Lovely Bones

1129 Words3 Pages

Though intriguing, heaven can sometimes be a fear. People try to imagine what it might be like to leave this Earth, and soon they slowly come spiraling back down from their mountain of clouds, and realize that is incomprehensible to imagine such an event. Due to this inability to fully grasp the meaning of the after life, people have begun to have different perspectives on what heaven means to them. Some fear death, while others invite it into their lives either out of curiosity or hope. As for Susie Salmon, she neither feared death nor encouraged it. Her murder was an unexpected one, but George Harvey was the only one expecting this moment for weeks. The Lovely Bones (novel by Alice Sebold and movie directed by Peter Jackson) describes the fictional incident of a young girl that is murdered, and her struggle to maintain a portal to the mortal world to contact her family, while also finding within herself, the acceptance to move forward with her immortal life in heaven. The novel and the movie portray heaven in both visibly different spectrums of light. One forces the observers to attach themselves to this visual portrayal of heaven and ride the same emotional feelings as Susie does shown in the movie. The book, on the other hand, allows the reader to visualize in his or her own mind, what heaven means to them. This personal connection to the book may unravel deep curiosities that even the reader was oblivious to. By comparing the symbolism of heaven, from its originality to its spin off media portrayal, the reader will hopefully gain a better understanding of the purposes of each treatment, and in turn, realize that preference is simply the only determinant when deciphering which treatment is more appropriate when show...

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...that was already constructed, and apply it to the scene that was currently being read. This pairing allows for a better understanding of the scenes of the story, while getting a range of inventive portrayals besides one’s own.

In conclusion, whether portrayed in a book or in a movie, Susie’s heaven is whatever the reader wants it to be. It truly doesn’t matter how the reader expresses his or her interest in the story, as long as an understanding and acceptance is achieved, it is irrelevant how one could have gotten there. It is simply a means of preference, whether one likes to envision their own imagery, and in doing so, sparks a personal connection to what they may feel heaven actually means to them, or, has the envisioning process done for you, accepting pre made imagery showcasing the wonders of heaven and what creativity and cinematography have to offer.

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