Jean Valjean, released on parole after 19 years on the chain gang, finds that the yellow ticket-of-leave he must, by law, display condemns him to be an outcast. Only the saintly Bishop of Digne treats him kindly and Valjean, embittered by years of hardship, repays him by stealing some silver. Valjean is caught and brought back by police, and is astonished when the Bishop lies to the police to save him, also giving him two precious candlesticks. Valjean decides to start his life anew.
Eight years have passed and Valjean, having broken his parole and changed his name to Monsieur Madeleine, has risen to become both a factory owner and Mayor. One of his workers, Fantine, has a secret illegitimate child. When the other women discover this, they demand her dismissal. The foreman, whose advances she has rejected, throws her out.
Desperate for money to pay for medicines for her daughter, Fantine sells her locket, her hair, and then joins the whores in selling herself. Utterly degraded by her new trade, she gets into a fight with a prospective customer and is about to be taken to prison by Javert when "The Mayor" arrives and demands she be taken to a hospital instead.
The Mayor then rescues a man pinned down by a runaway cart. Javert is reminded of the abnormal strength of convict 24601 Jean Valjean, a parole-breaker whom he has been tracking for years, but who, he says, has just been recaptured. Valjean, unable to see an innocent man go to prison in his place, confesses to the court that he is prisoner 24601.
At the hospital, Valjean promises the dying Fantine to find and look after her daughter Cosette. Javert arrives to arrest him, but Valjean escapes
Young Cosette has been lodged for five years with the Thenardiers who run an inn, horribly abusing the little girl whom they use as a skivvy while indulging their own daughter, Eponine. Valjean finds Cosette fetching water in the dark. He pays the Thernardiers to let him take Cosette away and takes her to Paris. But Javert is still on his tail...
Nine years later there is a great unrest in the city because of the likely demise of the popular leader General Lamarque, the only man left in the Government who shows any feeling for the poor. The urchin Gavroche is in his element mixing with the whores and beggars of the capital. Among the street gangs is one led by Thernardier and his wife, which sets upon Jean Valjean and Cosette.
The Return of Martin Guerre, written by Natalie Zemon Davis, is the tale of a court case that takes place in sixteenth century France. Martin Guerre is a peasant who deserted his wife and family for many years. While Martin Guerre is gone, a man named Arnaud du Tilh arrives at Martin’s village and claims to be Martin Guerre. Bertrande, who is Guerre’s wife, Guerre’s sisters, and many of the villagers, accepts the imposter. After almost three years of being happily married, Bertrande takes the fraud to court under pressure of Pierre Guerre, her stepfather and Guerre’s brother. Arnaud du Tilh is almost declared innocent, but the real Martin Guerre appears in the courthouse. Throughout this tale, many factors of the peasant life are highlighted. The author gives a very effective and detailed insight to a peasant’s life during the time of Martin Guerre. Davis does a successful job of portraying the peasant lifestyle in sixteenth century France by accentuating the social, cultural, and judicial factors of everyday peasant life.
Javert, born in jail, saw himself as an ostracized adolescent with but two paths open to him. He could choose either to be a policeman or a criminal. He chose to be on the right side of the law. Valjean, a peasant, spent time in jail as a young man and came out of it hating society. He believed himself to be apart from it, and chose to live in hatred and crime. Fortunately, the action of a kindly old bishop prevented him from wasting the rest of his life. Valjean switched to tread the path of life on a more morally upright road. He became mayor, protector of society.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Antoinette's story begins when she is a young girl in early nineteenth- century Jamaica. The white daughter of ex-slave owners. Five years have passed since her father, Mr. Cosway, reportedly drunk himself to death. As a young girl, Antoinette lives at Coulibri Estate with her widowed mother, Annette, her sickly younger brother, Pierre.Antoinette spends her days in isolation Discontent, however, is rising among the freed blacks, who protest one night outside the house. Bearing torches, they accidentally set the house on fire, and Pierre is badly hurt. The events of the night leave Antoinette dangerously ill for six weeks. She wakes to find herself in Aunt Cora's care. Pierre has died. When Antoinette is seventeen, Mr. Mason announces on his visit that friends from England will be coming the following winter. He means to present Antoinette into society as a cultivated woman, fit for marriage. Richard Mason offered him £30,000 if he proposed. Desperate for money, he agreed to the marriage. After the marriage everything seemed to be fine but then after a while Antoinettes husband started drifting away from her. This drove her crazy and made her question her marriage. The story ended with Antoinette locked up in England in Rochesters house.
