Love and Lovability
“There is no character in Wuthering Heights who is completely lovable, who wins our sympathy completely.';(Bloom 99) Love, in one way or another is the force which makes people unlikable. In Emily Bronte’s Wuthering Heights, people’s adoration for one another is the reason why no character is completely lovable. Receiving too much attention spoiled Catherine Earnshaw. Heathcliff was disliked because he had to grow up without a real family to love him. Finally, Hindley turned into a pitiful man because of the love that he lost. For some, affection can change people for the better, but for others love can be a poison for their souls.
Being the only daughter, Catherine was endeared by all those around her. The unwavering love that her family and friends gave her soured her disposition. While on a business trip, her father told his children that they could choose any gift that they wanted. Catherine, being a good rider, “chose a whip.';(40) When she learned that Heathcliff was the reason why she did not get her present, she responded “by grinning and spitting at the stupid little thing.';(41) Since she was used to getting everything that she wanted, she became haughty and had no respect for other people’s feelings.';
“Why canst thou not always be a good lass, Cathy?';
And she turned her face up to his, and laughed, and answered,
“Why cannot you always be a good man, Father?'; (47)
Even on his deathbed, Catherine chose to vex her father instead of comforting him. Catherine’s faults, which can be attributed to her rich upbringing, do not endear her to readers.
Heathcliff, being the villain of the tale, is the most horrid character in Wuthering Heights. He manipulates everyone around him and has no regard for anyone but himself. His rotten nature can be traced back to his early years when he was a “poor, fatherless child.';(43) The lack of parental love and guidance made his life a difficult one. Heathcliff was an unwanted child who brought turmoil to a previously happy household. “So from the very beginning, he bred bad feelings in the house.';(42) Instead of rising from his poor position, he degenerated into an evil beast. When Catherine had begun to spend more time at Thrushcross Grange with the Linton’s, Heathcliff lost his self-respect and dignity. “If he were careless and uncared for before Catherine’s absence, he had been ten times more so since.
Basu, Moni. "Why Suicide Rate among Veterans May Be More than 22 a Day." CNN. CNN, 14 Nov. 2013. Web.
Suicide is an unpleasant outcome from war. The Veterans Hospital is designed to assist in these situations effecting veterans from war, but it is often referred to as inadequate. Majority of data relating to suicidal deaths regarding veterans often refers to an increase since 2008. How can statistics derive this association when the Department of Defense began tracking veteran suicides in 2008? Dave Phillips expresses the frustrations of veterans in his article, “In Unit Stalked by Suicide, Veterans Try to Save One Another” in the NY Times. Phillips references how most of the veterans feel like the VA is not there to support them. Phillips also refers to a situation when a veteran called for an appointment and was told they were too
The deaths that were experienced in Vietnam due to Agent Orange and other jungle diseases have become well known by the general public. However, it is suicide that has resulted in the deaths of over 150,000 Vietnam soldiers during and after the war. An enormous amount of suicides resulted from what most people call “protecting our country”. The Vietnam War brought more than fifty-eight thousand deaths and is to some one of the darkest battles in United States history. If not killed during the war, many believe any Vietnam veteran would return home great and proud. But this is not the case. Many Vietnam veterans have committed suicide before, during, and after the war.
Suicides among U.S military members, both active and reserve, have become increasingly common as shown in Figure 3. Beginning after the...
... to this population that are specific to this group. The result has been an alarming rise in suicide, caused by a multitude of factors but which can be explained by Durkheim’s framework for suicide: fatalism, anomie, and egoism, all of which leave these vulnerable troops and veterans at high risk for harming themselves. As Durkheim described, these troops are vulnerable to engaging in egoistic suicide because of their feelings of detachment from people and society as a whole; fatalistic suicide because of their vast experiences witnessing death and injury; and anomic suicide because of a sense that the structure of society has become chaotic based on what they have experienced in the theater of combat as well is coming home to a world filled with unemployment, personal and financial stress, and a lack of resources necessary to address the problems of the military.
Mental health conditions, traumatic brain injury, and suicide risk are significantly higher in recent wartime veterans, especially when compared to veterans of the Vietnam and Gulf War periods. The “healthy soldier effect” used to mean that veterans had lower overall mortality rates compared to the general population. However, suicide risk is not included in this effect any longer. Veterans of Operations Enduring Freedom, Iraqi Freedom, and New Dawn
Among the social issues discussed in Wuthering Heights, one of the most prevalent is the treatment of women. This is especially highlighted with Heathcliff, who interacts with three women throughout story. Each woman sees a different man based on his motivation. Catherine sees a loving, beautiful person; Isabella sees an evil, spiteful creature; and Catherine sees an abuser. Heathcliff’s treatment of each woman is motivated by love, anger, and vengeance.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
In the novel Wuthering Heights, author Emily Brontë portrays the morally ambiguous character of Heathcliff through his neglected upbringing, cruel motives, and vengeful actions.
Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
Health care policy targets the organization, financing, and delivery of health care services. The reason for targeting these areas is for the licensing of health care professionals and facilities, to make sure there is protection of patients’ private health information, and there are measures of quality care, mistakes, malpractice, and efforts to control of health care cost (Acuff, 2010). There are several stages that one must take when creating a policy (see figure 1). The figure below shows the critical steps in the policy process. First, the problem must be identified, once the problem is identified potential policy solutions must be formulated, then the policy is adopted, and then implemented. After the policy is in place, an evaluation of the policy has to take place (This Nation, 2013).
Catherine's dilemma begins in an overtly conventional yet dismal setting. This is the ordered and understated fashionable New York setting where she is victim to her father's calculated disregard and domineering behaviour and of the perceptions others have of her given their economic and social positions. She is, in Sloper's words, "absolutely unattractive." She is twenty, yet has never before, as Sloper points out, received suitors in the house. Mrs. Almond's protestations that Catherine is not unappealing are little more than a matter of form and she is admonished by Sloper for suggesting he give Catherine "more justice." Mrs. Penniman, for her part, readily perceives that without Catherine's full inheritance, Morris Townsend would have "nothing to enjoy" and proceeds to establish her role in appeasing her brother and giving incoherent counsel to the courtship between Catherine and Townsend. For Townsend himself, Catherine's "inferior characteristics" are a matter of course and a means to a financial end.
Emily Bronte's Wuthering Heights can be considered a Gothic romance or an essay on the human relationship. The reader may regard the novel as a serious study of human problems such as love and hate, or revenge and jealousy. One may even consider the novel Bronte's personal interpretation of the universe. However, when all is said and done, Heathcliff and Catherine are the story. Their powerful presence permeates throughout the novel, as well as their complex personalities. Their climatic feelings towards each other and often selfish behavior often exaggerates or possibly encapsulates certain universal psychological truths humans are too afraid to express. Heathcliff and Catherine's stark backgrounds evolve respectively into dark personalities and mistaken life paths, but in the end their actions determine the course of their own relationships and lives. Their misfortunes, recklessness, willpower, and destructive passion are unable to penetrate the eternal love they share.
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?