The Life of Pi by Ang Lee (2012) explores an individual’s discovery of religion through a journey that is mental, physical and spiritually challenging. Furthermore, the text is a prescribed film for the Australian English curriculum’s area of study (BOSTES, 2013). Life of Pi portrays a powerful notion of an individual’s struggle with faith and the inherent evil of humanity (Bolton, 2013, p.2). It correlates with the requirements of exploring discovery through “emotional, creative, intellectual, physical and spiritual” (BOSTES, 2014, p.9) means. Indeed, text relates to the struggles of discovery and the acceptance of one’s identity through a philosophical debate between religion and faith (Steelman et al., 2014, p.193).
Firstly, the film
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Throughout the text, students are able to examine the film from their own perspectives to learn the construct of the text through “composer, responder, text and context to shape meaning” (Outcome 1)(BOSTES, 2009 p.32). Evidently, students are to interpret the text in their own manner as the question “Which story do you prefer?” challenges the readers to select their own truth of the story. Indeed, it allows students to shape their textual interpretations and speculate the reasons of why Pi is conflicted by religion throughout the text (BOSTES, 2009, p.32). It also creates a dilemma, as the controversy behind this film is that there is no concrete answer to whether one story is true. However, the spiritual journey is between Pi’s inner conflict between religion and the outcome of his life. Rather than solely entrusting himself in God, he acts on his survival instincts and saves himself from the wreckage. This notion demonstrates that Pi discovers the truth of life, whereby the acceptance of his inhibitions becomes the force of surviving and escaping the boat. The realistic scenario is portrayed to be “unbearable” (Bolton, 2003, p.3). Therefore individuals are compelled to embrace the first story Pi narrates. Furthermore the consistent hyperbolized computer generated imageries in the first story suggest that there is …show more content…
In addition, a series of close-up shots are used to portray Pi’s reluctance to tell the second story due to the traumatisms that he experienced. In this case, Pi’s first narration exemplifies the audience’s desire to believe in a nuanced reality and existential force that provides comfort to responders (Collins, 2014, pp.88-91).
Indeed, this film’s richness in its use of filmic and audio techniques allow students to focus on several outcomes of the Stage 6 Standard English Syllabus (Outcome 4.1)(BOSTES, 2009, p.32). Furthermore, the text provides for an understanding of how discovery can be found through religion, internal and external struggles that Pi experiences (BOSTES, 2014, p.9). Therefore students are able to construct their own meanings and compose their essays to mirror between Pi’s experiences to their daily experiences with discovery (BOSTES, 2014, p.9; BOSTES, 2009,
Last year, I read Life of Pi, and its focus on spirituality and the analysis of Pi’s religious experience moved me and heavily affected my own spirituality. I was an agnostic atheist beforehand, and that did not change, but instead, Life of Pi pushed me to find my own beauty and wonder, not in religion as Pi did, or in a vague spiritual sense as some others do, but in nature, science, and
The fabrication of ones identity is dependent on existential and religious circumstances throughout an individuals life, that lead to intellectual development and transformation. David Gutterson’s Snow Falling on Cedars (SFOC) explores the spiritual and psychological journeys experienced by Ishmael, Hatsue and Kabuo by subjecting each character to moments of peripeteia that provoke personal transformation. In Life of pi, directed by Ang Lee, Pi is a castaway that relies on his faith in god to guide him through a gruelling physical journey through which his strength, both spiritually and physically, is tested. Stephenie Meyer’s The Host is a science fiction novel that explores the psychological and emotional journeys borne by the protagonist,
Faith is defined by acquiring substantial confidence in something that cannot be explained using definite material proof. Although faith is often mentioned when speaking of religion, one can have faith in anything. In Yann Martel’s Life of Pi and John Irving’s A Prayer for Owen Meany, both authors acknowledge the importance of faith in family, friends, and oneself; however, the main focus of faith in both novels is centered on religion. Both novels emphasize that a strong faith is fundamental in overcoming both emotional and physical obstacles. In the novels Life of Pi and A Prayer for Owen Meany, this is expressed through symbolism, characterization, and plot.
Yann Martel’s “Life of Pi” shows all three of the main elements of a hero’s journey: the departure, initiation and the return, helping the story to greatly resemble Joseph Campbell’s structure of a hero’s journey. Through the trials Pi has to face, he proves himself to be a true hero. He proves himself, not just while trapped on the lifeboat with Richard Parker, but also before the sinking of the Tsimtsum. His achievement to fulfill the heroic characteristics of Campbell’s model are evident as he goes though the three stages.
“You can't stop the waves, but you can learn to surf.” Adapting to a new situation or experience like violent crashing waves can be difficult. Nevertheless, a person needs to learn how to surf in order to outlast the pounding waves. In a similar fashion, individuals need to learn how to adapt to a challenging situation in order to survive. This idea of the significance of adapting to new situations is often explored in literature. In the novel, Life of Pi, Yann Martel makes powerful use of character development to suggest that individuals may be able to adapt to situations in life through a sense of determination, or through denying reality and using their imagination instead.
