This paper will concentrate on the analysis and the review of three major performances, Missa Mirabilis, Rhapsody on a Theme of Paganini, Op.43 and Dona Nobis Pacem. These pieces are generally based on religious settings that are very detailed and are represented in a very organized way. This whole idea of this piece was associated with the Eucharist and focused mainly on the body of Christ. Prior to my attendance; I was able to access a recording of Missa Mirabilis, just to get a feel for what I was about to experience. Although the recording was not as good as what I heard first hand at the live performance it was still beautiful. I could only imagine how beautiful it was on the very first day of the performance at the Westminster Cathedral.
Missa Mirabilis
To begin, Missa Mirabilis is a piece that was celebrated at the Westminster Cathedral for the feast of Corpus Christi on 10 June 2007. This gave a new setting of the Mass by world-renowned pianist, Stephen Hough. He named the piece Missa Mirabilis that is translated to Miracle Mass in English. While writing this script, he was involved in a car crash while driving at about 80 mph, but the script and Hough survived the crash. After the accident, Hough completed all the compositions while in laid up his hospital bed. Hough said this is where it ended up in a confusing mess, creating the visual in his mind of the crowd scampering for safety, much like the trauma that had befallen the composer during the time of his accident. This brings forth a miracle of salvation that is clearly shown in this piece.
The work is bound by melodic lines with some choral structure that gives the piece a form of inner strength plus some unique harmonic cushion. The piece was well organized to give ...
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...s may be seen to be worth some risk of believing. This is because the risk is honorable in terms the song being sung in order to make some incantation to the men themselves. This work is based on the book of Revelations in the Bible in order to introduce the mystery associated with the work in a much more mysterious manner and way.
Overall, the live performance was extraordinary and not what I had envisioned at the start of this class. I have learned over the weeks how to hear the beauty in the music and not to just listen. That it takes going to a live performance to get the full concept of what the music portrays; the uplifting experiences that it brings and the calmness and serenity it speaks to the soul. I will definitely be attending many more live performances as my schedule allows as I thoroughly enjoyed the performance and the Denver Performing Arts Complex.
I thoroughly enjoyed this concert from beginning to end. The opening piece, “String Quartet in F Major, K 590”, was both soothing and moving with an engaging theme that followed through the piece. The sudden stops and starts with changes in theme built the suspense and pulled the listener in to a jaunty gallop through the second section. Also the bass tones in the back ground seem to be slightly off kilter with the violins, providing a complex texture and harmony that provides depth and poignancy to the music.
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
I chose to do my concert critique on Eric Clapton-MTV unplugged full concert-HQ January 16, 1992 at Bray Film Studios in Windsor, England. Eric Clapton is my favorite rock n roll singer which has a mixture of genres. The concert was inside and on stage. The audience was seated up close to the stage which made the atmosphere comfortable; Eric and the band showed much warmth and connected with the crowd it wasn’t like the band was untouchable.
Every performance was presented with charm. The flashing, changing colors seem to go along with the performances. The director was humorous. The performers outfits were on point too. I liked the color coding of the vocalists, Jeremy, Jordan, and Rowan. Also, Julie wore a pretty suede dress and had a great voice. It was nice to see her come out for the 2nd time to sing. When Spencer kept playing his saxophone in some of the performances, it was just amazing. Some of my favorite performances were Sittin on the Dock of the Bay, Ain’t too Proud to Beg, In a Sentimental Mood, and more. It really made me feel like I was in New Orleans all over again. I absolutely love Otis Redding and The Temptations music, so I wasn’t new to these songs they played. I was sitting in the back (R-125) where I felt comfortable to bob my head to the music. If I ever come back to see another concert, I will make sure to get a seat in the back again. I adore Jordan that did sung the Temptations song. I thought it was exciting to see his enthusiasm while on stage keeping us engaged, but everyone did great in their own way. The song by Duke Ellington made me feel melancholy, the piece was soft. I just couldn’t believe how well everyone contributed and gave an outstanding
Born in 1556, Giovanni Gabrieli was an Italian composer who worked for the St. Mark’s Cathedral in Venice. During his time there, he composed works for separate choirs for both vocal and instrumental performers. One of his most famous pieces comes from his Sacrae Symphoniae completed in 1597; the Sonata Pian e Forte. Gabrieli was both a composer and organist in Renaissance and Baroque transitional period which caused elements of both periods to be demonstrated within his compositions. With instrumental music becoming more popular, it was becoming quite common during this time to have a composer who also played an instrument, especially the piano or organ. Sonata Pian e Forte gained fame from being a work that demonstrated a few characteristics and ideas about sound that had yet to be seen or often used.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
"The English Translation of The Order of the Catholic Mass." The Catholic pe.co.za. International Committee on English in the Liturgy, Inc., n.d. Web. 12 Jan. 2014. .
