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Importance of love
Importance of love
Love is essential for human survival
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Throughout The Aeneid by Virgil, the main character Aeneas travels for many years in search of a place to build a new city. Along the way he learns about love, compassion, sorrow, grief, and patience. He travels to nearly fifteen different places, leaving something behind in each one of them until he was able to find the place where he would build a new city. In book six of this epic Aeneas takes a trip down to the Underworld and comes out having learned several lessons. Upon Aeneas’s journey to the underworld he learns the pain of heartbreak, the power of reunion, and the spirits importance.
One of the most powerful lessons Aeneas learns in the underworld is the pain of heartbreak. As Aeneas traveled in search of a site to build a new city one of his stops was in Carthage, where he met Dido. It is definitely evident that Aeneas is pious, or god fearing, because he continued his quest given to him by the gods no matter what stood in his way. For instance, in book three of The Aeneid Aeneas wishes to stay in Carthage so that he can be with Dido, but could not force himself to do so ...
Grant Wiggins from A Lesson Before Dying by Ernest J. Gaines and Dee Johnson from Everyday Use by Alice Walker are two similar individuals who both steer away from their families’ traditional way of life, but are different in some aspects. Both characters are unique due to their personality, their education, and their appearance. Dee is a college student in rural Georgia who comes back to visit her mother and sister with her new boyfriend. Dee contradicts herself in trying to reclaim her heritage, but actually steers away from it. Grant is a plantation teacher who is recruited by Ms. Emma to help Jefferson die like a man. He feels that cannot help his family with their present issue because he is not a man himself, therefore he tries to detach himself from the problem.
The author of the article “A Call to Service in Ernest Gaines’ A Lesson Before Dying” is Beatrice McKinsey. In McKinsey’s introduction, she stated her thesis statement: “whatever one’s social class, race, or education maybe, we have a purpose or a call to service. Ernest Gaines uses the main characters, Grant and Jefferson, to demonstrate how men can achieve manliness through service” (McKinsey 77). By stating this thesis statement, McKinsey shows her audience that she will be discussing the main characters, as well as their journey to becoming manly. Overall, this is seen as the purpose for her article.
Real-life heroes these days are firemen, police officers, emergency room medics. However, there are many stories of everyday people who end up hailed as heroes. In the novel A Lesson Before Dying by Ernest J. Gaines, the main characters do not follow any of the typical ‘hero’ professions. In a small American community, Jefferson, a young black man, has just been sentenced to death for a crime he never committed by an all-white jury. His former schoolteacher Grant Wiggins is forced to visit him by his aunt Tante Lou, who hopes that Grant can teach Jefferson some dignity before he faces the electric chair. Through the actions of Jefferson and Grant we can determine whether or not they are heroes to the African-American community which, after years of suppression and apartheid, is so in need of strong idols to look up to.
It is clear when reading the Aeneid that Virgil was familiar with the earlier works of Homer, The Iliad and The Odyssey. Virgil, more than just being aware of these earlier works, uses themes and ideas from these poems in his own. Far more than just copying scenes and ideas, Virgil expands and alters these themes to better tell his story, unique from the Greek originals he is drawing from. Virgil reveals what qualities he regards as heroic through the juxtaposition of Aeneas’ character and the negative aspects of the underworld. By looking at which qualities are esteemed and derided respectively, we can identify the qualities that Virgil would like to emphasize positively to his readers. Also, we can argue that Virgil is indeed trying to convey a particular set or morals to those readers. Beyond the underworld, it is possible to clearly identify these traits in the other sections of the poem where Virgil is borrowing and making his own alterations. Using these distinctions we can very clearly derive Virgil's morality from the poem, and see where Virgil's ideal characters veer away from the Greek ideal that came before.
We also see in the story what someone must sacrifice in order to fulfill their goals. Though Aeneas's destiny was much more grand than many of our own, we still must make choices that can sometimes hurt others. I really thought that Vergil captured our inner emotions with the affair between Dido and Aeneas.
Aeneas also went to fight in the Trojan War. He also was a national hero. He was a great warrior. Both Odysseus and Aeneas were trying to head home.
Throughout the epic, Aeneas suffered the loss of many people dear to him. The first person to pass away was his wife Creusa. During the ...
According to his biography, Ernest J. Gaines grew up in Oscar, Louisiana on a plantation in the 1930s. He worked picking potatoes for 50 cents a day, and in turn used his experiences to write six books, including A Lesson Before Dying. While the novel is fictional, it is based on the hardships faced by blacks in a post Civil War South, under Jim Crow and 'de jure' segregation. In A Lesson Before Dying, the main story line is a sad tale in which a young black man named Jefferson, is wrongfully convicted and sentenced to death. Grant Wiggins, a teacher, is persuaded by Jefferson's grandmother Miss Emma to help Jefferson become a man before his execution. The struggle for Grant to get Jefferson to cooperate, and Grant's own internal development are the main plot-points; however, the background commentary on systems of racism is the main theme.
Book IV of the Aeneid can stand alone as Vergil's highest literary achievement, but centered in the epic, it provides a base for the entire work. The book describes Aeneas's trip through the underworld, where after passing through the depths of hell, he reaches his father Anchises in the land of Elysium. Elysium is where the "Soul[s] to which Fate owes Another flesh" lie (115). Here Anchises delivers the prophecy of Rome to Aeneis. He is shown the great souls that will one day occupy the bodies of Rome's leaders. Before the prophecy of Rome is delivered, Aeneis's journey through the underworld provides a definite ranking of souls according to their past lives on Earth. The Aeneid does not encompass a heaven, but the Underworld provides a punishment place where souls are purged of their evils and after one thousand years, regenerated to Earth. The ranking of souls in the Underworld warns of punishment for sin, and provides a moral framework for Roman life.
