The Golden Ass was about a young man, Lucius , on his journey.
A story of his adventures and slight misfortunes Lucius: the traveler and protagonist, the story is of his journey. In the Golden Ass, Lucius was inspired by his own self-will and allows his curiosity to overcome him, ignoring the advice from other peoples. At the beginning of the story, Lucius is fascinated by witchcraft and unreality things. This as a result made Lucius turned into a donkey and has lots of crazy adventures. In the end, Lucius regrets of his actions, embraces the monastery, lives like a normal human being again, and bless God. Lucius may have acted in a manner where he could not control and this certainly appears.This made him look like naive person.People must
…show more content…
She transforms in to a bird and left the scene. Meanwhile, Lucius wants to transforms into a bird too. This quote shows an imagery where Lucius’s transformation.“ ..my hair became coarse and shaggy , my soft hardened into hide, my fingers and toes lost their separate identity and coalesced into hooves, and from the end of my spine there protrude a long tail. My face became enormous and my mouth widened; my nostrils dilated and my lips hung down; and my ears became monstrously long and hairy.” ( Apuleius pg.52 Paragraph 24) He attempts to turn himself into a bird but instead its transforms into an donkey. Being a donkey was humiliating experience for the young man, and his life was a misfortunes. The ass symbolizes how Lucius is lack of wisdom and sense. Lucius's journey as a donkey teaches him valuable lessons where you should not play with magic.
The tale of Cupid and Psyche was played in the Golden ass. The tale uses Psyche in a comparison with Lucius and why he was turned into an ass because of curiosity, self-will. Both tales also have violence and savagery, and unfairness of
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
Beowulf tells the story of one of the most heroic men of Anglo-Saxon times. The hero, Beowulf, is able to use his super-human physical strength and courage to put his people before himself. He encounters terrifying monsters and the most brutal beasts, but he never fears the threat of death. Beowulf is the ultimate epic hero who risks his life countless times for great honor and for the good of others. Oedipus Rex is a tragic play, which discusses the tragic discovery of Oedipus--that he has killed his father, and married his mother. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gains the rule of Thebes by answering the riddle of Sphinx.
Till We Have Faces, a novel by C.S. Lewis, uses the love story of Cupid and Psyche as a foundation for a new tale set in the kingdom of Glome. The story is narrated by Princess Orual, the eldest of three sisters, who is limited by her “ugliness,” battered by her abusive father, and tormented by a love for her youngest sister, the beautiful goddess-like Psyche. It is Orual’s love and need for love that eventually sets a painful spiral of events in motion.
point in the story. "Oedipus Rex" by Sophocles is one such story. In the story
Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that period. Women of the time, in other words, were to be seen and not heard. Their sole purpose was to please or to benefit men. As time passed, though, women earned more responsibility, allowing them to become stronger and hold more influence. The women who inspired Lope de Vega's early seventeenth-century drama Fuente Ovejuna, for instance, rose up against not only the male officials of their tiny village, but the cruel (male) dictator busy oppressing so much of Spain as a whole. The roles women play in literature have evolved correspondingly, and, by comparing The Epic of Gilgamesh, Sir Gawain and the Green Knight, and The Wife of Bath's Prologue, we can see that fictional women have just as increasingly as their real-word counterparts used gender differences as weapons against men.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
The next two themes are interelated, Betrayal and Revenge, with Greed and Glutony.THe gods punish those who show greed and glutony, but that does not mean that they cannot be punished as well. A prime example of this is when Posiedon is out feasting among the 'sun-burnt' races that were deemed to be his own. While he was feasting, Odysseus escaped the island of Kalypso, something that Poseidon did not like and was to late to stop from happening. While he was being gluttanos and eating all that food, Odysseus had escaped. Another example would be the murder of Agamemnon. Agisthos was greedy and wanted money and status, as well as Agamemnon's wife and Agamemnon's wife betrayed Agamemnon when she went off with him and even more so when they both killed him. However, the theme of Betrayal is often closely followed by the theme of Revenge. Agamemnon's son, Orestes, would go back and avenge his father's death, killing Agisthos and his mother even though later on in greek mythology he knew he would be punished for killing her.
