Fra Filippo Lippi was a painter from Florence, Italy born around 1406. Today, most of what we know of Lippi comes from examining his art work and from his biography found in Vasari’s Lives of the Artist. While some of the stories recorded by Vasari may be fabricated or exaggerated, there is no doubt Lippi led an interesting life in addition to being a extraordinarily skilled painter. Early in his life both Lippi’s mother and father died while he was young leaving him in the care of an aunt who did not particularly want him around. In 1420, at the age of 14, he joined the Carmelite friars. It became clear rather quickly that art suited Lippi much more than religious study. Despite quitting the monastery in 1432 Lippi was not released from his vows which led to many issues later on in his life. The period of his life following his departure from the monastery is not recorded in detail except for some disputed accounts found in Vasari’s work. If Vasari is taken as fact this period saw Lippi travel to Ancona and Naples and later be captured and held prisoner by Barbary pirates. V...
Giovanni Pietro Rizzoli also known as Giampietrino spent the vast majority of his known career developing drawings and paintings of nude women from roman mythology under the leadership of the great Leonardo Da Vinci. Under the influential scope of Leonardo, Giampietrino replicated myriad artworks of leonardo’s displaying the importance of honoring the great artists of the late fifteenth and sixteenth centuries, especially those such as Leonardo who remain a significant figure in the discourse of the canon of art in contemporary art society. Although he developed his own techniques and manipulations to refine his own work and bring forth a change in the development of the renaissance and baroque style of art, Giampietrino closely followed the methods taught in the Lombard school of art and those of his mentor Leonardo Da Vinci. Giampietrino’s similar style of painting to Leonardo can cogently be seen in his painting Lucretia and a plethora of other paintings, which convey the influence of the Lombard school from the incorporated formal elements such as color, form, content, and subjec...
He was a photographer who brought attention to the living conditions of immigrants in america. Immigrants were living upwards of 12 people in a room. Rooms without ventilation, or indoor plumbing, the unsanitary conditions made for an unhealthy cycle of disease. Cholera, and tuberculosis were very common in this time, because they lacked the knowledge we know today. The italians had never encountered such problems as this. In Italy, while they lived in close quarters, they also spent a large portion of their time outside. Not only were there homes unsafe, but also their work places.
Raphael Sanizo, usually known just by his first name, was born in 1483 in Urbino, Italy. He was an Italian painter and architect of the High Renaissance. He was celebreated for the perfection and grace of his paintings and drawings. He was very productive in his life, but had an early death at the age of thirty-seven years old, letting his rival Michelangelo take the reins on the art world. He is one of the great masters of his time. He died on March 28 of 1483 at the age of thirty-seven years old.
Giorgione or Giorgio Barbarelli da Castelfranco was born in 1477 or 1478, the exact date is not known, in Castelfranco. Even though there were no more than about twenty paintings officially associated with him, of which only about six are attributed to him without doubt, his originality was so powerful that these few works have come to represent not only the first stage in the Venice High Renaissance, but a new trend in Italian art as well. Surviving documentation of his life and work is sparse.
Nygren, B. “Una cosa che non è: perspective and humour in the paintings of Filippo Lippi”, Oxford art journal, vol. 29, no.3 (2006), pp.319-339
Giovanni Bellini was born in Venice, Italy around 1430. He was the son of Jacopo Bellini, an esteemed painter at the time, and probably began his career along side his brother as an assistant in his father’s workshop. Though his artwork was influenced by many of his friends and relatives, Giovanni possessed certain qualities in his compositions which set him apart from the others. He blended the styles of both his father and brother-in-law, Andrea Mantegna, with his own subtle appreciation of color and light, the high regard he held for the detail of natural landscape, along with the very direct human empathy he placed in his painting. These components of Bellini’s personal style became foundational to the character of all Venetian Renaissance Art. Bellini later developed a sensuous coloristic manner in his work which became yet another characteristic he contributed to the Venetian Renaissance Art.
No one knows exactly when the Italian artist, Tiziano Vecellio, was born. Over the centuries, there has been a great deal of confusion concerning the date, due to a misprint in his biography by sixteenth century art historian, Girgio Vasari. Vasari recorded the date as 1480, but the progress of Tiziano Vecellio’s work, as well as other documented sources, announce his date of birth to be sometime between 1488 and 1490. (Magill 2310) The place of his birth was Pieve de Cadore, in the Alps north of Venice. Tiziano Vecellio, also known as Titian, was a great master of religious art, a portraitist, and the creator of mythological compositions, which have been so decorative and inventive that no other artist has yet surpassed them. People such as his wife, Cecilia, Giovanni Bellini, and the Holy Roman Emperor, Charles V, influenced Titian. (Magill 2311) Titian is considered to be one of the greatest artists of the Italian High Renaissance. Titian developed an oil-painting technique during his time as an artist of successive glazes and broad paint application that influenced many generations of artists to follow along with his other various important accomplishments.
