In Housekeeping, the idea of conformity versus freedom is represented in characters like Lucille and Ruth respectively as they choose to take different paths in life; Lucille chooses to conform to the societal standards, while Ruth chooses to become a transient and connect with nature.
In Housekeeping, the idea of freedom is symbolically represented in one’s connection to nature and the lifestyle of a transient. In the instance where Sylvie and Ruth decide to burn their belongings, Sylvie’s unorthodox housekeeping was explained as “she considered accumulation to be the essence of housekeeping, and because she considered the hoarding of worthless things to be proof of a particular scrupulous thrift” (180). The idea behind Sylvie’s incompetence in the field of Housekeeping shows her ideology, as she does not place value into physical objects and views the idea of property as simply worthless. Not placing value into her belongings shows an unorthodox view on property, one that departs on the societal notion where belongings emphasize one’s status. This quote relates to the book of Fences, in a differencing sense as the family particularly emphasizes the belongings, especially their house. Additionally, an important moment in Ruth’s acceptance of a transient lifestyle comes when “you do not resist the cold, but simply relax and accept it, you no longer feel the cold as discomfort. [She] felt giddily free and eager, as you do in dreams, when you suddenly find that you can fly, very easily, and wonder why you have never tried it before. I might have discovered other things. For example, [she] was hungry enough to begin to learn that hunger has its pleasures, and I was happily at ease in the dark, I could feel that I was breaking the te...
... middle of paper ...
...nfluence of society on Lucille, as seen in her desire the ‘look the way one was supposed to look’. As Lucille attempts to integrate and conform into society, she becomes increasingly attached to her physical image, while Ruth describes her own appearance to be ungainly and awkward. Lucille’s attachment to keeping a favorable image symbolizes her conformity and displays the theme of emphasizing physical objects and images. This idea connects with the book, One Flew over the Cuckoo’s Nest, as the patients there who are not committed are scared to enter the real world due to their lack of confidence in their image and their acceptance into reality becomes a fear that hinders their consciousness, for example Billy Bibbit, and would rather stay in the ward. All in all, the theme of emphasizing physical objects and images relate to Lucille’s conformity towards society.
“She grieved over the shabbiness of her apartment, the dinginess of the walls, the worn-out appearance of the chairs, the ugliness of the draperies. All these things, which another woman of her class would not even have noticed, gnawed at her and made her furious.”
In my opinion the main theme of One Flew Over the Cuckoo’s Nest is conformity. The patients at this mental institution, or at least the one in the Big Nurse’s ward, find themselves on a rough situation where not following standards costs them many privileges being taken away. The standards that the Combine sets are what makes the patients so afraid of a change and simply conform hopelessly to what they have since anything out of the ordinary would get them in trouble. Such conformity is what Mc Murphy can not stand and makes him bring life back to the ward by fighting Miss Ratched and creating a new environment for the patients. One Flew Over the Cuckoo’s Nest represents a rebellion against the conformity implied in today’s society.
Everyone has a different view on life. One's perception can significantly impact the way that he/she views the rest of the world. This perception can be both positive and negative. Perception often plays a big role in determining how one is viewed by both themselves and others. People are often judged by their appearance and their actions. However, it is things such as their personality and their character that truly define them as individuals. In Budge Wilson's "The Metaphor," Miss Hancock is faced with the fact that other individuals often overlook her. Though others may not be aware of what they are doing, their actions can greatly impact another individual throughout their lifetime. The way that one is perceived can both positively and negatively affect the way that others view them as an individual, which can greatly affect their entire life.
...ors to describe her life and situation. This comes primarily from the fact that in her therapy sessions that is how she is taught to deal with everything. For example, one metaphor she talks about is “… she comes up with the idea of lighting candles to symbolize my past, present, and future…I’ve noticed my past melting… my present candle has stayed pretty much the same,” (D 266). She explains them as her past is become less controlling, her present is her and concrete ideas and her future is bright and untouched. These metaphors show how much she has grown and allow the things she is learning to have more meaning. All of these combine to make the piece very effective and insightful. They help to get her point across and call people to action to help against these crimes.
Throughout the novel ‘One Flew over the Cuckoo’s Nest’ written by Ken Kesey, and the poem ‘Advice to Young Ladies’ crafted by A.D. Hope, there is evidence to suggest that the discourses represented by the characters in the novel and poem unveil the ways discourses of conformity underpin the characters’ actions, perceptions and motives, as well as inviting and silencing beliefs, attitudes and values. The author and poet are able to strongly convey their beliefs to the reader from their personal experiences. The four dominant discourses that both the novel and poem share and represents: conformity, sexuality and religious. These will be analysed and compared.
