Let's Discuss Sweden's Psychedelic Culture

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Whenever Sweden is discussed in books, the media or in conversation, very rarely is anything said of its psychedelic culture. Yet if one takes a deeper look one will actually find a mycelium of scientists, artists, writers, hippies and freethinkers who were at some point shaped by psychedelics.

It is presumable that most people outside of Sweden only think of successful exports such as IKEA, ABBA and Ingmar Bergman when the country is mentioned. However, there is more to Sweden than mass-produced furniture, pop music and a legendary filmmaker. A story that has yet to be told is the one about Swedish psychedelia, and this essay is an attempt at portraying this subculture.

Before looking at culture though, let’s start with nature itself: The Swedish flora consists of several psychoactive mushrooms and plants. The fly agaric mushroom (Amanita muscaria) often grows in abundance in the Swedish woods, and the royal fly agaric, also known as the king of Sweden Amanita (Amanita regalis), is common in many parts of the country. In addition, the liberty cap (Psilocybe semilanceata) can be found growing on meadows and lawns. When it comes to plants, species belonging to the Solanaceae family, commonly known as nightshades, may be encountered in the wild. The plant encyclopedia Den nordiska floran (lit. “the Nordic flora”) lists henbane (Hyoscyamus niger), Jimson weed (Datura stramonium) and belladona (Atropa belladonna). Hemp plants (Cannabaceae) are also part of the Swedish landscape, and even though it is rarely seen, Cannabis sativa may be found growing in railway yards, in harbours and in abandoned places.

To what extent these mushrooms and plants have been used for the purpose of intoxication over the course of history in Sweden is v...

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...alf of the 1960s, Netz, incidentally also a jazz musician, was an assistant military psychologist at Militärpsykologiska institutet (lit. “the department of military psychology”), MPI, in Stockholm, where he conducted LSD research as part of Projekt E 012. Fearing that the psychoactive would be used during war against Swedish soldiers, MPI wanted to learn more of LSD’s effects. Netz’s research resulted in a handful of scientific reports and newspaper articles. Interestingly, the psychologist also took LSD himself and in a 1968 report he refers to personal positive psychedelic experiences.

So far this essay has primarily discussed the work of scientists working in an academic context. Leaving science aside, the rest of this piece will for the most part deal with various psychedelically informed arts workers or freethinkers who were active from the 1960s and onwards.

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