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The life of louis armstrong
About louis armstrong
Louis Armstrong brief life history
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The great Louis Armstrong was born on August 4th, 1901 in the city of New Orleans. Armstrong was born into a very poor family, his grandparents being slaves and his mother being a prostitute. He had to work when he was 10 years old to help being income to the family. He sold newspapers, delivered coal, and even sang in a quartet to help get some money. He started to learn how to play the coronet after he was arrested for firing his step dads pistol and put in a military school. Peter Davis was the one that gave him lessons while in the confines of the military school. Soon after Armstrong had been given lesson on the coronet, he was appointed to band leader of the school where he lead the band for about 18 months before being released into his father’s custody. But, his father could not afford to keep Louis in the house so Louis had to move back in with his mother. There, he continued to sell newspapers and deliver coal until he was given a job at the local tavern. He was now getting paid to be a professional musician and perform to pimps and prostitutes every night. That job really kick started Armstrong’s career and put him on path to be the greatest jazz musician of all time.
While performing around the New Orleans area, Armstrong was recognized by some of the great jazz musicians. The most important musician that noticed was Joe “King” Oliver. Oliver would serve as a father figure for Louis and really helped him get his career headed towards the right path. In 1919, Oliver resigned from his position in Kid Orys band and let Armstrong take his position. Armstrong also got to play in the Fate Marble band, which played on a steamboat down the Mississippi river. Armstrong would compare that experience to a normal k...
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...eagarden and created several new hits. They called themselves the “All-stars”. The All-stars included names like Earl Hines and Barney Bigard. In 1963, Louis became the oldest person to have a song at number 1. The song “Hello Dolly” dislodged the Beatles at number 1 and they had been there for 14 weeks.
On July 6th, 1971 Louis Armstrong died of a heart attack. He was 69 years old and is recognized as the best jazz musician ever. He is buried in Flushing Cemetery in Queens New York. Louis is still known today as one of the most influential people to play in the jazz culture and will be remembered for the way he could play the trumpet. The great “Satchmo’s” legacy is positive with everyone who talks about Armstrong. No one will ever be able to play the trumpet quite like Louis and that is why he will always be known as the number one figure in jazz history.
Joseph Nathan Oliver, also known as King Oliver, was THE MOST important person in all of jazz history. Joe was born on May 1885, Abend, La. Joe was a Bandleader, composer, and soloist cornet/trumpet player that arose from New Orleans. Oliver was also the mentor of Louis Armstrong and together, they changed jazz and American music forever.
Jazz as a general genre reached its peak in the thirties. Jazz was incredibly popular with both the Black community, and the white community; however, Jazz reached the adolescents the most. Jazz music was associated with the African American culture during this time of increible racial tension, subsequently the ‘teens’ of this generation began to tune into this genre for its rebelistic qualities. Popular forms of jazz music often included, Dixieland/’hot’ jazz, classical jazz, and bebop. The defining artist of hot jazz was Louis Armstrong. This music was characterized by collective improvised solos, around melodic structure, that ideally built up to an emotional and "Hot" climax. The rhythm section, which typically consists of percussion, bass, banjo, or guitar helps to support this crescendo, many times in the style of a
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
and the people around him. His mother did not even care enough to keep his birth
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
After high school, from 1927-1934, Louis played throughout New Orleans and recorded more than 70 titles for various labels, and at the age of 24, he took his considerable talents as a trumpet player and bandleader to New York City. It was at around this time that Louis coined the expression "Swing," as well as many others, and once The Louis Prima Band played their version of Big Band inspired, Dixieland Jazz infused "Swing" music at the Famous Door Club, the entire 52nd Street between Fifth Avenue and Broadway was dubbed "Swing Street." Thus, a whole new era of music began. Even the "King Of Swing," Benny Goodman wouldn't have near the notoriety without the Prima penned "Sing Sing Sing," which is still considered a Swing Era classic.