Some examples of metaphor within the piece are when it says “your laughter’s so melodic it’s a song” and “your creativity’s a compass that leads you to what you love”. An example of evocative language in the piece is “you don’t need any miracle cream to keep your passions smooth, hair free or diet pills to slim your kindness down.” These metaphors and instances of evocative language help emphasise the message that it doesn’t matter what you look like, the most important thing you can love about yourself is ____. Metaphors, evocative language, and repetition are also used to describe the expectations laid upon women by society. One particular phrase that uses both metaphor and evocative language “because the only place we'll ever truly feel safe is curled up inside skin we've been taught to hate by a society that shuns our awful confidence and feeds us our flaws”. Other examples of evocative language include “a reminder that the mirror is meant to be a curse so I confine her in my mind, but when he or she shouts ‘let me out!’ we're allowed to listen.” and “Don't you shatter the illusion you could ever be anything beyond paper fine flesh and flashy teeth and fingernails.” One instance of repetition includes “echoic accusations of not good enough, never good enough”. Another phrase that uses both evocative language and repetition
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
Ruth has an intriguing personality. She is very loving towards her family. She will do all in her power to improve the lifestyle of her family. When it appears that the deal for the house in Clybourne Park will fall through, she promises to dedicate all of her time to make the investment work. “Lena-I’ll work… I’ll work 20 hours a day in all the kitchens in Chicago…I’ll strap my baby on my back if I have to and scrub all the floors and wash all the sheets in America if I have to-but we have to MOVE!” she pleads to her mother-in-law (Hansberry140). Her plan is unrealistic and idealistic, but the well being of her family is more important to her than anything. Ruth is also witty and sarcastic at times. She cracks jokes to lighten the mood of her family when they’re worried. “Well that’s the way the cracker crumbles. Joke. (121)” When Beneatha and Mama are stressing over the neighborhood they are moving into, Ruth makes a witty joke to improve the mood. Ruth supervises the daily routine and well being of her family. She makes sure that everyone does what they are supposed to and stays on track. ...
For example, we see clothing used as an important metaphor in the story. Victorian women's clothing was extremely confining, much like their life. The clothing can be seen as a type of "cage" which is apparent when we see Edna and Adele walking to the beach in chapter seven. Adele wore a veil, "doe skin gloves, white gauntlets ... was dressed in pure white, with a fluffiness of ruffles that became her" (478). Adele was the ideal of beauty. Edna, on the other hand, "wore a cool muslin that morning ... a white linen collar and a big straw hat" (478). We learn that "a casual and indiscriminating observer ... might not cast a second glance" (478) towards Edna. The fact that Edna was simply dressed showed her non conformity towards society's standards. When the two women get to the beach, Edna removes her collar and unbuttons her dress at the throat. Her decision not to wear all the garments is a hint at the rebellion to come.
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
Atwood uses symbolism to convey how a person’s personality can disintegrate by living in a repressive society. In the beginning of the story, Kat goes through a surgery to remove a large ovarian cyst which she keeps and names “Hairball”. This large cyst is in fact, a symbol that represents Kat’s personality disintegration. Most cyst that develop in the human body are dysfunctional, and Kat can be seen as a dysfunctional woman when she decides to keep this cyst. “The cyst turned out to be a benign tumor. Kat liked that use if ‘benign,‘ as if the thing had a soul and wished her well” (304). This specific passage shows the readers how Kat is slowly loosing her mind by thinking that her cyst has a soul of its own. In addition, she humanizes her cyst by naming it “Hairball” and by giving it human characteristics: “Hairball’s baby teeth glint in the light; it looks as if it’s about to speak” (312). Moreover, Hairball is described as having baby teeth which can represent how it is like a baby who still developing. This developing cyst can also symbolize how Kat is trying to develop her own personality. However, this becomes a challenge for her because she lives in a society where male domination is present. She works as a photographer for an avant-garde magazine, and tries to express her ideas, but the men whom she works with don’t let her do so. Kat trying to develop her personality within her society leads her to become lost, and back to becoming dysfunctional just like a cyst trying to be a tumor. The author uses Hairball as a symbol to highlight how Kat’s personality disintegrates by living in a society where gender inequality is supported.
A Doll’s House illustrates two types of women. Christine is without a husband and independent at the start of the play whereas Nora is married to Torvald and dependent on him and his position at the bank. Both begin at different ends of the spectrum. In the course of the play their paths cross and by the end of the play each woman is where the other started. It appears that a woman has two choices in society; to be married and dependent on a man or unmarried and struggle in the world because she does not have a man.
A Doll House was a play written well ahead of its time. This play was written in a time when it was considered an outrage for a woman such as Nora not only to display a mind of her own, but also to leave her husband in order to obtain her freedom. This play relates to the Art Nouveau and Edwardian period because just as the furniture and clothing were considered decorative pieces, so were women. Women were expected only to tend to the husband's and children's needs. Women were not supposed to do anything without first consulting the husband and certainly never do anything without his prior knowledge and approval. Women were expected to be at home and always looking presentable for their husbands.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.