Life in New York Tenement Houses
1. What are the three distinct classes of homes in the tenement houses? In what ways does each reflect the needs and resources of the renters?
There are three distinct classes of houses in the tenement-houses; the cheapest is the attic home. Three rooms is next and is usually for very poor people. The vast majority of respectable working people live in four rooms. Each of these classes reflects the needs and resources of the renters in that the attic home, for example, is generally one small room and is usually rented out by a lonely elderly person with not much money. Three rooms generally consist of a kitchen and two dark bedrooms and are usually rented out to very poor people who have a family. Four rooms generally consist of a kitchen, two dark bedrooms, and a parlor and are usually rented out by respectable, hard working families.
2. What views does the author have of landlords, the "young street roughs," and the dispossessed German woman? What do his views of each have in common?
The author views the landlords as just people who are trying not to lose money on their investment (the property). The author explains that the unreasonable harshness of many landlords is often justifiable because it is the only way to secure them against loss. The author views the dispossessed German woman as a worthy person, which is why he rented two small rooms for the woman and her daughter. He views the "young street roughs" as just normal people who, if approached properly would help with good will. The author's views of each, is of good will. He does not view any of them with hate or anger.
3. What, according to the author, is the role of the city mission churches in the tenement areas?
According to the author, the role of the city mission churches in the tenement areas is to find better homes for the immigrants who come to the city and are living in deplorable conditions.
4. In what ways does the tenement promote the "brotherhood of man and the union of Christendom"?
The tenement promotes the "brotherhood of man and the union of Christendom" in that people of different nationalities and also people of different religions in the tenements are living together, helping each other, and mourning deaths together at funerals.
In fact, Stapinski experiences growing up in Church as another Agent of Socialization which she thought of the church really horrible because the nun would try on the big Tv that was black and white for hours and she did not really learning anything. Therefore, the church symbolized to value the life better even though she is living in a horrible city, and the church is proving a good environment and not seen the negative things in New Jersey
In a country mainly composed of Protestants, why didn’t the church have a role in helping immigrants? Another way to continue the analysis of this excerpt is by discovering how the audience responded to his lecture. (Labaree, 1850 in Cohen 995)
A suburban life is a paradise full of shopping, colorful gardens, and well-groomed homes. Despite all these benefits, a suburban life is an isolated life. People living in suburbs are rarely exposed to miseries in society. One of these conflicts is homelessness. When living in an environment surrounded by homes, individuals often have difficulty imagining not being able to sleep in a warm bed, eat a proper meal or even receive necessary medical attention. This grim situation is depicted in the writings of Jeannette Walls. In the autobiography The Glass Castle, Jeannette Walls accurately portrays homelessness by explaining its causes, its impact upon daily life, and its effect on victimized families.
In the Pulitzer prize-winning novel Evicted, sociologist Matthew Desmond follows eight families as he exposes how the lack of affordable housing perpetuates a state of poverty. He even goes so far as to assert that it is eviction that is a cause of poverty, not the other way around (Desmond 229). While this latter argument is as engrossing and it is striking, analyzing it with justice is simply not possible within the scope of this paper. Nevertheless, it is these two factors—inescapable poverty and eviction—that engender an unrelenting condition of financial, emotional, and communal instability, effectively hindering any chance of upward mobility.
Living conditions in eastern Europe during communism wasn't very pleasant. The government had control over apartment, and how they were divided and shared. Under the communist policy free apartment was provided to works. Slavenka Drakulic mention that “the government divided big apartments into rooms, forcing complete strangers to live in a kind of commune.” (87
Hence, upon analyzing the story, one can conclude the certain themes that parallel through the pages. Firstly, a theme of unity and trust is present at the end of the play. This is supported by the image of the cathedral, which is a place of unity. Most importantly, the notion of equality among people is the main theme within this story. The narrator starts as a biased, idiot, who dislikes all people that are not like himself. He even at times is rude to his wife. Ironically, it takes a blind man to change the man that can literally see, to rule out the prejudices and to teach him that all men are created equal.
There were also problems associated with the rising rates of urbanization. Due in part to the increasing number of immigrants and the trend to move toward the cities, many sanitation and safety issues came into question. Members of the working class made their homes in ghettoes and tenements where they faced overcrowding, lack of sanitation and general safety concerns. Laws such as the New York Tenement House Law of 1901 came into existence with the purpose of establishing a regulated housing code for safety and sanitation.
To appreciate a row house neighborhood, one must first look at the plan as a whole before looking at the individual blocks and houses. The city’s goal to build a neighborhood that can be seen as a singular unit is made clear in plan, at both a larger scale (the entire urban plan) and a smaller scale (the scheme of the individual houses). Around 1850, the city began to carve out blocks and streets, with the idea of orienting them around squares and small residential parks. This Victorian style plan organized rectangular blocks around rounded gardens and squares that separated the row houses from major streets. The emphasis on public spaces and gardens to provide relief from the ene...
What makes a brotherhood, and how does the short story "Cathedral” relates to brotherhood? In the “Cathedral”, Robert and the Narrator connect over a drawing. The drawing help changes the outcome of the Narrator thoughts of blind people. "Cathedral" helps us understand brotherhood and how you don 't have to be blood-related to join a brotherhood. In the "Cathedral" by Raymond Carver, you can experience a newly form brotherhood by two completely opposite characters who are able to form an alliance. The Narrator lacks awareness of others, but with Robert’s help, the Narrator is able to finally see the world in from a different point of view, and this opens him up to create a bond with Robert. In "Cathedral", you see the unity between two men,
Gentrification is the keystone for the progression of the basic standards of living in urban environments. A prerequisite for the advancement of urban areas is an improvement of housing, dining, and general social services. One of the most revered and illustrious examples of gentrification in an urban setting is New York City. New York City’s gentrification projects are seen as a model for gentrification for not only America, but also the rest of the world. Gentrification in an urban setting is much more complex and has deeper ramifications than seen at face value. With changes in housing, modifications to the quality of life in the surrounding area must be considered as well. Constant lifestyle changes in a community can push out life-time
Compare and contrast the ways in which housing inequalities are discussed from the perspectives of social policy and criminology, and economics (TMA 02)
Physical surroundings (such as a home in the countryside) in works of literary merit such as “Good Country People”, “Everyday Use”, and “Young Goodman Brown” shape psychological and moral traits of the characters, similarly and differently throughout the stories.
The contemporary Church is so often a weak, ineffectual voice with an uncertain sound. It is so often the arch-supporter of the status quo. Far from being disturbed by the presence of the Church, the power structure of the average community is consoled by the Church's silent and often vocal sanction of things as they are.”
The structural and technical features of the story point towards a religious epiphany. The title of the story, as well as its eventual subject, that of cathedrals, points inevitably towards divinity. Upon first approaching the story, without reading the first word of the first paragraph, one is already forced into thinking about a religious image. In addition, four of the story’s eleven pages (that amounts to one third of the tale) surround the subject of cathedrals.
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.