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Romanticism in English literature
Romanticism in English literature
Romanticism in English literature
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Lord Byron’s works, such as Don Juan and other poems reflect not only the suave and charming characteristics of the Romantic Period, but they also reveal the nature of Byron’s uncommitted and scandalous life. Byron, like most Romantic era authors, was very unpredictable and opinionated in all of his writings. From the hatred of his upbringing, to the love of adventure, and also to the love of meaningless relationships with various women were majorly influenced and illustrated through all of his works and especially in “Don Juan.” Yet he still managed to infiltrate his poems with charm, romance, and heroism. Byron was a perfect fit for the Romantic Period and his poems and he was therefore known as a great contributor towards the era. Many of the Romantic writers were passionate authors that were never once afraid to share their opinion. From its beginning, in circa A.D. 1780, the majority of the writers used their literary works to attempt to influence the readers, or at least make their voice heard. The works consisted of criticism against the lack of freedom in England, to the dire state of the economy, and a rally cry of independence individualism. The writings came full circle when people would write about the desire to discover for themselves, the optimistic view of days to come despite war and economic strife, and also a new start for the imaginative mind (Kries). These imaginative minds are often separated into two different generations, or styles of writings, based on the style of authors and the experiences that they wrote about. The first generation of poets wrote about the longing for freedom and attempted to see the light at the end of the tunnel and remained hopeful. The optimistic poets, such as Wil... ... middle of paper ... ...t, Foresman and Co. 1982. Horton, Ronald A. Ed. British Literature. Greenville, SC: Bob Jones Univ. Press. 1999. MacCarthy, Fiona. Byron; Life and Legend. New York, NY: Farrar, Straus, and Giroux. 2002. Marchand, Leslie A.. Byron's poetry: A Critical Introduction. Boston, MA: Houghton Mifflin. 2002. Buxton, John. Byron and Shelley: The History of a Friendship. New York, NY: Harcourt, Brace, & World, Inc.. 1968. "English literature: The Romantic Period." The Columbia Electronic Encyclopedia. © 1994, 2000-2006, on Infoplease. © 2000–2007 Pearson Education, publishing as Infoplease. . (accessed 21 February 2011). Kreis, Steven. Lecture 16: The Romantic Critique of the Enlightenment. © 2000 on Historyguide. 04 August 09, (accessed 21 February 2011).
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Harris, Laurie Lanzen. “George Gordon (Noel) Byron, Lord Byron.” Nineteenth- Century Literature Criticism. Vol. 2. Detroit: Gale Research Company, 1982. Print.
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
Lord Byron had a variety of achievements during his time. Among these various achievements, he had a very significant and profound impact on the nineteenth century and it’s “conception of archetypal Romantic Sensibility. (Snyder 40). “What fascinates nineteenth century audiences about Byron was not simply the larger than life character of the man transmuted into...
The Romantic period brought a new outlook on how people viewed the world. The fight for individual rights was a major cause for the sudden change. There were too many rules that held people back from being able to express themselves. Once they began to broaden their ideas and practice new motives whether it was political, or emotional, it brought freedom of expression. Many poets took the chance to enlighten their readers on their works. They would write in order to paint a picture and gave more detailed descriptions of the conscious mind. For these poets it brought many people to enjoy their freedom of speech and encouraged a new way of thinking.
The Romantic form of poetry gained its popularity in the late 18’th century. "Romanticism can be seen as a rejection of the precepts of order, calm, harmony, balance, idealization and rationality that typified Classicism in general and late 18’th...
Trueblood, Paul Graham. The Flowering of Byron's Genius Studies in Byron's Don Juan. New York:Russell & Russell 1962.
The Industrial Revolution during the late 1700's was a time of great change. People were moving into cities, and watching the rural countryside evolve into a great monstrosity. This happened so fast that the city couldn’t keep up with the growth and the conditions within the city were atrocious. This change made them rethink city life, the all in one location scenario wasn’t appealing anymore. They saw the countryside rural and beautiful, which made it very powerful and surreal. Literature was very pre-defined and boring, but now writers use everything happening around them to create inspirations and to let their imaginations run deep. This change during this time period was known as Romanticism or the Romantic Movement. The Romantic Movement is by far the most important literary period. It empowered writers to act on their emotions and tell the story as it was not as it needed to be. This new form of writing encouraged men and women of all classes to explore novels. Everyone felt involved, like they were a part of the novel, they understood emotion and nature.
George Gordon Byron, as known as Lord Byron, has been one of the most influential poets in the Romantic Period of English Literature in the eighteenth century. In the Norton Anthology of English Literature, he is introduced as “the greatest and most English of these artists; he is so great and so English that from him alone we learn more truths of this country and of his age than from all the rest together. This comment reflects the fact that Byron had achieved an immense European reputation during his own lifetime, while admirers of his English contemporaries were much more limited in number. Through much of the nineteenth century the continued to be rated as one of the greatest of English poets and very prototype of literary Romanticism. His influence was manifested everywhere, among the major poets and novelists (Balzac and Stendhal in France, Pushkin and Dostoyevsky in Russia, and Melville in America), painters (especially Delacroix), and composers including Beethoven and Berlioz)”. Childe Harold’s Pilgrimage is one of Byron’s major works and even though as he claims the opposite in the prologue of his work it has traces of his own life, therefore autobiographical aspects. Hence, it provides a deep insight into the spirit of the age. He mingles his own personality and opinions into his protagonist. The poem focuses on a nobleman disillusioned with sensory pleasures, like Byron himself, who searches for fame and virtue, just like Byron’s journey to Greece. Even though how unchivalrous Byron and Byronic hero are they inherit characteristics of the spirit of the British Empire of the era.
Abrams, M. & Greenblatt, S. 2000. The Norton Anthology of English Literature 7th ed. Vol. 2. London: Norton.
The Norton Anthology of English Literature. Ed. Christ Carol T., Catherine Robson, and Stephen Greenblatt. New York: W. W. Norton, 2006. Print.