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Literary comparison essay
Significance of symbolism in literature
Significance of symbolism in literature
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Lord of the Rings: Two Towers vs. Harry Potter: Prisoner of Azkaban Comparison
In the two novels, Lord of the Rings: The Two Towers and Harry Potter: The Prisoner of Azkaban, by J.K. Rowling, there is a distinct relationship that is created through the idea that there are the chosen individuals are the only ones that can save the world.
The first novel, Lord of the Rings: The Two Towers is a novel generally focusing on uniting ¡§Middle Earth¡¨, a term used to describe the human world, to defeat the enemy forces of evil controlled by a character described as pure evil named NAME. The actions of one small hobbit name Frodo Baggins, a race similar to humans, that will in fact determine the outcome of who is triumphant; not the actions of the hundreds of thousands of soldiers protecting the vast armies of Saruman.
Although author¡¦s style is completely different, considering the novels were written in separate generations, you could find many comparisons when relating back to the idea of ¡§good versus evil¡¨. In the second novel, Harry Potter: The Prisoner of Azkaban, there is a young boy named Harry Potter, whose parents were famous wizards but were allegedly murdered by an evil wizard named Sirius Black. His past is constantly being reminded to Harry, as news that Sirius Black has escaped from prison and is seeking out Harry. Harry and his close friends set out of an adventure to find the truth and lies of his past, only to uncover more treachery, lies, and deception.
These chosen heroes often follow a ¡§collective unconscious¡¨ [1], meaning that patterns emerge in all ¡§good versus bad¡¨ scenarios that are generally alike. There is the hero¡¦s beginning, where a character is destined to do great things but is constantly in a struggle for power, the call to adventure, where heroes become very important is given a chance to prove himself, and the reward, when a character successfully completes his quest, there is some form of gratification and celebration [2]. Regardless of overwhelming odds to defeat evil, the forces of good call for reprisal, uniting their forces to defeat the enemy.
In hero¡¦s beginning, the characters are introduced as very important and are going to serve a purpose, greater than him self which indefinitely will lead to the next stage of a hero¡¦s recognized stature. Although it may not be evident at a specific time, ...
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...d ensure peace for the future. Their goals were separate, but the reward of pride, respect and honor are generally the same among heroes.
The heroes share very many qualities, but it is their differences that set them aside from each other. Harry Potter and Frodo Baggins would be considerable adversaries consider how hard they tried to achieve their goal. Not once did they stop because they were scared, not once did they turn around because they were tired, not once did they doubt the people that mattered to them. Frodo and Harry may be some different time periods, even in their fictionist world, and even the novels were written in different generations, but the idea of good triumphing over evil rules.
So you are still asking yourself, ¡§What makes a hero?¡¨ The general answer that can be given is based around the principals that good is fighting to eliminate the ghastly. In both of the novels, not only are the heroes the heroes, but the people that do not get the gratification. The people that help out the main characters are just as important than people like Harry Potter and Frodo Baggins, but the elimination of evil is a reward that can be justified by anyone.
For example, Bilbo fits the role of the hero, because he sacrificed and helped all the characters along the journey. Stated in the amazing book, The Hobbit, the author wrote, “It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous thing that happened afterwards were are nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait” (Tolkien, J.R.R., The Hobbit, page #233). Bilbo had basically sacrificed himself, so all of the other characters and himself could get through the journey safely. Their hero, Bilbo became braver each and every day while he tried to help and support them. Written in the fantastic book, The Hobbit, the author has written, “‘I have no idea at the moment-if you mean about removing the treasure. That obviously depends entirely on Smaug. Getting rid of dragons is not all in my line, but I will do my best to think about it. Personally I have no hopes at all, and wish I was safe back at home’” (Tolkien, J.R.R., The Hobbit, page
This paper examines the argument and theory proposed by Richard H. Tyre of the six basic movements of a plot in a hero story. Although Tyre’s theory does seem too narrow focused, fixed and direct to fit with the plot structure of all hero stories, he makes a great point and provides adequate evidence to support his statement.
...heir journeys or overcome their limitations had it not been for the gods. Of all of the requirements of heroism, being influenced by the gods is the most important. Only through the aid of the gods can a character defeat his shortcomings and truly understand what a hero is. The character must become overconfident and prideful, then, and only then, can the gods step in and break their faults. Finally, the hero either comes to realize how wrong he was or he dies in ignorance.
