Love and Rejection in T.S. Eliot’s The Love Song of J. Alfred Prufrock

T.S. Eliot’s “The Love Song of J. Alfred Prufock” may be accurately described as an amalgam of synergistic emotions—among them self-doubt, longing, fear, regret, and indecisiveness—which, through the alchemy of poetry, work in tandem to create and communicate an overwhelming sense of anxiety. These emotions serve as cataracts upon the lens through which the poem’s narrator views both himself and the city streets he travels. Overwhelmed by an “overwhelming question” (10) the narrator—perhaps more terrified by the sheer gravity of the “overwhelming question” (10) than the numerous other fears and self-doubts the narrator presents to the reader—never unequivocally specifies, the poem’s persona makes a journey through both city and mind to arrive at what might be described as a comparatively disproportionately fateful tea wherein the persona will summon (or find himself unable to summon) the “strength to force the moment to its crisis” (80). Through imagery, Eliot paints a rather grim picture of the frustrations of a middle-aged man at odds with his station in the world. Eliot also makes an extensive use of allusions to both contextualize the poem’s persona and depict a narrator who, despite possessing considerable intellect, views himself as ineffectual and “almost, at times, the Fool” (119). Decidedly pessimistic in tone, “The Lovesong of J. Alfred Prufock” ironically provides its reader not with a lovesong as its title might suggest but, rather, an intense and unfavorable inner analysis in which the poem’s persona demonstrates anything but self-love.

The absence of a complete identity and the inability be whole is what creates a line between The Love song of J Alfred Prufrock with Eliot’s other poems The Hollow Men and Portrait of a Lady. These poems work together using imagery and characters to highlight the darkness that was weighting down most people after the First World War was finished.

One of T.S. Eliot’s earliest poems, “The Love Song of J. Alfred Prufrock”, is a prime example of a text that takes a turn inwards in terms of conveying the experience it presents. The poem provides a look into the distressed mind of an archetypal modern man of the times. It does this using the speaker’s stream of consciousness presented as a dramatic monologue. Prufrock, the poem’s speaker, seeks to advance his relationship with a woman who has caught his eye. He wonders if he has “the strength to force the moment to its crisis” (Eliot, 80). Prufrock is so entrenched in self-doubt that he is uncertain whether he is capable of having a relationship with this woman. His knowledge of the world he lives in and his circumstances keep him from attempting to approach this prospective lover. He contemplates the reasons for which he believes he cannot be with her and scolds himself for even thinking that it was possibl...

The poem “The Love Song of J. Alfred Prufrock” by T. S Eliot is a wonderful piece of modernist writing filled with dramatic monologue where the rhyming scheme of this poem is not random, however a bit irregular coupled with some free verse style. This poem speaks out about loneliness and isolation. It begins with the readers not knowing if the Prufrock is taking along a companion on his journey or is he taking along his readers, to support this claim, “Let us go then, you and I.” (Eliot 368)

T. S. Eliot once said, "Only those who will risk going too far can possibly find out how far one can go." He does not have this mindset when creating his character for his poem "The Lovesong of J. Alfred Prufrock". Prufrock is an aging bachelor longing for the love of a woman, but his timidness prevents him from uttering a word beyond his double-sided conscience. Prufrock's lack of self-confidence, disbelief in finding a moral woman, and fear of rejection shows us the internal struggle of the battle between a man's head and heart that ultimately leads to his demise.

Eliot, T. S. "Love Song of J. Alfred Prufrock." The Norton Anthology English Literature. 8th ed. Vol. F. New York: W.W. Norton &, 2006. 2289-293. Print.

"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.

With time poems may have lost their voice, but not their importance. Up to this day, poetry is still one of the greatest forms of artistic expression; Poems speak to emotions and capture feelings. There is no right format of a poem, but yet a world of possibilities. Instead being unchangeable poems are innately open to interpretation; they should be spoken out loud in order to be “heard”, convey truth and cause impact. The Love Song of J. Alfred Prufrock by T.S. Eliot is an extremely meaningful poem; it is one of Elliot’s best-known works and without a doubt a masterpiece (Hillis). T.S. Eliot introduces the poem with a quote from Dante's Inferno (XXVII.61-66), and with that sparks our curiosity. He then makes statements and questions that perhaps everyone has done, or will do at some point in life (Li-Cheng, pp. 10-17). The poem is a legitimate work of the modernist movement, the language used is contemporary; the verses are free and the rhythm flows naturally.

A common practice when faced with a difficult choice, self-examination, is the centerpiece of two popular poems: Gregory Corso’s Marriage and T. S. Eliot’s The Love Song of J. Alfred Prufrock. Both poems are dramatic monologues in which the speakers address the similar situations that they find themselves in. While the speaker of Eliot’s poem has a nervous and bashful approach in his attempts at romance, the hesitant postmodern speaker in Corso’s poem makes use of sarcasm to attack the institution of marriage. When these two monologues given by similar personas are analyzed together the result is a dialogue which discusses two distinguishing views on the ideas of romance and love.

T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.