When I thought about the role that the word "night" would play in the tragic play "Macbeth," I found that there were a variety of possibilities. Immediately, I thought of the nighttime as a period of rest and revitalization. I expected that this would allow characters to recover from the day's many demands. Secondly, I connected the night to the unknown. In the night's cloak of darkness, many more things could go undiscovered than in the revealing light of day. Next, I thought that the night would mean vulnerability. As the evening closes in, everyone begins to wind down, not expecting any real action until the breaking of the dawn. In addition, while one is sleeping, they are susceptible to almost anything. The most logical time to make an attack would definitely be after nightfall. Lastly and perhaps most importantly, is night's correlation with evilness. As children, we were all afraid of nasty monsters that lurked in the darkness of night. The night has long been believed to host supernatural beings and occurrences. As I read the play and came upon the word "night," I was surprised to discover that all four aspects of my hypothesis were correct. First, in act I, we see the first usage, night as a period for rest and revitalization. In scene iii, lines 19-23, the First Witch says,
Sleep shall neither night nor day / Hang upon his penthouse lid; / He shall live a man forbid: / Weary sev'nights nine times nine / Shall he dwindle, peak, and pine: / Though his bark cannot be lost, / Yet it shall be tempest-tossed.
Here, she is punishing the sailor by depriving him of his sleep, which she realizes is important for anyone to function normally. Without the ability to recuperate after each hard day's work, one would grow very weak and eventually start to lose one's mind. Next, we can observe night's connection to the unknown. As seen in my word journal, Lady Macbeth beckons, Come, thick night, / And pall thee in the dunnest smoke of hell, / That my keen knife see not the wound it makes, / Nor heaven peep through the blanket of the dark, / To cry "Hold, hold!" Without the obscurity of night, she would not have urged Macbeth to kill the king as she did. The night, however, gives her the impression that Macbeth can indeed kill King Duncan with no one uncovering his contemptible crime, the same idea that Macbeth had when he said, "Stars, hide your fires; / Let not light see my black and deep desires.
In Macbeth the use of night and day shows how the characters try to avoid the day and hope the night comes faster and the natural feature of one’s appearance in Cyrano de Bergerac shows how appearance does not give importance, on the opposite what does is the substance that one has, because eventually ones personality gets revealed. After Macbeth sends Lady Macbeth a letter telling that he would soon become Thane of Glamis and Cawdor, and that the king arrives later, in the night. She starts to plan King Duncan’s death for power, her ambition takes over and says, “ Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark to cry ‘Hold, hold!’ ” (I, v, 51-4). Lady Macbeths wants night to come so that her evilness can be covered ...
The vision of the dagger, the murder of Duncan, the murder of Banquo, the sleep-walking of Lady Macbeth, all come in night scenes. The Witches dance in the thick air of a storm or, 'black and midnight hags', receive Macbeth in a cavern. The blackness of night is to the hero a thing of fear, even of horror; and that which he feels becomes the spirit of the play. The faint glimmerings of the western sky at twilight are here menacing: it is the hour when the traveller hastens to reach safety in his inn, and when Banquo rides homeward t meet his assassins; the hour when 'light thickens', when 'night's black agents to their prey do rouse', when the wolf begins to howl, and the owl to scream, and withered murder steals forth to his work. (307)
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In Shakespeare’s Macbeth, the theme of free will vs. fate is an essential argument and one that plays a huge part in the character of Macbeth. There are three areas that are focused on when seeing if Macbeth was in control of what he did or if fate controlled what happened. The first area talks about Macbeth’s behavioral patterns. The article relating to this topic reveals certain patterns in Macbeth’s behavior which include a structural pattern and a relational pattern. Macbeth’s structural is that he committed murder at three important parts of his life. There is no reason to think that fate controlled the structure of his murders. Also, the relational pattern reveals that he killed ones close to him, which also is a way to show that free will influenced it. The next area is that the fact that Macbeth was influenced by others and not fate. Lady Macbeth is probably the person who has the most influence on him, and also his mortal thoughts. Lastly, the final area that is focused on in this argument is that Macbeth dreads the idea that he has to commit murder. In the beginning, Macbeth fears murder so much that he leaves it to chance, which shows that he is exercising his free will. The argument talks about fate and says that he can’t control what happens. This argument is mostly summed up by saying the witches controlled him and that his death showed us that.
“The night has been unruly. Where we lay,/ Our Chimneys were blown down, and, as they say, / Lamentings heard i’ the air, strange screams of death,/ And prophesying, with accents terrible,/ Of dire combustion and confused events/ New hatched to the woeful time. the obscure bird/ Clamored the livelong night. Some say the earth/ was feverous and did shake.” (2.3.58-65)
"The Chinese Revolution of 1949." U.S. Department of State Office of the Historian. Office of the
The late 19th century and the beginning of the early 20th century marks a critical turning point in Chinese history. The high pressures of western imperialism and regenerated peasant revolutions caused a sudden shift in the Chinese social order. The fear of western imperialism caused a demand for modernization, self-strengthening, and defense. Sons of the traditional landlord-bureaucratic lost confidence in Confucian values and traditional institutions; this elite class was too weak to withhold foreign invasion. The sons of the gentry, soon became the most important contributors to the revolution that would rise up against the Confucius bureaucrats intellectuals. The new revolutionaries visioned not only a fortified, modern China with a powerful defense system, but also a unified country. One without “class struggle” or the unfair socio-economic differences between the impoverished masses and higher social classes. To achieve this new political vision, the Chinese Communist Party (CCP) was formed in 1921 but not with ease.