There were many heroes in the literature that has been read. Many have been courageous and showed their character through tough times. Through these tough times they were forced to make important decisions and this is where you get the real idea of who is deserved to be called a hero. The most influential though of all these was Huckleberry Finn. Through the innocence of childhood he is able to break through the societal pressures that are brought on him and do right.
Within J.R.R. Tolkien’s The Hobbit, Tolkien uses the character of Bilbo Baggins to reveal to the reader the constant struggle between heroic and anti-heroic qualities within Bilbo and ourselves.
The idea of a “human action” myth is displayed in “The Lord of the Rings: The Fellowship of the Ring.” Frodo is a character that fights against his own fate, as well as the supernatural force of the One Ring. Similarly, these ideas over shadow works in classical mythology.
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
Varying from time, location and person, what it takes to be considered a hero has remained for the most part unanimous and throughout time has been represented in multiple ways. Most present in dated writing, a hero 's image and pride make up a big portion of most heroes. Their heroes aren’t so humble and they aspire to keep their title of "hero". On the contrary, most heroes in literature today are quite modest and don 't expect to be viewed as or considered heroes (more often than not they themselves do not classify with being heroes). As is the case for Beowulf and Katniss Everdeen, both different and yet also similar in terms of action, motives and thought (their personality being what really separates the two). Perhaps the biggest part of how a hero is treated and acts depends on what their society is like. Throughout time, the overall qualities of a hero have remained very similar. What has changed, is
Before one can be considered a true hero, they must complete a series of eleven steps that put them up to the test. More simply, they must start with departure, then initiation, and finally return home. Harry Potter in Harry Potter the Sorcerer's Stone, courageously completes all of these steps and is therefore considered a hero. He strong-willingly embarks on a journey that challenges his limits and tests his bravery. Without any support from his family, and being the despised child, he defeats his enemy, Voldemort. To push through the worst challenges, and starting from nothing is what makes a true hero. As Joseph Campbell stated, “You enter the forest at the darkest point, where there is no path. Where there is a way or path, it is someone
Every generation has its own heroes that display, what they believe to be, ideal characteristics. While each is different in their own way, many of these role models share similar qualities. Most tend to have courage, strength, compassion, or another respected trait, but this is not necessarily why they win the adoration of their followers.
What comes to your mind when you hear the term hero? Is being a hero preventing villains from corrupting the universe? Yes, a hero is someone that stands up and tries to protect others from being harmed. In the book, The Outsiders, the Greasers proved to be the heroes of the story. It shows that no matter what your background is, you could always turn into a hero. They also showed that no matter how poor you are, you can still be a hero.The Greasers that I think showed bravery and fearlessness were: Ponyboy, Johnny, and Dally.
The archetype of the hero is an expression of our imagination as well as a reflection of our experience. Carl Jung develops this idea in his essa...
The bulk of the praise a hero receives tends to be in response to his or her actions. People look up to the heroes who can perform the most miraculous feats. However, there is an element of heroism beyond the superficial element of a hero’s actions: the hero’s character. Both heroes and antiheroes might do great things; however, the similarities end where motivations are considered, and these differences in motivations are rooted in the differences in the character of heroes and the antiheroes. An antihero’s character is flawed, leading to actions based on selfish and impure motivations. In contrast, a hero is characterized by his or her selflessness; this can be defined as putting the interests of others above the interests of oneself, and
One of the masters of British Literature, John Ronald Reuel Tolkien has the unique ability to create a fantasy world in which exists a nearly endless supply of parallelisms to reality. By mastering his own world and his own language and becoming one with his fantasy, Tolkien is able to create wonderful symbolism and meaning out of what would otherwise be considered nonsense. Thus, when one decides to study The Ruling Ring, or The One Ring, in Tolkien's trilogy "Lord of the Rings", one must not simply perform an examination of the ring itself, but rather a complex analysis of the events which take place from the time of the ring's creation until the time of its destruction. Concurrently, to develop a more complete understanding of the symbolic nature of the ring, one must first develop a symbolic understanding of the characters and events that are relevant to the story.
With one story having a ring that offers eternal youth and another with a sword that keeps its owner from ever bleeding, it is hard to imagine what the two could have in common. After looking at the make up of the groups, the heroes, the villains, moral codes, supernatural elements and knightly quests, it is easy to see that they do share many similarities. Tolkien’s work deals more with fantasy characters and places but all in all they are very similar.