She also had a specific and solid philosophy regarding the role of the HCC. According to her, this hymnal was an opportunity to Brazilians Baptists demonstrate their identity and heritage. In other words, she stated: “Our music reflects who we are and where we are. A hymnal is a collection of songs that can show where we are in our Christian walk and where we will be in our spiritual walk” Sutton had an extraordinary missionary vision and her work impacted a number of Brazilian Christians. As a practical application, it is known that “A hymn is not really a good hymn until it has been well written, well chosen, and well sung.” Surely, the work of Sutton will be remembered as a substantial contribution to the success of the
The Lord Nelson Mass composed by Haydn was my favorite performance of the evening. The choir immediately captured my attention and seemed to do the same for everyone else in the audience. I was very impressed by the fact that the choir was made up entirely of college students. It was also stated that some of them sing in the choir just for fun as they are not music majors. There seemed to be an appeal in the fact that the singers were mostly very young. The piece as a whole was also very enjoyable. There was a lot of contrast which I really enjoyed. The music would be very loud and then...
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
I enjoyed this concert. It was my first real experience with jazz music. To be honest, I didn’t know what to expect, but I left satisfied that I attended. However, there was one thing I did not enjoy. The narrator between songs was not very effective and actually took away somewhat from the concert. He failed numerous times at trying to be humorous and rambled on. My favorite piece was 88 Basie Street. It gave me that easy and relaxed feeling. This piece started softer, and then seemed to pick up with more energy. With my lack of knowledge of Jazz music, I certainly enjoyed this piece the best. I learned how exciting and fun listening to jazz being played live can actually be. I found it very interesting. Like I said earlier, the only thing I would change to make the concert more effective would be to have the narrator speak less.
Maintaining g-minor, the overall affekt of the chorale can be perceived as unconfident and/or unsure, which also is supported by the text, Herr, ich glaube, hilf mir Schwachen [Lord, I believe, help me in my weakness]. As demonstrated in the previous movement, one can battle for the conviction of Christ, however without his love, we are destined to wander this world aimlessly; this is the referred to weakness. However, as the chorale marches towards the final two cadential points in m. 14-16, the cantata concludes in the parallel key of G major; the usage of the Picardy third provides light on the final text, in der süssen Ewigkeit [in sweet
In conclusion, the concert was really interesting and I enjoyed myself. In my opinion the two pieces that I really like in this concert, are Sounden Horn and Polonaise from Engine Onegin, the shift between the melodic lines and the element of beauty is what made me like it. In the future I would recommend it to my friends and I will not mind to go with them at all. This kind of music is the best to me by far.
Musical concerts are undoubtedly an incredible opportunity to experience a great aesthetic pleasure by listening to the musicians perform in front of your eyes. The power of music can hardly be overestimated – it can transfer a number of messages, thoughts and feelings through the performed sounds. Therefore the one can comprehend the music in the best possible way only when it is heard live. Musical concerts are often revelatory and highly impressive experiences to me. This essay thereby aims to provide my reflections and impressions of the concert of Gregory Porter & the Metropole Orchestra which I had the opportunity to attend in Nashville, TN.
Music: the art of organized noise. The blend of pitch and rhythm combined in different mediums and enjoyed by our ears. A very interpretive art, music isn’t very clearly constricted or defined by one definition. With so many varieties of music, it’s difficult to say what aspect is really the most important. Some people think music’s history and the appreciation of music are the most important aspects to take into consideration. Some think complex in rhythms and melodies make the best music. Some people devote their whole lives to studying one genre of music in order to fully understand how that genre works. While all of these aspects of music are important, none of them can truly be compared with each other on a fair playing field. Music of different genres, eras, and geographic backgrounds were written for different purposes, different people, and different settings. Still, there is still one overarching theme that applies to all forms of music new or old: the way the composer presents his or her creation. The performance and presentation of a work of music is like the icing on the top of a cake. The cake may be the best you’ve ever tasted, but if the icing on the outside doesn’t look appealing or doesn’t taste good, chances are you’ll take a different piece of cake with better looking frosting next time. The performance of music is what appeals most to people. With live performance, an artist must “sell” his or her creation. They must put smile on their face and convey to the audience that this is their music and through the music explain why it’s awesome. They must persevere through whatever the stage, the audience, and their surroundings give them and put on a good show. In today’s popular music though, this aspect of showma...