People’s restraint can either save their lives or put them at great risk of dying. A person’s ability to restrain themself plays an important role when exploring the unknown. In the novel, Heart of Darkness, by Joseph Conrad, restraint plays a major role throughout the novel. Conrad uses restraint to show the corruption of the European culture and how people can change when faced with difficulties that challenge their restraint. By the end of the novel, Conrad shows restraint symbolizes civilization. Restraint threads its way through the three parts of Heart of Darkness; people who have been in chaos learn restraint, whereas people who have been in civilization cannot control themselves. Fresleven, the cannibals, the helmsman, and Kurtz all show restraint or the loss of restraint in the novel.
Marlow’s story begins with him telling the story of Fresleven, a European who lost restraint and could not control himself. Fresleven, being born into civilization, never learned proper restraint. Fresleven, known as, “the gentlest, quietest creature that ever walked on two legs” (Conrad 6) shows how easy restraint can be lost. Freselven went mad because civilization never forced him to be restrained. Fresleven lost restraint because he went from the sophisticated society of Europe to the uncivilized, jungle of Africa. The people who grow up in the chaos and uncivilized jungle adapt to restraining themselves to survive.
The Cannibals show a great deal of restraint because they have learned to control themselves. Days without food can darken the gentlest of minds, but somehow the cannibals restrain themselves from going mad. Joseph Conrad tries to show the reader how the cannibals have practiced restraint and it helps them survive. Any Euro...
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...ling blindly with itself” (61). Kurtz gives up by the end of the book. Kurtz has no more left to give, and has allowed himself to succumb to the chaos that engulfs him. The disorder and confusion of Africa has corroded Kurtz and has caused him to lose restraint.
Joseph Conrad shows how easily people can lose their restraint. Only the cannibals, who Marlow expected to lose their restraint, restrain themselves from going mad when faced with starvation. Fresleven, the helmsman, and Kurtz show how “enlightened” people often lose their restraint first. “Civilized” people continue to lose restraint due to the chaos around them. The people who learn to adapt to the idea of restraint survive and the people born into the civilization of Europe did not know how to control themselves.
Works Cited
Conrad, Joseph. Heart of Darkness. New York: Dover Publications, 1990. Print.
In Night, he informs his reader of many examples on how a myriad of good people turn into brutes. They see horrific actions, therefore, they cannot help by becoming a brute. They experience their innocent family members being burned alive, innocent people dieing from starvation due to a minuscule proportion of food, and innocent people going to take a shower and not coming out because truly, it is a gas chamber and all f...
The mind is a wonderful thing. It allows us to think on three very different levels. One we choose to express, one we don’t choose to express, and one we do not even know exists. All these stages of thinking are clouded over in Joseph Conrad’s The Heart of Darkness. Three menacing forces occur that completely take over the white man to act inappropriately. They accuse others of acting savage, when they violently act against people of other cultures. They conform to specific beliefs, and push aside their subconscious thoughts. These men also have an abundance of ignorance that makes them feel false superiority. The Heart of Darkness reaches into the minds of readers, to prove that all of civilization is surrounded by an abundance of forces that can fog our mind, and darken our hearts.
Conrad’s character Marlow describes the natives as having “a wild vitality” and their “faces like grotesque masks.” These remarks demonstrate his fear and reinforces the distinction between himself and the natives.
Conrad, Joseph. “Heart of Darkness.” An Introduction to Literature. Ed. Barnet, et al. New York: Longman, 2000.
Marlow is driven by morality and is able to see what is right and wrong; he is not blinded to the truth. The truth that these “civilized men” are destroying countless numbers of people so that they can worship th...
In Joseph Conrad’s Heart of Darkness, something is always contrasted against something else. Within the title itself, the contrast of light and dark is made. Throughout the book, the contrast is made between good and evil, between the pilgrims and the cannibals that Marlow encounters. Using the ironic opposition of the pilgrims and the cannibals will present a way into a post-colonial analysis of the book.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817.
Restraint is a major idea in Joseph Conrad’s Heart of Darkness. Restraint constantly influences the decisions people make. Kurtz’s lack of restraint kills him, while Marlow’s restraint saves and prevents him from becoming like Kurtz. Kurtz is a man who “[kicks] himself loose of the earth” (Conrad, 61). He does not have allegiance to anyone except to himself. Kurtz’s absence of restraint exists because he holds a lusty power in an un-civilized country. Restraint is affected by three factors; power, lust, and his surroundings. Kurtz’s display of restraint is a prime example that exemplifies the affect of these three factors on restraint.
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
Despite the advances in Britain’s economy, the souls of the people were not similarly enhanced. While the Victorian Era was one of progress, there was much evil and cruelty as well. The Victorian weaknesses were especially noted by Joseph Conrad, who lived during this era. He knew from first-hand experience the evils of colonialism and racism. He was able to see the hollowness of civilization in the world, and he viewed that hollowness as a great evil. This became the theme of his book, Heart of Darkness. Conrad demonstrated the hollowness of man in the descriptions, actions, and thoughts of his characters.
Later, Marlow encounters cannibals who are characterized by restraint. They outnumber the whites “thirty to five” and were “big powerful men, with not much capacity to weigh the consequences.” Marlow describes them as being utterly capable of simply overpowering and consuming the Europeans. He even considers that he would have as soon expected such restraint fro...
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
...ch open up the readers mind. Joseph Conrad's "Heart of Darkness", raises many questions about society and the human potential for evil.
Joseph Conrad’s novella, Heart of Darkness, was written in the year 1902, a time of modernist literature. Heart of Darkness talks about the problems with alienation and confusion as much as it does about imperialism. In the early 1900’s, the lifestyle in England veered towards the Victorian values. Conrad’s novella makes a bridge to connect the Victorian values with the ideas of modernism. Thus “it belongs to a period of change.”(Sardar) For example, the natives are following in the footsteps of their predecessors, following a life of tradition, and their ideas of life are constantly being attacked by people like Mr. Kurtz who think they are doing what is best, when in reality they are creating more confusion