When he had been released he was eager to take on a miliitary career. He was ready to face the emperor of the Neapolitan States along with a friend. It was then that he had a dream. He saw a hallway with armour hanging on the walls that had the cross on them. He heard a voice that said “These are for you and your soldiers”. In 1205, he continued on his quest but was struck by illness once again. During the course of this, he had another dream. He heard the same voice he had heard in his previous dream and this time it told him to return back to Assisi.
Social Security is a major social program that provides benefits to multiple groups of people within the United States. These benefits include payments for pensions, disability, and unemployment compensation just to name a few. The majority of social security beneficiaries are retired workers and the remaining are pension recipients, disabled workers, dependent spouses, and children of retired or deceased workers respectively (Hyman, 2011). Social Security is financed through a taxpayer payroll tax, in addition to an employer’s portion that is matched and paid directly to the government on a quarterly basis. The employer portion of Social Security is usually not transparent to employees, but is a requirement for companies by law. In addition, self-employed individuals are also required by law to pay their own portions of OASDI and Medicare. Overall, the eligibility requirements for Social Security benefits are based on paying a tax through a place of employment and can be collected once workers have reached their assigned retirement age or become disabled. The employee and employer contribution rate is 6.2% (7.65% include FICA), up to the maximum wage base of $113,700.
Interestingly, he also refers to Donatello as a ‘craftsman’. The correlation between the artist or sculptor and craftsman is an important aspect in Italian Renaissance art. The craftsman was something more than just an artist. This person was talented and considered by others in Italian Renaissance society as exceptional or as Vasari’s title suggests, ‘the most excellent’. They were also tradespeople rather than just artists. This is because they created works for other people, which often meant they expressed other people’s ideas. Through an analysis of Vasari’s biography on Donatello, this essay will explore the importance of culture in Renaissance Italian society, an examination of Vasari’s biography of Donatello as a historical document and the ways in which Vasari portrays Donatello, which ultimately was significant for future Renaissance craftsmen. This paper will analyze the life of Donatello through Vasari’s The Lives of the Most Excellent Painters, Sculptors and Architects to show the importance of Donatello not only as an artist but also as a
Leon Battista Alberti can be considered one of the most wonderful architects in the Renaissance. Everyone knew who he was and that he was a man in which he believes architecture represented only one activity among many. He was considered to be one of the great scholars at that time. He was born in Genoa in 1404 where he was the inadmissible son of an important Florentine merchant family. Alberti was given a great education first at the University of Padua where in his early age he has attained to the mastery of Greek and Latin, and then later in his scholar career, he was at the University of Bologna where in which he studied law. He began interest in architecture in the 1440s during the last years of Brunelleschi’s lifetime and it was probable then in which he began to compose his greatest theoretical work. Alberti have practiced all three arts however there was no certain paintings or sculptures on him and his reputation as an artist rests equally on his writings and on the buildings. (Murray pgs.45-47)
Knowing a masterpiece is first knowing a little bit about the artist behind the masterpiece. Sandro Botticelli was born in Florence, Italy and lived from 1445-1510. His real name was Alessandro Filipepi but he was brought up by his brother who nick-named him Botticelli meaning “little barrel”. The book Sandro Botticelli Life and Work by Ronald Lightbown talks about how Botticelli spent his entire life in Florence, experiencing some of the most common hardships that were expected during the fifteen century such as plague, flood, hard winters, and famine. Botticelli was a famous early Renaissance painter and is recognized for his well-known painting Primavera, which was known as the largest mythological painting of the Early Renaissance. This work has a humanistic nature and is said to reflect contemporary ...
His ability to blend his intellect and imagination led him to create ideas on paper like the bicycle and airplane by looking at just how a bat flies. Due to his wide interest in multiple hobbies, many of his sculptures or paintings never got finished or were destroyed. He moved from Italy to France when French ruler Francis I offered a manor for him to live in and acknowledged him as “Premier Painter and Engineer and Architect to the King”. He lived at a local manor until 1519 when he died at the age of 67 and was buried at a local church. Unfortunately, the French Revolution destroyed the church and his exact gravesite is still
Leonardo was born in a small town in Tuscany, Italy called Vinci on 15 April, 1452. Back then, not all people had surnames; only those who were rich and powerful deserved one. Therefore, when people today refer to him as “Leonardo da Vinci”, “da Vinci” actually means “from Vinci” in Italian. His talent for painting was recognized by his family and neighbors when he was still a boy, and he started his painting career at a very young age. At 14, he was sent to Florence by his father to learn from Verrocchio, who owned a leading workshop at the time. It is said that when he cooperated with Verrocchio on the Baptism of Christ, his skill was so much finer than his master’s that Verrocchio quit in the middle and never painted again for his whole life. 1