With the lifeboat symbolising faith and Richard Parker as Pi’s primal instinct, Martel depicts Pi’s prolonged fight for survival as assuming the behaviour of a tiger allows him to endure the voyage. By foreshadowing Pi’s tense relationship with a tiger and the tragic sinking of the ship, the audience speculates that Pi will persevere, despite his unfortunate circumstances. Lastly, the recurring motif of food, water and territory requires both castaways to respect and depend on each other for their survival. Through the literary techniques of symbolism, foreshadowing and motifs, Martel enables the audience to explore the central theme of survival as they too experience being a castaway in the Pacific Ocean through Pi’s life
Pi turns to God and says aloud, “‘Yes, so long as God is with me, I will not die.’” (Martel, 148). Instead of giving up, he used a miracle that God gives him and turns it into a routine. His belief of God watching over him gave him a lot of motivation Pi explains his struggles when he says “You might think I lost all hope at one point. I did. And as a result, I perked up and felt much better. We see it in sports all the time don’t we?” (Martel 134). At this moment, Pi decides to disregard Richard Parker and focus on his thirst. He thinks back to how when Jesus was crucified, that his only complaint was thirst. This gave Pi a reason to help himself by letting go of his worrying. As he slowly becomes more depressed, Pi comes to the realization that “God’s hat was always unraveling. God’s pants were falling apart. God’s cat was a constant danger. God’s ark was a jail. God’s wide acres were slowly killing me. God’s ear didn’t seem to be listening.” (Martel, 209). Whenever Pi starts to upset about his situation, he yells about how everything symbolizes God. Although sometimes it did not help, Pi says that he will continue to hope and love
Religion is and always has been a sensitive topic. Some choose to acknowledge that there is a God and some choose to deny this fact to the death. For those who deny the presence of a higher being, “Life of Pi” will most likely change your thought process concerning this issue. Yann Martel’s, “Life of Pi”, is a compelling story that shows the importance of obtaining religion and faith. Piscine (Pi) Patel is both the protagonist and the narrator of Martell’s religious eye-opener who undergoes a chain effect of unbelievable catastrophes. Each of these catastrophic events leaving him religiously stronger because he knows that in order to endure what he has endured, there has got to be a God somewhere.
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
The Life of Pi, written by Yann Martel, is the story of a young man, Piscine, or Pi for short, who experiences unbelievable and unrealistic events, which are so unrealistic ambiguity is aroused amongst the reader. Duality reoccurs over the course of the novel through every aspect of Pi’s world view and is particularly seen in the two contradictory stories, which displays the brutal nature of the world. Martel wonderfully crafts and image of duality and skepticism though each story incorporated in this novel.
...knowledge his shadow self. He was able to survive his plight on the lifeboat because of the characteristics of his shadow self, Richard Parker. Even at the loss of his shadow self, Pi remains connected and constantly misses this part of his persona. After his ordeal on the lifeboat, Pi becomes rational and humane; however his experiences has scarred him, and will forever remain with him. Readers can definitely learn from Pi’s experience with his shadow self. The more we refute our shadow, the more it weighs us down. However, if we are willing to come to terms with the reality of our shadow, learn how it works, “tame” it so that it does not control us, we would be more literate and enlightened.
This alternate ending plays a key role in understanding how to view the novel through Freudian lenses. Freud’s theory of psychoanalysis clarifies many troubling issues raised in the novel Life of Pi. Martel’s novel is about the journey of a young man being forced to test his limits in order to survive the unthinkable predicament of being lost at sea alongside an adult Bengal tiger. Life of Pi starts out by introducing an anonymous author on a quest to find his next big story and goes to a man by the name of Piscine Molitor Patel who supposedly has a story worth hearing. Patel begins his story talking about his childhood and the main events that shaped him such as his family’s zoo, the constant curiosity in religion he sought as a young boy and also how he got his nickname Pi.
It is said the a person’s process of discovery is shaped by their personality, culture, history and values, however the opposite is also true, someone’s personal, cultural, historical and social contexts and values, their personal aspects, can also be shaped by the discoveries they make, with discovery acting as the journey towards a change in one’s personal aspects. This is true of the film, “Life of Pi,” directed by Ang Lee and the illustration, “Self Help,” by Michael Leunig. The most striking features of the film is Pi’s faith to God and his connection with religion. His discovery and spirituality rely on each other, depicted as a gradual progression that spans his life, his childhood all the way to his time with Richard Parker on the life
In drastic situations, human psychology uses coping mechanisms to help them through it. In the novel, Life of Pi by Yann Martel, Pi’s coping mechanism is his religions and his projection of Richard Parker. Martel’s Life of Pi shows how the projection of Richard Parker played a greater role in keeping Pi alive in comparison to his beliefs in his religions. During the period in which Pi was stranded on the lifeboat, Richard Parker kept Pi aware, helped Pi make the right decisions, and was Pi’s sub-consciousness.
The Life of Pi by Yann Martel was a fascinating and exciting narrative that described the journey of a young boys life starting with the formation of his beliefs moving all the way through an adventure that changed his life forever. I found it extremely engaging on both a philosophical level and a psychological level as I saw Pi, a young boy, curious about life, discover both religion and go through an extremely traumatic experience. I found Pi's devotion to God to be an uplifting example that many people throughout the world should see. Although I do believe that Pi was confused about how to best love God, I admire his efforts and believe that his dedication is sincere. I also found the psychological aspect of Pi to be almost as fascinating as religion. I could see from the beginning that Pi was quite thoughtful and always tried to think before he acted. However, what I found even more fascinating than his pre-planning cognitive abilities was how he thought when he was under great stress. Perhaps the best example of how he coped with stress was towards the end of the book when he tells what may be the true story, and we can see that he may have represented everyone as an animal in order to deal with the situation. This provides valuable insight into Pi's mind and opens a whole new area of possibilities when considering how Pi thinks. This ending leaves how Pi thinks open to interpreting which adds a intriguing aspect to the book. Beyond the religious and theoretical aspects of the book, the adventure seen kept me on the edge of my seat until the very end. Every time it seemed Pi was about to die or give up hope, an astounding miracle would suddenly save him. I found the effect of these suspenseful moments to cause me to want to...