There are many formal visual that make up a photograph. For example, repetition, framing, balance, leading lines, negative space and focal point. Lines and focal points are very important aspects of photographs because they affect the way we view the image. For example, they can pull us into the picture and grab our attention, they can pull us toward the subject thus enhancing the focal point and they take our eyes on a journey throughout the scene. The formal visual element of leading lines to a focal point is evident in all of the following pictures: Candida Höfer’s Trinity College Library Dublin, 2004, in chromogenic print, Lewis Baltz’s South Corner, Riccar American Company, 3184 Pullman, Costa Mesa, 1974, in silver gelatin print and Cindy Sherman’s Untitled Film Still #48, 1979 in silver gelatin print. I am grouping these photographs together according to their use of leading lines that guide our eyes to the focal point of the photograph. These photographs all have lines that lead to only one spot, as though the photographer is demanding that we only focus on the focal point. I ...
In Eudora Welty 's "A Worn Path" the reader is told of the journey of Phoenix Jackson an elderly African-American woman. Beginning the story, her journey appears irrelevant. Jackson travels through the woods and over hills powering through the many hardships that an elderly woman would face. Towards the conclusion of this story, a reader recognizes the meaning of Phoenix’s journey. Through the entire story she has been journeying to obtain medicine for her grandson that had fallen ill from “swallowing lye"(p. 105). In Welty’s story it is easily recognizable to the reader that the theme of the story is how one will face extreme hardships for the ones that they love, specifically Phoenix struggles with her vision, being senile, and just the burden
For my museum selection I decided to attend Texas State University’s Wittliff Collection. When I arrived, there was no one else there besides me and the librarian. To be honest, I probably would have never gone to an art museum if my teacher didn’t require me to. This was my first time attending the Wittliff Collection, thus I asked the librarian, “Is there any other artwork besides Southwestern and Mexican photography?” She answered, “No, the Wittliff is known only for Southwestern and Mexican photography.” I smiled with a sense of embarrassment and continued to view the different photos. As I walked through Wittliff, I became overwhelmed with all of the different types of photography. There were so many amazing pieces that it became difficult to select which one to write about. However, I finally managed to choose three unique photography pieces by Alinka Echeverria, Geoff Winningham, and Keith Carter.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Throughout the vast history of visual art, new movements and revolutions have been born as a result of breaking past conventions. This idea of moving past traditional styles was done by many artists in the 1950s and 1960s, including those artists who participated in the many different abstract movements. These artists decided to abandon old-fashioned techniques and ideas such as those of classical Renaissance, Baroque, or even Impressionist art. One of these new conventions, as discussed by art historian Leo Steinberg in his essay, “The Flatbed Picture Plane,” is the concept of a flat and horizontal type of plane in a work that does not have a typical fore, middle, or background like that of the traditional art from classical periods previously mentioned. The flatbed picture plane that Steinberg refers to is similar to that of a table in which items can be placed on top of, yet they are merely objects and do not represent any space. In his article, Steinberg explains that the opposite of this flatbed plane is the
The Peruvian Communist Party (PCP-SL), better known as Sendero Luminoso (‘Shining Path’) was a maoist guerrilla organization in Peru. The parties roots can be drawn to the Andean department of Ayacucho, one of Peru’s pooerest and uneducated areas, where ill even the 1950s landowners continued their serflike manner of treatment toward the natives existence. The escape their dismal lives, Ayacuchans turned toward education, migrating by the thousands in their attempt to escape that existed for them back home.
In the short story A Worn Path, by Eudora Welty there is only one main character Miss Phoenix Jackson, who is in barking on a journey that would lead her to the desired destination. Phoenix's personality would change as she gathered more land with her persistent walking, passing through many different settings. Although the change in scenery is blately obvious it is sometimes what we over look, when trying to examine the characters attitude, or morals in different situations. The attitude change in Miss Jackson is noticeable as she lumbers through the pines, crossing the stream, and again while sitting at the doctor's office.
In the modern short story, Eudora Welty clearly develops Phoenix Jackson as a main character who indirectly manipulates other people. Phoenix, as the speaker in “A Worn Path” holds the status of an old Negro woman who continues the everyday cycle of life. Although, in reality Phoenix is an average human being, who feels she must be rewarded for living. Phoenix believes that humanity owes her something for the troubles she encounters throughout her lifetime. When Phoenix says to the hunter, “that’s as far as I walk when I come out myself, and I get something for my trouble” (paragraph 46). Incidentally, Phoenix replies to the old hunter’s question it is quite clear that she undoubtedly is expecting compensation; whether it is a pity party or a monetary gift to settle the score. Because Phoenix feels like she must abuse other people, she appears to have the power to be in control of any situation that might come her way. Throughout Welty’s “A Worn Path,” Phoenix Jackson and her actions symbolize her to be a selfish and manipulative woman.
“A Worn Path” by Eudora Welty, is the tale of the unstoppable love and care of a grandmother for her grandchild. The main character in the story, Phoenix Jackson, is an old black woman who makes a long journey into town to get medicine for her ill grandson. Despite the many obstacles Phoenix encounters along her journey, determination helps her to continue. I will analyze “ A Worn Path” by Eudora Welty in terms of symbolism and characters.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
In Cormac McCarthy’s novel The Road “the man” and “the boy” refer to themselves as “the good guys” compared to “the bad guys”. While reading this book I was lead to believe that “the boy” is truly the only “good guy” left, because “the man” and every other character that I encountered in this book share some of the same qualities as “the bad guys”.
Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. New York:, Oxford UP, 2013.
Sontag, Susan. "Essay | Photography Enhances Our Understanding of the World." BookRags. BookRags. Web. 15 Apr. 2014.
As we read through the New Testament, we come upon many instances where Jesus uses parables to teach in ways that were very unique to the day. Until this point, many had never experienced this type of teaching and it proved to be an effective method of imparting knowledge to his listeners. A parable is a story that illustrates a moral or religious lesson. During Jesus’s ministry He told many parables such as The Parable of the Sower, Parable of the Good Samaritan, The Rich Fool, Parable of the Mustard Seed, and Parable of the Lost Sheep just to name a few.
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
“Authors use setting to create meaning, just as painters use backgrounds and objects to render ideas.” - Literary Anthology. The setting of "A Worn Path" by Eudora Welty, takes place on a cold December morning during the 1940 's. In "A Worn Path", the setting allows readers to grasp a better understanding of various components which make up the story. The components are the character qualities, symbols and the mood and atmosphere. The path the main character, Phoenix, follows to the city and what she endures through her journey shows what kind of person Phoenix is and the true qualities of her character. The symbols found in the setting allow a deeper incite to the meaning of the story and why they are present.