Ernest Gaines was born during the middle of the Great Depression on January 15, 1933. He was the oldest of twelve children. At the age of nine Gaines worked as an errand boy on the River Lake Plantation, the same plantation his book A Lesson Before Dying was set in. Gaines was raised by his Aunt Augusteen Jefferson, much like Grant, the protagonist in the novel, was raised by his Aunt Tante Lou. At the age of fifteen Gaines rejoined his immediate family in Vallejo, California because there were no high schools for him to attend in Louisiana. Gaines also wanted to enter a public library which was illegal for people of color to use. At this time in U.S. History, books about colored people were scarce and so Gaines decided to try and write his own novel. The desire to write led him to San Francisco State and Stanford University where he took creative writing courses. His first book, Catherine Carmier, was published in 1964. He finished his most famous novel, The Autobiography of Miss Jane Pittman, in 1971. The success of The Autobiography of Miss Jane Pittman prompted Gaines to write more about the black communities of southern Louisiana. The most successful book dealing with the colored people of southern Louisiana, A Lesson Before Dying, was penned in 1993 (“About Ernest Gaines” 1).
Many people seem to be under the impression that the Aeneid is a celebration of Roman glory, led by the hero of fate Aeneas. I find these preconceived ideas hard to reconcile with my actual reading of the text. For starters, I have a hard time viewing Aeneas as a hero at all. Almost any other main characters in the epic, from Dido to Camilla to Turnus, have more heroic qualities than Aeneas. This is especially noteworthy because many of these characters are his enemies. In addition, Aeneas is presented as a man with no free will. He is not so much bound to duty as he is shielded by it. It offers a convenient way for hum to dodge crucial moral questions. Although this doesn’t necessarily make him a bad person, it certainly makes him a weak one. Of course some will argue that it takes greater moral conviction to ignore personal temptation and act for the good of the people. These analysts are dodging the issue just like Aeneas does. The fact is that Aeneas doesn’t just sacrifice his own personal happiness for the common good; he also sacrifices the past of the Trojan people, most notably when he dishonors the memory of his fallen city by becoming the men he hated most, the Greek invaders. The picture of Aeneas as seen in the end of the Aeneid bears some sticking resemblances to his own depiction of the savage and treacherous Greeks in the early books.
The interaction between gods and mortals, is shown from the first paragraph. Virgil lets us know that Aeneas is not even at fault but Juno despises him.
Odysseus’ journey is one that features much emotional pain. Pain for being away from his home, wife and son, but in Aeneas’ journey he is a warrior, and he goes through physical pain. Unlike Odysseus, Aeneas begins his journey after the Greeks have burned his home to the ground. He does not have the pleasure of long comfortable “holdups” Odysseus has and he also has to deal with his father dying—the ultimate blow.
Sullivan emphasizes Virgil’s depiction of the pain in the world he lived in. Dido grieved because she was not faithful in her promise that she had made to her deceased husband. She was gravely aware of her mistake and knew that she had no way of erasing its influence in her life and the lives of the people she was supposed to be protecting. Her sufferings resulted from the gods disagreeing over what Aeneas’ fate should be and not necessarily her own actions. Aeneas had his pietas tested when he arrived at Carthage. Dido was a distraction that got in the way of Aeneas’ ultimate goal, but that does not mean that she meant nothing to him (p. 117). Sullivan believes that Aeneas’ deep love for Dido was evident in any passages of the epic and should not be written off. Dido was one of Aeneas’ greatest sufferings and he did not want to leave her in Carthage, but he was drawn to by the divine plan of the gods. When he ventures into the Underworld and is met by Dido, he learns what she did to herself and he broke down and began to cry. This proves to Sullivan that she was more than just a stumbling block in Aeneas’ path. Dido was a lover and one of Aeneas’ most painful memories. The pain of leaving her was almost too much for Aeneas to bare, so much so that he resisted the gods and wanted to stay. His personal feelings told him to stay and love Dido for the rest of his life, but his pietas and duty helped him
In A Lesson Before Dying, Mr. Grant Wiggins' life crises were the center of the story. Although he was supposed to make Jefferson into a man, he himself became more of one as a result. Not to say that Jefferson was not in any way transformed from the "hog" he was into an actual man, but I believe this story was really written about Mr. Wiggins. Mr. Wiggins improved as a person greatly in this book, and that helped his relationships with other people for the most part. At the start of the book, he more or less hated Jefferson, but after a while he became his friend and probably the only person Jefferson felt he could trust. The turning point in their relationship was the one visit in which Jefferson told Mr. Wiggins that he wanted a gallon of ice cream, and that he never had enough ice cream in his whole life. At that point Jefferson confided something in Mr. Wiggins, something that I didn't see Jefferson doing often at all in this book. "I saw a slight smile come to his face, and it was not a bitter smile. Not bitter at all"; this is the first instance in which Jefferson breaks his somber barrier and shows emotions. At that point he became a man, not a hog. As far as the story tells, he never showed any sort of emotion before the shooting or after up until that point. A hog can't show emotions, but a man can.