder it leaves viewers waiting piece together and the longing to satisfy our guilty pleasures the way characters such as Don Draper and Roge...
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...es as a result of their ridiculous decision making. Viewers have learned to not under estimate these characters and their ability to put themselves in undesirable situations. Until the end audiences will anticipate to see how the story unfolds and what will result of the years of careless decision making.
Works Cited
Weiner, Matthew. "Smoke Gets in Your Eyes." Mad Men. AMC. 19 July 2007. Television.
Weiner, Matthew. "Babylon." Mad Men. AMC. 23 August 2007. Television.
Weiner, Matthew. "The Gypsy and the Hobo.” Mad Men. AMC. 25 October 2009. . Television.
Zimmer, Ben. "'Mad Men'-ese." New York Times Magazine 25 July 2010: 18. Academic
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Abboud, Mona. "Did 'Mad Men' Get It Right?" Chicago Tribune. N.p., 07 Apr. 2013.
Web. 17 Feb. 2014.
This essay will discuss how national attitudes towards the working-class and the impoverished are represented in American Television. The purpose of this paper is to comprehend that television shows are not solely designed to entertain consumers but also contain a hidden agenda whose task is to protect certain ideological perspectives and therefore constant framing strategies take place. The paper will commence the analysis by discussing how males and females are represented in the television show Friday Night Lights, secondly it will look at the
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
Family comedies have evolved throughout the past century. What was once revered as classic has completely changed forms and turned into the comedic experience we witness today. Family sitcoms in particular have been converted to show a broader picture of how family’s interact in today’s world. This greatly appeals to today’s audiences and is what people want to see. Modern family specifically has tapped into what nontraditional families are all about and even with being so alternative has resonated with every type of family, making it one of the most popular shows on TV at the present moment. The pilot episode of Modern Family uses hyper-irony, allusions and uses references to technology to enforce comedic impact.
Imagine, if you will, a time that seemed innocent... almost too innocent. Imagine a nation under whose seemingly conformist and conservative surface dramatic social changes were brewing, changes as obvious as integration and as subtle as fast food. And imagine, if you will, a radical television show that scrutinized, criticized, and most importantly, publicized these changes, making the social turmoil of a nation apparent to its post-world war, self-contented middle-class citizens. But what if this television show was not as it appeared? What if it masqueraded as simple science fiction, and did not reveal its true agenda until viewers took a closer look? Let us examine how such a television program can become a defining force in the culture of a nation, a force that remains just as powerful almost forty-five years after it first appeared. Let us investigate the secrets of... The Twilight Zone.
Starting with Sanford and Sons through the progression of The Fresh Prince of Bel-Air, it is evident that the changes transpiring in society are slowly entering the television industry. What would have been acceptable in the 1970s would be totally unacceptable in this day. No longer is an African-American father in a sitcom shown as a worthless, rude individual. The father figure is now shown more as a responsible, loving, and moral person with more realistic faults. Color now seems, through evolution, to be taken out of the equation for the African-American television families.
I chose to analyze the sitcom That 70’s Show, a show that follows the lives of a group of teenage friends: Jackie, Donna, Hyde, Kelso, Eric, and Fez. The show addresses several social issues of the 1970s, including: sexism, sexual attitudes, drug use, politics, and the recession. I selected certain episodes from Season One based on their titles and descriptions; ones I thought may deal with sexism more in-depth than other episodes.
The Web. 15 Jan. 2015. Burroughs, Todd. Steven. In the "In The Brief." Crisis (2009): 10-14.
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
In the television series “Mad Men”, created by Matthew Weiner, we are showcased many values of the 1960s American culture. Two of the leading perceptions that are reflected in the Mad Men series include the idea of the perfect house, family, having a good career and owning materialistic possessions known as the “American Dream”, and the unequal gender roles in the 1960s society.
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
Don Draper, the protagonist of the show, is emotionally isolated yet narcissistic, trapped in a suffocation of his own ego. Yet he seems to be the most liberal when it comes to serious female contribution in the workplace, although continues to sexualise those who haven’t proved their worthy capabilities to him. He is able to view Peggy and Joan as women who have alternative purposes than to please his sexual desires. Despite this modernist ‘transition’ of observing woman in a new light, he is still the one who gets to make the decision of what use each female character is to him. The male characters expectantly possess the dominating role within the show, as they did in 1960s society. In Mad Men, everyone chain-smokes, every executive starts drinking before lunch, every man is a chauvinistic pig, every male employee viciously competitive and jealous of his colleagues, with the endless succession of leering junior execs and crude jokes and abusive behaviour. (Mendelsohn, 2011, 5) The men are consumed within the competitive environment of the advertisement agency, adultery, drinking and smoking just accessories to the life-style of the alpha male. The female characters are ultimately more complex because they have less freedom.
“A Cultural Approach to Television Genre Theory” argues that the application of film and literary genre theory do not fully translate when analyzing television, because of “the specific industry and audience practices unique to television, or for the mixture of fictional and nonfictional programming that constitutes the lineup on nearly every TV channel. 2” The goal of media genre studies, Mittell asserts, is to understand how media is arranged within the contexts of production and reception, and how media work to create our vision of the world.
A television is defined as “a widely used telecommunication medium for transmitting and receiving moving images, either monochromatic (black and white) or color, usually accompanied by sound” (Webster’s). Since the invention of this device in the 1930’s, people have been able to be entertained by various television shows in the privacy and comfort of their own home. Although each of these shows relate to different age groups, nationalities, race, and genders, they all seem to have one thing in common. They all act out and portray the stereotypes placed on people because of their age, sex, job, culture, race, look, and position in the household. Due to these different categories being presented in the media pre conceived notions are formed about how people should behave, specifically men and women. Women generally take care and men take charge. But why does the television represent this “take care” and “take charge” image of women and men? In this paper, I will focus on one of the highly popularized television shows that viewers watch today; Desperate Housewives. Using this television show, I will be able to show and analyze how women are represented in the media and why they are represented this way.