His boisterous personality influenced many aspects of American culture, and his contributions and influence on Jazz are immeasurable. Nobody has done more for Jazz than Louis Armstrong, without question he is a Jazz legend (Friedwald). Armstrong excelled at everything he performed. A renaissance man of our time, his appreciation for music and life showed in his performances, and his talent showed his techniques and improvisation. Louis’s technique and improvisation on the trumpet set the standard for Jazz musicians (Friedwald). Fellow trumpeter Dizzie Gillespie credited Armstrong with this honor stating, “If it weren’t for him there wouldn’t be any of us.” This reputation would lend him to be referred to as Jazz royalty. With his trumpet and his scat singing he revolutionized Jazz. Though vocally limited, his understanding of how to use his voice beyond his natural abilities led to his perfection of scat (Edwards). Scatting allowed him to perfect his improvisational skill. Scatting, or scat singing would come to be known as the “House that Satch Built” and Armstrong the “Original Man of Scat.”
It was said that he thought he was born on July 4, 1900 (Armstrong 7). While Louis was still an infant his father, William Armstrong, abandoned his family. He spent the first years of his life living with his Grandmother since at the time his parents were going through a separation. At age 5, he moved into a home with his mother and sister, Beatrice, whom he called Mama Lucy. He grew up in a rough section of New Orleans. They were incredibly poor and did not have enough money. He would work different jobs just to take care of his family. Louis would work anywhere that he would be able to find work. He would sing on the street, which would result in his nickname, Satchelmouth that would be shorten to Satchmo. His nickname was a result of him having a wide
At the mention jazz music, that people will first think of is likely to be a great figure with a clown image, nicknamed Uncle Satchmo. The man was Lewis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Lewis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music—— Lewis Armstrong and his great influence on jazz history.
Many people from the 1900’s contributed to the evolution of the history of rock and roll. However, Jimi Hendrix was the rock legend who changed the way music was made and he raised the bar for the rest of the music industry. Jimi was born in 1942, in Seattle, Washington, he had a difficult childhood, being raised by a young mom who had Jimi at seventeen and a dad who eventually left and started another family, he was often left living with relatives. He only saw his mom a few times before she eventually died in 1958. In many ways, music has become a sanctuary for Jimi since he grew up not having much.
Born in Alton, Illinois, Miles Davis grew up in a middle-class family in East St. Louis. Miles Davis took up the trumpet at the age of 13 and was playing professionally two years later. Some of his first gigs included performances with his high school bandand playing with Eddie Randall and the blue Devils. Miles Davis has said that the greatest musical experience of his life was hearing the Billy Eckstine orchestra when it passed through St. Louis. In September 1944 Davis went to New York to study at Juilliard but spend much more time hanging out on 52nd Street and eventually dropped out of school. He moved from his home in East St. Louis to New York primarily to enter school but also to locate his musical idol, Charlie Parker. He played with Parker live and in recordings from the period of 1945 to 1948. Davis began leading his own group in 1948 as well as working with arranger Gil Evans. Davis’ career was briefly interrupted by a heroin addiction, although he continued to record with other popular bop musicians.
Louis Armstrong was the first great trumpet soloist in jazz. His unmistakable trumpet and vocals allowed him to continue doing what he loved most, making people happy. Armstrong was loved by many people, whether they were white, Africa...
When it comes to jazz music, there is one name that everyone knows, whether they’ve never listened to jazz before or if they’ve listened to it their whole lives. That name is Louis Armstrong. Armstrong was one of the pioneers of jazz music, from his humble beginnings in one of New Orleans roughest districts, “the Battlefield”, to playing concerts for sold out crowds in Chicago and New York City, Louis left a massive impact on the way America listened to music for a long time. One of his premier tracks, “West End Blues”, left an impact on jazz music, which other musicians would try to emulate for years.
Louis Armstrong was known as the King of jazz, a trumpeter and singer who was one of the most influential figures in jazz music. Famous for his innovative methods of playing the trumpet and cornet, he was also a highly talented singer blessed with a powerful voice. Known for his skills on being able improvise, he would bend and twist the many lyrics and melody of a song with dramatic effect. As his popularity grew in the mid-20th century America when racism was more prevalent, he was one of the first African-American entertainers to be highly popular among both the white and the colored segments of the society. Fondly nicknamed Satchmo or Pops by his fans, he is often regarded to be the founding father of jazz as a uniquely American art form. Born into poverty in New Orleans, he had a very difficult childhood after his father abandoned the family. As a young boy, he