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importance of individualism to romantics
importance of individualism to romantics
romanticism vs realism essay
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Liberty, the Ordinary and the Extraordinary
Individualism is the expression of one self, putting emphasis on each person as an existent being, not as a whole group. It is about having pride in your own self while respecting the ideas of those around you. Both Romanticism and Realism focused on individualism; however, they focused on this concept in two very different ways. During the early 19th century, romantic artists were inspired by passion, nature, eroticism and sensuality, often incorporating mystical and supernatural creatures into their artwork. Eugene Delacroix (1798-1863), a famous romantic artist, expressed individualism through his moving paintings, such as Liberty Leading the People. His use of expressive brushstrokes, and exotic colors help to accurately depict the context of the paintings and allow his viewers to experience a strong aesthetically pleasing experience. Realist artists, in the second half of the 19th century, were inspired by what was in front of them, the beauty of the objective world. Gustave Courbet (1819-1877), the legendary realist artist conveyed individualism through many of his paintings. Courbet was an individualist himself. His paintings focused on the harshness in life, and by doing this he challenged the ideas of existing academic art. The ideas of individualism transitioned through romanticism and became even more prominent during the realism art period.
“The key to Romanticism according to Baudelaire, was not the subject matter or even truth itself, but feeling that you should listen to that inner voice, and that alone would give art it’s merit” (Educational Broadcasting Corporation [DVD], 1989, 49:07). The inner voice that Baudelaire mentions is one of the main themes of romanticism;...
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...vidual means that you are free, and it means that you have liberty, it also means that the ordinary is extraordinary.
Works Cited
Educational Broadcasting Corporation. (Producer). (1989). An Age of Reason, An Age of Passion [DVD]. Available from https://wgu.collegeanywhere.org.
Eugene Delacroix. (2002-2012). http://www.eugenedelacroix.org/
Gustave Courbet. (2002-2012). http://www.gustavecourbet.org/
Lawall, S., Patterson, L., Spacks, P. M., Thalmann, W. G., & James, H. (2006). The Norton Anthology of Western Literature (8th ed.). New York: W.W. Norton & Company.
MindEdge. (2012). http://wgu.mindedgeonline.com/content.php?cid=19780
Sublime (philosophy). (n.d.). In Wikipedia. Retrieved February 13, 2012, from http://en.wikipedia.org/wiki/Sublime_%28philosophy%29
The Metropolitan Museum of Art. (2000-2012). http://www.metmuseum.org/toah/hd/rlsm/hd_rlsm.htm
Wilkie, Brian, and James, Hurt. Literature of the Western World. Upper Saddle River, NJ: Pren tice Hall, 2001. Print.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. 7th ed. New York: W. W. Norton & Company, 2007. 348-350. Print.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. New York London: W. W. Norton & Company, 2012. Print.
The romanticism era was a movement in history that mainly focused on visual arts, music, and literature. This era was happening between 1800 and 1860. The romanticism period is sometimes observed as a reaction to the Industrial Revolution. One of this era’s longest lasting effects was its effect on politics and nationalism. Paintings during this time had an emotional appeal. Bringing light to the feelings of horror, wonder, and apprehension/fear. The modern term “romantic” is said to be derived from the romanticism period.
*Abrams, M.H., ed., et al. The Norton Anthology of English Literature. Sixth Edition. Vol.I. New York: W.W. Norton & Company, 1993.
Lawall, Sarah N. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. Print.
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ: Prentice-Hall, Inc., 1997.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
The Norton Anthology of English Literature. Sixth Edition Volume1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
Baym, Franklin, Gottesman, Holland, et al., eds. The Norton Anthology of American Literature. 4th ed. New York: Norton, 1994.
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.