MUDs, MOOs, and Society
INTRODUCTION
Imagine a place where one can encounter strange creatures that are part human and part animal. Imagine a place where human beings have the ability to destroy and create things with just a flick of a finger. Imagine a place where people from all over the world come together at all times of the day and night to talk about attacking the evil overlord to free their kingdom. Imagine a place where people can meet and talk without ever seeing the other but still create a world or an academic project. This place is found in the endless void that is called the internet. This place has two names: MOO and MUD. These virtual places create many different worlds, have different purposes, and allow different actions by the user. Essentially, these MUDs and MOOs allow many people to be whatever they want and do whatever they want. This concept alone open up many issues that may and will affect a society that increasingly connects RL (real life) to the VL (virtual life).
In analyzing this technology, MUDs, MOOs, etc. are essentially online societies. Therefore, it is subjected to nearly all the issues that RL (real life) society is subjected to. People are people regardless if they interact face to face, over the telephone, or in the virtual realm. The only difference is the physicality of the parties involved. By no means is this difference to be taken lightly because physicality of parties does and will affect the interaction of everyone involved. However, humanity still reacts, emotes, feels, and communicates regardless of time, space, or dimension. All of these issues will be addressed through analyzing what the technology is, the types of literacy necessary to be involved with this technology, and the ethical issues bred out of this technology.
TARGET TECHNOLOGY
Description
Cowan defines a MUD as a "…multi-user domain, multi-user dungeon, or multi-user dimension, all of which are referring to the same thing, an environment where multiple people may be logged on and interacting with one another." This environment creates a society much like any other RL society. The only "real" prerequisite is to be a part of these online societies is to have a computer with an internet connection. Once entered in the MUD/MOO domain, prompts will appear asking for your real name, email address, the sex of the character to be playing, and a password for logging in.
Love. Love is generous, boundless and is one of the greatest gifts one can obtain from God, however when in love anything can transpire. And that is exactly how the poets Mariam Waddington’s, “Thou Didst Say Me” and Alfred Tennyson’s, “Now Sleeps the Crimson Petal” navigate their poems. Both offering conflicting sentiments toward love relations to the table and ultimately delivering a unique testimony about the subject of, love.
From walkmans to CD players to iPods, technology has evolved over the succession of the years; humans have taken extensive steps towards a technological transformation that has revolutionized the manner in which several individuals communicate with one another. Likewise, various humans have opted for more modern methods to connect and contact their loved ones such as speaking on a cell phone, video chatting, e-mailing, instant messaging, and conversing through social media. With these contemporary methods of communication, global interaction has now been facilitated and easily accessible; conversing with individuals from across the world is as transparent and prompt as speaking with individuals within the same city. Nonetheless, these technological
Iliad and The Knight’s Tale. Heroism and bravery are the most important part for being a man in
Whether Donne wrote his poem for his wife or just touched a universal theme for of us to learn from, the huge apparent differences bring the mortal love between the speaker and his lady to a level of perfection and no journey can ever break that.
Advances in technology have complicated the way in which people are connecting with others around them and how it separates people from reality. In “Virtual Love” by Meghan Daum, she illustrates through the narrator 's point of view how a virtual relationship of communicating through emails and text messages can mislead a person into thinking that they actually have a bond with a person whom they have stuck their ideals onto and how the physical worlds stands as an obstacle in front of their relationship when the couple finally meets. In comparison, the article … While Daum and X discuss that technology pushes us apart and disconnects us from the physical world, they evoke a new light into explaining how technology creates the illusion of making
Patients who are IgA deficient have a suitable prognosis as long as it does not become related to a major, life altering disease. When this disordered has been identified in a patient, he or she would have to continue to get routine checkups for other immunological findings.
The traditional way of socializing limits our ability to meet other people around the world. Virtual interactions offers a more possible means to communicate in today's society. Furthermore, the growth of the video game community such as in the genre of MMORPG (Massive Multiplayer Online Role Playing Games) allows for a high level medium that enable individuals to create small factions and perform social interactions. According to Bishop, "The existence of such communities is often brought about by people who share similar goals, beliefs or values, with such commonality forming the basis of an agreement to form and sustain a virtual existence" (1). Having shared similar goals...
John Donne, a famous poet in the 17th century, was well known for writing love poems. In his early years, Donne was a Catholic Priest who in his later converted to church of England and became an Anglican Priest. During this period, he wrote poems that reflected his religious views and his love for his wife Ann. In one of his poems, John Donne uses the word Canonization to confuse his readers to believing that the poem is about religious views. However, he actually uses the word ‘Canonization’ to talk about love tribulations. John Donne’s poem, ‘Canonization’, is a unique creation which was not unusual for poetry written by poets of his day. Canonization, can be said to have a lot of hidden meaning that can be compared to the poet’s own life experiences and it is also contradictory to what the word ‘Canonization’ really means. Donne makes the readers change their opinion on what they already know about love and believe his concepts on love.
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
He compares his relationship with his love as “stiff twin compasses” and other similar comparisons to describe their unity (Dunne 26). Like a compass, they always seem to be working cohesively as one unit. It could have the same theme as “The Passionate Shephard to His Love” by Christopher Marlowe, the theme of love conquering all. They both seem to have an idealistic view to the relationship as well, as the shephard in Marlowe’s poem insists that his love “will all the pleasures prove” if she were to go with him (Marlowe 2). Both poems aim for a perfect life with their love, and Donne’s poem manages to come up with a more realistic option out of the
The Good Morrow, a poem written by John Donne, gives a vivid, detailed, narration of the form of love many of us drastically seek to unearth. The narrator of The Good Morrow demonstrates no sign of misogyny, and instead displays an appreciation for the virtue of his lover in such a way that the reader comprehends the depths of their romance. Moreover, by developing such narration, Donne exhibits a pure and hopeful love, one in which he inspires his readers to acquire. He encourages this exploration by writing only of the positive encounters with his mistress. Therefore, he does not display the true structural balance of a relationship like he does in his poem, Loves Growth, in which a relationship is balanced by the ups and downs of life, or as he mentions in Loves Growth, the seasons. Nevertheless, if Donne chose to display a balanced relationship in The Good Morrow, then the reader would be weary of entering a relationship and would unconsciously shield themselves from the pure
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...
According to Turkle (2012), “We use technology to define ourselves by sharing our thoughts and feelings as we’re having them.” (Page 3). That’s an example of an over exaggeration. People are smart enough to know that expressing thoughts and feeling on the internet will not do you any good. People are willing to talk to someone when they’re going through something. They want to have face-to-face conversations to properly express their feelings and thoughts so that they can receive an immediate reaction. We don’t let technology define
In the poem, Donne structures each stanza individually as a different personification of love. In the first stanza, Donne compares love to a plague when he says, “Yet not that love so soon decays…that I have had the plague…” (3/6) It is the latter line that Donne implements his use of imagery and conceit. Love is not often compared with “the plague” and this is a very strong interpretation. However while these two images seem different, they do interconnect through the pain and anguish that love can foster. This first comparison of Donne’s is very ef...
Electronic or “virtual” socializing has proved to be exceedingly popular than the preceding face-to-face social interaction like dating, church and other public gatherings.... ... middle of paper ... ... Social Science analysis and conclusion of results is usually comprised of current findings since the study of social behavior is on-going as the variables are altered continuously and results of a natural science study prove to be more pragmatic and directly answers the research question.