In The Golden Ass, Lucius draws a strong parallel between the stepmother’s story and that of Meroe, the evil, old witch who kills Socrates when he tries to escape her lustful affections. The stepmother is metaphorically likened to a witch because doing so comments on the danger of a weak-natured woman who holds a position of power. Although no magical evils, such as the spells that Meroe casts upon Socrates, manifest themselves in the story of the stepmother, the emphasis on the unnatural transformation in her disposition and the perverse and sinful nature of her wanton affections symbolize her witchlike nature. The similarity between the two stories helps to fortify the connection between witches and women in a position of power, which ultimately condemns the latter while simultaneously upholding male legacy.
St. Francis of Assisi was born in Umbria in the year 1182. He was a child every father hoped for, he was filled with life, a determined and courageous individual. He was gifted with rather good looks, qualities that attracted friends and a gift of leadership. His father was an extremely wealthy merchant in Assisi. But this son, his favourite, was the one who broke Peter Bernardone’s heart. The boy turned on his father, and in a vicious event that eventually resulted into a public scene. St. Francis of Assisi stepped away from his father, his business and left his father in a state of immense emotional suffering.
At first it is seen as a story about man and the evils he can do, yet
Classical literature is filled with stories of capricious deities playing with human lives as if they were only toys. The Greek tradition of tragedy is based upon celebrating this very aspect of the nature of the pantheon of Greek gods. Sophocles finds a perfect example of this celebration of fate, in the tragedy Oedipus the King. Conversely, the Story of Job uses the dramatic tension of a "wager" between God and Satan on the sincerity of Job's devotion to God. Where Oedipus' life, regardless of personal choice, is bound up by fated situations and their fated outcomes, Job's story is one of choice in the midst of supernaturally imposed difficulties. While both strive to teach resignation to the will of God, they each espouse quite different attitudes in resignation.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The main characters of each work are automatically associated with each other by their names, but they also share similar personalities and characteristics. Odysseus is a wily hero of the Trojan War who uses his deceptive...
For centuries, authors have been writing stories about man's journey of self-discovery. Spanning almost three-thousand years, the Epic of Gilgamesh, Homer's Odyssey, and Dante's Inferno are three stories where a journey of self-discovery is central to the plot. The main characters, Gilgamesh, Telemachus, and Dante, respectively, find themselves making a journey that ultimately changes them for the better. The journeys may not be exactly the same, but they do share a common chain of events. Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. As their journeys progress, each man is forced to overcome certain obstacles and hardships. At the end of the journey, each man has been changed, both mentally and spiritually. These timeless tales relate a message that readers throughout the ages can understand and relate to.
In Till We Have Faces, C. S. Lewis retells the myth of Cupid and Psyche from the point of view of Psyche's sister, with powerful insight into the nature of human affection and the relationship between human and divine. In the original myth, Psyche is the youngest of three princesses, so beautiful that men begin to worship her instead of Venus. The goddess avenges herself by commanding that Psyche be exposed on a mountain to die, but her son Cupid secretly rescues her, having fallen in love with her. He hides her in a palace where he visits her nightly, but he forbids her to see his face for fear of his mother. After a time Psyche is granted a visit from her sisters; seeing the splendor of her palace, they are jealous. They tell her that her "husband" must be some horrible monster, and they persuade her to disobey the god's command and light a lamp while he sleeps, to see if it is not so. This she does, but he wakes and rebukes her, and she goes into exile to be tested until worthy of her husband. Lewis's retelling makes the god's palace invisible to mortal eyes; thus Psyche's sister Orual, the narrator of the tale, can insist it is not jealousy but concern for Psyche that motivates her to act as she does. Told from Orual's point of view, the story shows her journey to self-discovery and understanding--her quest to find her face, for as she learns, the gods cannot "meet us face to face till we have faces"--until we know our own selves. Faces are thus a strong source of imagery and symbolism in the book. One's face is a reflection of one's soul and true character. It is, symbolically, one's identity. The faces of Orual and Psyche, of Ungit and her son the God of the Grey Mountain, give us insight into their ...