Auguste Rodin was born November 12, 1840 in Paris and attended the Ecole des Arts Decoratifs in Paris at age 14. Rodin had a special gift for modeling human figures and faces; therefore sculpting humans is all he did. Decorators and commercial sculptors exploited Rodin at a very young age. It was some 20 years before he could sculpt for himself, under the commercial sculptor Albert Carrier-Belleuse. (Auguste, 19)
Rodin sculpted ornamental figures for several major buildings in Brussels, such as the Bourse and the Palais des Academies. He then worked on the monument to Jean-Francois Loos, the former mayor of Antwerp. Rodin did not start this monument, but he work on it. Rodin acquired a sufficient amount of money to travel to Italy, which was an important step in his career. In 1877 he returned to Paris with his first major sculpture, The Age of Bronze. This piece of work showed a young man coming out of misery and depression to a state of heightened awareness. Critics and fellow artists thought and also accused Rodin of making this piece from a plaster cast taken directly from a living person. This deeply hurt Rodin. (Auguste, 19)
In 1880, Rodin was contracted by the French government to make a door for the projected Musee des Arts Decortifs. Rodin worked endlessly on the sketches for the bronze door, now titled The Gates of Hell. In 1883 Rodin met Camille, this is when he had reached his “decisive stage” in preparations for The Gates of Hell. This aspect of Rodin’s work and ideas has to be borne in mind considering the beginning of his relationship with Camille Claude. (Auguste, 21-22)
Camille and Rodin had, at first, an intimate attraction for each other. Rodin met Camille when he was an instructor correcting the work of a group of young ladies. This man was the master who could finally teach Camille a proper set of artistic bearings. Rodin could knead the clay “at lightning speeds” and instantly create the most complex and expressive form. (Auguste, 22)
In 1884, Rodin made his first portrait of Camille, an “austerely beautiful head with large eyes, short hair and sharply defined features”. And by 1886, Rodin was so obsessed with Camille that he followed her to England where she was staying with her friend Jessie Lipcomb and her family in Peterborough. (Auguste, 24)
In the fall of 1884, he was commissioned to design the monument to The Burghers of Calais, which was to become one of his major works.
The Dread Scott decision exacerbated the debate over slavery by declaring that blacks cannot be citizens and that Congress does not have the power to prohibit slavery in the territories, which further divided the North and the South. The decision also deeply affected politics, and was one of the causes of the Civil War.
Art is trapped in the cage of society, constantly being judged and interpreted regardless of the artist’s intent. There is no escaping it, however, there are ways to manage and manipulate the cage. Two such examples are Kandinsky 's Little Pleasures, and Marcel Duchamp’s Fountain. Both pieces were very controversial and judged for being so different in their time, but they also had very specific ways of handling the criticism and even used it to their advantage. We will be looking at the motivations for each artwork, what made the art so outrageous, and the public’s reaction to the pieces.
Elisabeth Vigée-Lebrun was one of the most successful painters of her time. Over the course of her life, spanning from 1755-1842, she painted over 900 works. She enjoyed painting self portraits, completing almost 40 throughout her career, in the style of artists she admired such as Peter Paul Rubens (Montfort). However, the majority of her paintings were beautiful, colorful, idealized likenesses of the aristocrats of her time, the most well known of these being the Queen of France Marie Antoinette, whom she painted from 1779-1789. Not only was Elisabeth Vigée-Lebrun the Queen’s portrait painter for ten years, but she also became her close, personal friend. She saw only the luxurious, carefree, colorful, and fabulous lifestyle the aristocracy lived in, rather than the poverty and suffrage much of the rest of the country was going through. Elisabeth kept the ideals of the aristocracy she saw through Marie Antoinette throughout her life, painting a picture of them that she believed to be practically perfect. Elisabeth Vigée-Lebrun’s relationship with Marie Antoinette affected her social standing, politics, painting style, and career.
The nineteenth century produced a large number of works of art from numerous of artists. Since I have been to the Art Institute in Chicago, I decided to walk through this gallery online. Remembering that when I went there I liked a lot of the artwork that I saw. There I stumbled upon an artwork by Claude Monet called “The beach at Sainte-Adresse’. This painting caught my eye because of the beach scenery. The beach has always been my favorite place to go, where I am able to relax and clear my mind. This is what I was able to feel when I saw this artwork.
This group ran their own exhibition, and over time, became some of the famous names we know today, such as: Claude Monet, Edgar Degas, and Alfred Sisley. However, it was not all fame and fortune from the beginning. Most patrons who came to the exhibition were so used to the classic, disciplined style that they often criticized the artists’ works, calling them “unfinished” and offended that they could showcase “sketches” as finished pieces. But this is exactly what these artists embraced; letting go of formality and embracing the “freedom of technique” (“Impressionism”,
After considering a suit from Dred Scott, a slave who lived in the free territory of Illinois, the Supreme Court in 1857 rejected Scott’s appeal for diversity jurisdiction and barred citizenship to people of African descent. Additionally, the Court deemed the Missouri Compromise, a law balancing free and slave states, unconstitutional. Although Taney cites history, miscegenation laws, and traditional views of race, his arguments ultimately rely on pathos-filled appeals to the core demographic of the Court’s ruling, white Southern slaveholders.
