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an essay about Sigmund Freud's Psychosexual Development
an essay about Sigmund Freud's Psychosexual Development
sigmund freud theory of sexual behaviour
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In this review I will attempt to analyse four documents which I have read and studied with a view to informing myself on the arguments surrounding my chosen subject for my thesis on Abject Art and the promotion of anarchy. I will address the arguments given and points made in each text, analyse the construction of these texts, placing them in context with other texts in this field. I will also attempt to highlight the gaps in the texts and points that have not yet been raised and why this is. These texts are a starting point to further research on this subject and are primarily from an anthropological, biological and psychoanalytical perspective. I have chosen these angles with a view of coming to a better understanding of this thematic so that I can analyse the use of the abject in contemporary art from an informed position. I have chosen various chapters, excerpts, journals and essays from authors as varied as Sigmund Freud, Julia Kristeva, Valerie Curtis and Winfried Menninghaus, and intend to prove why these documents are relevant.
The first text I will review is the chapter “Dirt, Disgust and Disease: Is hygiene in our genes?” by Valerie Curtis and Adam Biran from the journal “Perspectives in Biology and Medicine” Volume 44, Number 1, Winter 2001 pp. 17-31. In this text Curtis and Biran explain their hypothesis from a scientific point of view, touching on morality, based on extensive research into disgust using information obtained from qualitative field work, interviewing several hundred people from various countries and economic classes. Their argument is that disease avoidance is equally, if not more so, answerable for certain behaviours such as disgust towards examples of the abject such as feces, vomit, spilled blood...
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...its field for the provoking of rethinking the universally generalised predispositions we hold in relation to these principles. He hypothesises that humans maintain a desire to retreat to a previous condition of imperturbability, the state of non-existance or “the death instinct”. I found that it is this hypothesis that can be used in comparison with the physical abject, as the death-instinct is a complete contradiction of the social “norm”. When the idea of body should ultimately mean life, the corpse confuses us and encourages an intrigue and fascination into the condition of the “life-less”. It provokes desire and appetite to probe and inspect but must effectively and immediately be ignored and forsaken. The engrossing must become the gross for the benefit of the tribe. For this reason I intend to continue with Freuds theories on the life-less state.
In conclusion
“…the culture industry has brought about the false elimination of the distance between art and life, and this also allows one to recognize the contradictoriness of the avant-gardiste undertaking: the result is that the Avant-garde, for all its talk of purging art of affirmation with forces of production consumption, became an accomplice in the total subsumption of Art under capitalism.”
Poverty and homelessness are often, intertwined with the idea of gross mentality. illness and innate evil. In urban areas all across the United States, just like that of Seattle. in Sherman Alexie’s New Yorker piece, What You Pawn I Will Redeem, the downtrodden. are stereotyped as vicious addicts who would rob a child of its last penny if it meant a bottle of whiskey.
Along with this research Rozin, Haidt, &McCauley (2000) came up with the social disgust theory. They suggested that disgust is easily applied or extended to purely social violations. Disgust often leads to thoughts of contamination and generates a sense of offensiveness and revulsion (Rozin, Haidt, & Fincher, 2009). If disgust is elicited then the person will...
My book, Artemis Fowl: The Eternity Code takes place in Ireland and Chicago, during the year 2005 or so. The main characters are Artemis, the boy genius, Butler, his special-forces black belt bodyguard, Holly, a three-foot-tall fairy with, yes, magic, a dwarf with a special talent for burrowing underground, due to his species’ special physical attributes that allow them to ingest several kilos of dirt a second, strip it of any beneficial minerals, and eject it forcibly out the back end.
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
In Edgar Allan Poe’s story The Fall of the House of Usher, the character Roderick Usher exhibits severe mental illness. Most of Poe’s writings are psychological in nature. The Fall of the House of Usher is a great example of this. Poe’s life was filled with many tragic events. The unpleasant outcome of his early years resulted in a great Gothic Romantic writer. He is a master of writing psychological thrillers, adding suspense and mystery in his stories. The topics of his writings are a concoction of unpleasant, austere, and grotesque things, thus the reader can be left feeling squeamish and susceptible. We are drawn into Poe’s stories by our intrinsic human nature of curiosity and intrigue. This paper gives examples of Poe’s literary style as we examine Roderick’s metal state through his words and appearance.
