Manhood and its definition is a major theme in Shakespeare’s play Macbeth. On first appearance, Macbeth is characterized as a loyal and valiant thane in defense of the honor of Scotland and King Duncan. The brutality that he shows as a warrior on the battlefield is an acceptable and lauded trait. These attributes come into question as the witches introduce the prophecies tempting Macbeth’s vaulting ambition. After the regicide, Macbeth is damned and is no longer concerned with being honorable. He covets immediate gratification at all costs and by all means. However, this gratification is temporary due to that Macbeth later on, experiences guilt and regret which directs him towards his morbid fate and ultimate demise. The hierarchy portrayed in Macbeth’s society functions as a demonstration of the manliness virtues applauded in the 11th century; an attribute such as one’s loyalty to his king. “The medieval world-imbued with distinct and fixed ranks, the subordination and obedience of the lower to the higher, and a strong sense of plentitude ,purpose ,wholeness , and order in both the temporal and spiritual realms” (Blits 38). A man must be subservient to his king in order to gain a high respect and trust and to be honored a title. Once a thane has achieved his benefits and the king’s trust, the impression of an allegiance of his duty as a protector is then generalized alongside with the people’s praise. Macbeth depicts the virtue of loyalty to King Duncan notably, as he is honored with the title “Thane of Cawdor.” Macbeth displays his fortitude by risking his life in the capture of the traitor, McDonwald, for King Duncan’s protection. “For Brave Macbeth-well he deserves that name-/Disdaining fortune, with his brandished steel... ... middle of paper ... ...e to the hated miscreant. Living a great life, honored, and praised, Macbeth was satisfied however, a high offer to be king had consumed his thoughts and changed his perspective and values. With this, Macbeth developed a far beyond brutishness. Thus, the only aspects of manliness that remained upon him was his loyalty to himself, and the brutality he showed in his desires to kill the king, Banquo, and Macduff’s family. In the end, it was the witches’ prophecies and Macbeth’s strong ambition led to his termination and concluding fate. Works Cited Blits, Jan. Shakespearean Criticism. 1st ed.69.Farmington Hills, MI, USA: Gale Group Inc., 2000. Kimbrough, Robert. Shakespearean Criticism.1st ed.29.Detroit, MI: Gale Research Inc., 1996. Shakespeare, William. Macbeth. New York, NY: Barnes & Nobles Inc., 2007.
In Shakespeare’s play, Macbeth‚ the theme of masculinity is explored. As Macbeth matures‚ there are times when his masculinity is put to the test, mostly after the murder of Duncan. There are four main themes in which masculinity is presented in the play.
The story of Lady Macbeth throughout Macbeth is one unlike those of its time in its unusually forward-thinking portrayal of a woman with thoughts and actions which would have been considered indecent. This is seen through the representation of her relationship with Macbeth and how they interact. It is also illustrated through Lady Macbeth’s morals and their effect on how she acts and reacts in situations which would weigh heavily on most peoples’ conscious. Her power-hungry attitude is one often reserved for men, especially in this era of literature. All of these factors create a character in Lady Macbeth which is dissimilar to the classic portrayal of women in the seventeenth century.
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
In this Shakespearean tragedy, the key character, Macbeth, undergoes numerous vicissitudes throughout the play, though the most significant is his evolution of manhood. In the opening of the play, Macbeth is depicted as a valiant and honorable “man”. After a violent and ferocious battle with Norway, three witches provide Macbeth with his forthcoming, bestowing that he will be King of Scotland. Macbeth shortly realizes that he might need to murder Duncan to fulfill his fate; however, his feelings on Manhood preclude him until Lady Macbeth assesses his decision. When Macbeth takes on Lady Macbeth’s definition of manhood, he loses his honor and she loses her sanity.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792)
In the play Macbeth by William Shakespeare, the author tries to show the true nature of man by using the play’s main character, Macbeth, as an example. He is overly ambitious, courageous, and self-doubting. Throughout the play, Shakespeare displays these characteristics to the audience through Macbeth to show the true nature of man. At the end of the play, these characteristics ultimately lead to Macbeth’s downfall.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
The tragedy Macbeth by William Shakespeare is based on a thane in whom is corrupted by greed and a negative ambition. The character Macbeth contradicts his moral responsibility in this play a great deal; many moral questions are brought forth to Macbeth. He questions himself and whether or not he should follow through with the evil deeds that he does. Macbeths ambition causes him to compromise his honour, he doesn’t take into consideration that he is being trusted and that every action that he takes will have a reaction. Macbeth attains his position as king unjustly. As is evident by the conclusion, justice prevails as usual and Macbeths demise is a result of his evil deeds.
Towards the end of the play, after Macbeth convinces the Murderers to kill Macduff’s wife and child, Macduff is advised to do what is ‘manly’ and exact his revenge. It is here that the idea of manliness built up throughout most of the play is challenged. When Malcolm tells Macduff to “Dispute it like a man,” Macduff counters ”I shall do so. / But I must also feel it as a man”
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In Shakespeare’s Macbeth, he uses the theme of manhood to create motives for characters to act like a man. This is seen in many occurrences in Macbeth where characters try to act like men for certain reasons. Characters that apply this action are Macbeth, the first murderer, Macduff, and Young Siward. These actions are seen throughout the play, and play a key role in the development of the performance.
Men are often described as strong, caring, loyal people. In fact, Macbeth himself describes a man as one who has integrity and self control. I believe that he is a mediocre man because according to Martin Daly and Margo Wilson’s Roots Of Machismo, he sometimes fits the description of what a man should be. He does he not quite portray what’s expected of a man from Machismo and also fails to fit the description of a man both he, himself, and Lady Macbeth express. He is not a risk taker and has little interest in social hierarchy. He was not led by freewill or fate when killing King Duncan and Banquo but rather by Lady Macbeths persuasive, misguiding, words such as “one who gives into every desire or whim he has and gets what he wants no matter the consequences.” Having said this, he occasionally portrays qualities required to be categorized as what a true male should resemble. Another Darwin theory that is not mentioned in Machismo is natural selection that explains how characteristics of species start to die out because they are not strong enough to withstand the surrounding environme...
King Duncan trusts Macbeth too much. Macbeth appears as a superhero and faithful to King Duncan. He fights against the traitor Macdonwald, and he helps the king to solve a great problem that wins the war. Duncan trusts Macbeth very much because of Macbeth’s heroic efforts and he gives Macbeth the title “Thane of Cawdor”. In actuality, Macbeth is not as faithful to the king as he appears.
In the play, Macbeth possesses many strengths such as honor, respect, and he was viewed as being courageous. Macbeth was given the title “Thane of Cawdor " because he used his strengths to his advantage and was recognized for them. “For brave Macbeth—well he deserves that name--Disdaining fortune, with his brandish'd steel, Which smoked with bloody execution, Like valour's minion carv'd out his passage, Till he fac'd the slave" (Act 1, Scene 2, Lines 16-20). This is the king speaking highly of Macbeth and the qualities he has and praising him for them. The one major event that changes Macbeth forever is when he murders Banquo. After the murder of Duncan, Macbeth slowly lo...