When tampered with, nothing positive comes with it. Sadly children face situations or rules parents may feel are beneficial but actually aren’t, such as a hefty amount of discipline. This makes the child susceptible to antisocial behavior. That in mind, the child might look for different solutions to cure their discomfort, sometimes illegal. Abuse is another social deterrent. Children who are abused tend to drop out of school and throw their lives away. Drugs alone can also aid in doing the same thing, pushing people away and creating an antisocial atmosphere for the child. Bullying in schools can affect an individual 's self esteem forcing them into seclusion. Another possibility is their own peer group. Many kids go through peer pressure and sometimes it gets the best of even the most clean kids around. One wrong puff or sniff can plummet a good child into a poor
Secondly, the court argued even though Dred Scott was free under state law he still wasn’t a U.S. citizen. Another reason Scott could not be a citizen because he was black and he was descendant of an American slave (McBride 1).
Many times Africa is described as an unstable continent due to many inner conflicting problems. The majority of these problems were not self-inflicted, but came about due to outside influences, and the biggest impacts were imperialism and the colonization of African nations that took place between the nineteenth and twentieth century. Out of all of the African nations, the Belgian Congo was one of the poorest and unfairly treated nations. Yes, imperialism and colonization are some of the big reasons why Africa was broken and still is today, but the only reason why the Belgian Congo suffered the most out of all the other nations was mainly due to King Leopold II of Belgium. The extreme unawareness of King Leopold II on Belgian Congo caused it to collapse to detrimental levels. With little to no support systems in place, the Congo region never truly received the help to better its situation.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Dred Scott v. Sandford was a supreme court case in which Dred Scott, a slave, tried to sue for his freedom. Scott believed that because he had lived in a state where slavery was illegal he should be allowed freedom. The Supreme Court ruled against Scott saying that because he was from African ancestry he did not have U.S. citizenship and therefore could not bring the issue to court. The Supreme Court basically said that slaves were property.
Born in a cold winter day of 1841, in Lomoges, France, Pierre Augustine Renoir lived a long and happy life of more than eight decades. Being one of the six children in the poor family of a tailor and seamstress, Renoir from childhood understood what he is up to in his future life. From early age he was drawing and self studied art in free time. Renoir’s parents arranged him to work in a Porcelain Factory, where he was working as a decorator of plates and other objects. The fortune came up in such a way that when Renoir was five his family moved to Paris and lived in a house right by the famous French Louvre. Most of his free time, Renoir spent in Louvre trying to copy the famous works from the walls of the museum. As the time passed more and more people started recognising his talent which made him many wealthy friends. His talent of great drawing allowed him to enter the famous during
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
The company must continuously keep up with automobile trends, new technology, and government and safety demands. According to General Motor’s SWOT Analysis provided by MarketLine, the company’s “robust technological capabilities enhances new product development,” ( Marketline, Pg. 32). The SWOT Analysis also outlines a company opportunity for the advancement of hybrid electric and alternate fuel vehicles (Marketline, Pg. 32). GM has strong capabilities for new product designs and research and development. The company has spent nearly $15 billion on research and development activities in the last two years with the focus of developing new products and services, improving existing products and services, and improving fuel economy and safety of vehicles (Marketline, Pg. 33). The company’s top innovation priorities lie in development and advancement of alternative propulsion strategies, fuel efficiency. They now offer the FlexFuel vehicle that can run on gasoline-ethanol blend fuels as well as electric cars and hybrid cars (Marketline, Pg. 34). General Motors maintains its spot as an industry leader of innovation and development, which in turn gives it a strong competitive
Impressionism is the name given to the art movement that changed art forever. Starting in France in the 1860's, Impressionism was considered a radical break from tradition.1 Through the work of artists including Édouard Manet, Claude Monet, Pierre Renoir, Camille Pissarro and Edgar Degas impressionism was born. Impressionists painted outside and focused greatly on light and its reflection. They painted quickly on primed white canvas with short visible brushstrokes and placed separate colours side by side letting the viewer’s eyes mix them. (Techniques uncommon to art at this time) Regarding their subject they again broke with tradition and painted anything they wanted including the modernity of Paris and the everyday life of its citizens. This new found freedom regarding subject along with unconventional techniques greatly displeased the L’École des Beaux-Arts where academic artists would have worked on subjects such as history, royalty and mythology.2 In contrast to the impressionists their work had a smooth varnished finish, showing little to no evidence of the artist’s presence. Having introduced Impressionism, I aim to in this essay analyse why the city of Paris is at the heart of the impressionist movement. Firstly by looking at how Paris helped create the impressionist movement and secondly how Paris fuelled it.