Confrontation of death and the anxiety created by its inevitability can be considered as notable dilemma for humans (Letho, 200...
The aim of this essay is to clarify the basic principles of Freud’s theories and to raise the main issues.
Thanatology is derived from the Greek word Thanatos, which means death; Death of the physical self and death of the internal self. As Sigmund Freud institutes in his work Beyond the Pleasure Principle there are two drives in the brain that both coincide and conflict within the individual and one of these drives is death itself. Eros is the drive of life, love, creativity, sexuality, self-satisfaction, and species preservation. Thanatos consists of aggression, sadism, destruction, violence and the unknown thoughts of death (Freud, 1953). These self-destructive characteristics are present in all human beings, but they are in the unconscious part of the mind that can be accessed but can also be repressed in order to survive (Freud, 1953). The purpose of this essay is to examine the history of Thanatology, what it is, and the correlations of Sigmund’s Freud’s understanding of the unconscious death instinct that has infiltrated into today 's society.
Sigmund Freud’s theories on the construction of the mind are simple, but fundamentally changed the field of psychology. He proposed, among other things, that the human mind is composed of three parts: the conscious, preconscious, and unconscious. The preconscious consists of information, such as a telephone number, that is “accessible to consciousness without emotional resistance” (Schellenberg 21). In Freud’s estimation, the unconscious is the most important area of the mind. The information stored within it has “very strong resistances” to becoming conscious (Freud 32). Residing in the unconscious is the id, which “contains everything…that is present at birth… – above all, therefore, the instincts which originate from somatic organization” (14). From birth, all action is instinctual, from the id. The id recognizes and entertains no desires but its own and is impatient to have its needs met. This phase lasts until a part of the id changes “under the influence of the real external world” (14). This changed portion b...
In his book Biblical Foundations for Baptist Churches: A Contemporary Ecclesiology, John S. Hammett, professor of systematic theology at the Southeastern Baptist Theological Seminary, attempts to provide a biblical and distinctively Baptist ecclesiology that is relevant for the Church’s contemporary setting.
...p from the world they live in, a world of separation and indicate themselves with their own realities. Art is handed over into society’s hands, as in one movement it is suggested - to fixate what is real, live like you create and create like you live; in other – abandon media’s proposed ideas and take the leadership of life in our own hands.
Sigmund Freud created strong theories in science and medicine that are still studied today. Freud was a neurologist who proposed many distinctive theories in psychiatry, all based upon the method of psychoanalysis. Some of his key concepts include the ego/superego/id, free association, trauma/fantasy, dream interpretation, and jokes and the unconscious. “Freud remained a determinist throughout his life, believing that all vital phenomena, including psychological phenomena like thoughts, feelings and phantasies, are rigidly determined by the principle of cause and effect” (Storr, 1989, p. 2). Through the discussion of those central concepts, Freud’s theory of psychoanalysis becomes clear as to how he construed human character.
A principal element in Freud’s theory is his assignment of the mental processes to three psychic zones: the id, the ego and the superego. The id is the passional, irrational, and unconscious part of the psyche. It is the site of the energy of the mind, energy that Freud characterized as a combination of sexual libido and other instincts, such as aggression, that propel the human organism through life, moving it to grow, develop and eventually to die. That primary process of life is completely irrational, and it cannot distinguish reasonable objects and unreasonable or socially unacceptable ones. Here comes the secondary processes of the mind, lodged in the ego and the superego. The ego, or “I,” was Freud’s term for the predominantly rational, logical, orderly and conscious part of the psych...
Deep in the minds of human beings lies a vast ocean of emotions and experiences. The human mind is often misconstrued and simplified by those who possess one, but delving deeper into the mind and it’s processes you see a whole other world that is veiled beneath the surface. One of the most famous examples of the human mind is the image of an iceberg, what is on the surface is so minimal compared to the immense body that lies underneath. Sigmund Freud was the father of psychoanalysis and believed in the idea of the unconscious and subconscious that help power who we are. Through psychoanalysis Freud began to reclaim the self as an individual and stressed the importance of the external world and it’s direct role with the internal realm of an individual. Although it was originally found to be a sort of therapy for those with mental illnesses, it has an interesting and analytical and philosophical view of the self, and through this spawned new beliefs in philosophy. Through the establishment of the id, superego, and ego, and the past’s affect on the shaping the present state of the self, psychoanalysis reclaims the self for an individual and is successful in doing so.