As a result, jazz incorporates their songs, among other styles such as blues, to create a defining genre. Over the years, many prominent individuals added unique aspects to jazz, such as improvisation. Among these individuals is the famous Louis Armstrong. Louis Armstrong, also famously known as Satchmo, Pops, and Satch, was born in New Orleans on August 4, 1901. New Orleans was also where jazz originated from, thus signifying a strong bond between Armstrong
Characteristically, the bands played hymns on the way to funerals and lively marches on the way back. Although blues and ragtime had arisen independently of jazz, and continued to exist alongside it, these genres influenced the style and forms of jazz and provided important vehicles for jazz improvisation. Around the turn of the 20th century, the earliest fully documented jazz style emerged, centered in New Orleans, Louisiana. This city is often called the "cradle of jazz" ("History 101" 3). In this style, the trumpet carried the melody, the clarinet played showy countermelodies, and the trombone played rhythmic slides and sounded the root notes of chords or simple harmony.
A lot of people viewed this as the start of traditional Jazz. They also laid the groundwork for the swing era. Some of these recording were Muskrat Ramble, Sweet Little Papa, The King of Zulus, and Fireworks. Louis Armstrong developed a way of playing as, as an instrumentalist and a vocalist. He was also know for giving Jazz scat singing.
One man who was successful in Duke Ellington's band was Jimmy Blanton. Jimmy Blanton was an American jazz double bassist. He joined Duke Ellington's band in 1939. He was credited for starting more complex pizzicato and arco bass solos in a jazz context than previous bassists. Blanton created some of the first essential bass solos in jazz like some compositions from Ellington like "Ko Ko," "Jack the Bear," and "Concerto for Cootie."
Originally, jazz comes to people through black musicians, who performing on the streets, in the wine bar, in the danced room and some other cities in the southern United States in the early 20th century. Term "Jazz" appeared widely in mass in 1917, but in fact, the Jazz have been heard a long time before. Derived from New Orleans, Louisiana, jazz has evolved through many genres. Along with the change in geography, jazz also has had some big changes in music education position. Jazz only appeared as a kind of entertaining music, but since 1940, it is played in the Bars and Night Clubs and also is shown in the important concert performances.
Jazz is a musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythmic intricacy. Jazz is often characterized by its use of blues and improvisation. Although it is not known exactly when Jazz emerged, there were plantation brass bands dating back to 1835 and Minstrel groups touring in the 1840s. But as far as we know Jazz originated in New Orleans towards the end of the nineteenth century. The first Jazz band was called The Original Dixieland Jazz Band.
Throughout the history of musical evolution, there are few styles which show more variation than Jazz. As such, it is sometimes enlightening to illustrate this variation by examining and contrasting some of the very unique styles of jazz, as well as the people behind the music. Within these pages, we will examine the Swing era represented by the performance of “Begin the Beguine” from Artie Shaw’s Orchestra with the Bossa Nova sound of “Desafinado” composed by Antonio Carlos Jobim. During this investigation we will see how two very different people from very different eras and styles both enjoyed commercial success under the big tent of Jazz music, as the highly organized sound of the big band era slowly gave way to newer styles that encouraged freedom in creativity by the soloists.
At the mention jazz music, that people will first think of is likely to be a great figure with a clown image, nicknamed Uncle Satchmo. The man was Lewis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name.
The next jazz style was Dixieland aka traditional jazz that rose up in the early 20th Century. Dixieland jazz was a combination of blues, ragtime, and brass band. The common instruments in a Dixieland jazz-style group included clarinet, trumpet-cornet, trombone, and the saxophone. Normally the rhythm section included the banjo, drums, piano, tuba or string bass. Unlike blues Dixieland was usually performed without a vocalist.
Bop groups were much smaller than swing bands and included improvised solos, rhythmic complexity, and unpredictable forms. It was a bit of a revolution for jazz. There were several individuals who played key roles in the bebop and progressive jazz era. Louis Armstrong, Charlie Parker, and Dizzy Gillespie are just a few of the top jazz artist of the decade. Dizzy Gillespie, who was born in South Carolina in 1917, had an amazing talent, and by the age of 20 he was already touring with major bands.