William Shakespeare’s Macbeth tells a story of corruption, greed, and cruelty: all results of supernatural intervention. These elements take their toll on Macbeth and others close to him when at heart they just want to be at peace. Shakespeare made his characters mentally troubled by strange occurrences or personal problems like envy. By combining the problems with a symbol, he makes the reader realize what these characters lack. By examining sleep imagery in Macbeth, one can determine that it represents something comforting which many characters desire. This in turn helps the reader realize the characters’ feelings and how they differ from each other.
It was the events between 1946 and 1964 that strengthened communism in China. At the end of World War II, the Nationalist Party (GMD) and the Chinese Communist Party (CCP) raced for power in China. The chairman of the Communist Party was Mao Zedong and their army was known as the People’s Liberation Army (PLA). The Nationalist’s were led by Chiang Kai-shek and their army was the Kuomintang.
Laurence Sterne once wrote, “No body, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in a contrary direction at the same time.” This passage embodies one of the over arching themes of Macbeth. The character Macbeth, in Shakespeare’s tragedy Macbeth, could easily identify with this passage due to the fact that he is pulled in opposite directions by both his desire to do what is right and his desire for power.
...he goal of communism to work towards the benefit of the whole, many would argue that this is not being accomplished in China today. The information that the Chinese government feed to their people is affecting their citizen’s ability to decipher from what is true and what is false. Government-controlled media compare life in China today to life before liberation, where the people lived in poverty. However, many Chinese people of the younger generation view this as the past and instead compare China to its neighboring countries, such as Japan, which has accomplished much more in the same amount of time. The next generation of the Chinese people is determined initiate a change and perhaps a revolution to bring back the true harmony in China where there is trust and a lack of oppression on civil rights, and in result fulfilling Lu Xun’s wish to, “Save the children...”
By examining Shakespeare’s use of sleep, one can determine that sleep portrays unnaturalness that happens throughout the play and changes people’s lives. Readers who would read this, would think this is just another royal tale but by reading this story, they find out that there is a twist in the plot. Sleep allows the witches in the play to cast spells and cause problems which mostly affects Macbeth’s mind. The unnaturalness comes during the time that everyone goes to sleep, which curtains them from anything good. Lastly, Lady Macbeth is becoming mentally ill from unnaturalness disturbing her from the choices she has made with Macbeth.
Tragic heroes, who destined for a serious downfall, are the protagonist of a dramatic tragedy. A tragic hero is usually a great hero, who gets the most respect from other people; on the other hand, a tragic hero can also lose everything he gained because of his mistakes. His downfall is the result of a wrong judgment, a flaw which might combined with fated and external forces. The downfall can cause the tragic hero to suffer for the rest of his life. In many literary works, the downfall of the tragic heroes usually happen in their highest point. In the same way, Macbeth is a tragic hero in the play called “The Tragedy of Macbeth” which is written by a legendary writer, William Shakespeares. Macbeth is a great general who gained many respect from the people and even the king. In the highest point of his life, because of seeking for greater power, it created Macbeth’s downfall. Macbeth, a tragic hero, causes suffering for himself and others by committing murders and creating distress, which are the negative effects of seeking for a greater power.
Shakespeare often uses darkness and will frequently set the scene as a dark and stormy night. This depicts that evil happenings are occurring or are about to take place. There are at least three examples of this in "Macbeth". "The night has been unruly: where we lay,/Our chimneys were blown down; and, as they say,/Lamentings heard i’ the air; strange screams of death,..." (Act 2 scene 3 line 54-56). "Three score and ten I can remember well;/Within the volume of which time I have seen/Hours of dreadful and things strange, but this sore night/Hath trifled former knowings." (Act 2 scene 4 line 1-4). Both these quotes are talking about the night of Duncan’s death. They are showing the comparisons between the natural unruliness and the anomalous disaster. "And yet dark night strangles the travelling lamp." (Act 2 scene 4 line 7) is a metaphor for both the murder of Duncan and the night in which it transpired. A dark and stormy image is also portrayed when pernicious characters (ie. the witches, Macbeth and the murderers) meet.
As soon as the murder had happened, Macbeth and Lady Macbeth had switched places and Macbeth becomes more superior which helps him make his own decisions while Lady MAcbeth felt ashamed and was having trouble with her sleep now. Although before this, Macbeth was afraid, was having imaginings and Lady Macbeth would lie to him and say nothing was happening. The threat of no sleep “you lack the season of all natures, sleep.”(3.4.141) towards Macbeth did not help him but made him feel more guilty and