... her nice father, Dr. Manette. This shows that even innocent people are marked for death. Even though the peasants are trying to be free from the evil aristocrats, not all of the rich is bad, and the peasants are starting to become like the aristocrats in that they are becoming uncouth and inhuman.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
In Les Miserables, Victor Hugo portrays human nature in a neutral state. Humans are born with neither good nor bad instincts, but rather society affects our actions and thoughts. Hugo portrays the neutral state of mind through Jean Valjean and Cosette. The two extremes of good and evil are represented through Thénardier and the bishop. Good and evil coexists in the society and affects Valjean and Cosette. It is the two extremes of good and evil that dictate the lives of Valjean and Cosette. The bishop represents charity and love. Everything he's ever had, he gave to charity. When the bishop first met Valjean, he said, "You need not tell me who you are. This is not my house; it is the house of Christ. It does not ask any comer whether he has a name, but whether he has an affliction. You are suffering; you are hungry and thirsty; be welcome. And do not thank me; do not tell me that I take you into my house..... whatever is here is yours." (pg. 15-16) The bishop didn't look at him as a convict; he looked at him as a fellow brother. Later, when the bishop found out that Valjean stole his silver, he wasn't mad, but offered all of his silver to Valjean saying, "Don't forget that you promised me to use this silver to become an honest man." Thénardier, on the other hand, is the exact opposite of the bishop. He represents the corruptive nature of society. He's the one that changes people for the bad. An example of how Thénardier represents greed and evil is how he...
Almost all of the characters in the film are a depiction of aristocracy and their struggle to maintain their status and glory and to live their lives as expected by the society they live in. Infidelity is also evident in the film wherein Jourdain and Elmire are included. Disloyalty also comes in on the part of Moliere as a servant to Jourdain, when he had an affair with Elmire and on the part of Dorante as a friend of Jourdain, when he fooled Jourdain. Hidden agendas and plans are also apparent on the part of Jourdain’s older daughter: her secret love with her piano teacher and on Dorante’s part of performing his hidden evil plan to Jourdain.
When Meursault returns home he decides to take another day off and relax at the beach. On his way out he sees an old man beating his dog and cussing at it ruthlessly. Normally most people would be bothered by the fact of a man beating a small dog, but Muersault watches as if nothing bad were happening. When Meursault is at the beach he meets a girl, named Marie, which he finds very attractive. Meursault and Marie become very close. As the story progresses they begin taking part in sexual activities. Marie tells Muersault that she loves him and asks if he loves her back.
The relationship shared by Pierre and Helene is best described as a lustful charade. It is no coincidence that Pierre, one of the most introspective characters in the novel, first marries a shallow, inwardly-ugly adulterer. His first recorded attitude towards Helene is one of admira...
But it is also evident that someone, or something, exerted great control over the De Lacy family, as they are living an impoverished, isolated lifestyle. The creature’,s account of the family’,s history discovers this fact to the readers, that was in fact the French government. Given the time period, 17--, this is presumably patriarchal to the extreme. While for a while it could be supposed that Felix held power over the government, as he assisted in Safie’,s father’,s jail break, but the latter caught up with him and ultimately ruined him and his family.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
First off, is the element of forgiveness. In a book of mistrust, poverty, and hate…forgiveness thrives in the world of Les Miserables. The first example of this was at the very beginning, when Jean Valjean stayed with the bishop. Valjean stole his silver…and ran off. He ends up being caught by police, but when the police questioned the bishop, he claimed to have given the silver to Valjean. Jean was confused…and the bishop claimed that with the silver, he had purchased the convicts soul, and had given it to God, and from that day forward, Valjean must be a good man. Another example of forgiveness goes two ways. Javert, in his relentless pursuit of Valjean, is captured by revolutionaries. In reward for saving the lives of a few of these revolutionaries, Valjean asks for, and gets, permission to take Javert outside, and kill him. Once outside, a small monologue occurs…and Valjean releases Javert, and lets him go free. Valjean just wanted to be left alone in peace, and hoped this act of kindness would change Javert, and make him realize that Valjean was no longer the man he was. The second way…is that in the end, after Javert finally captures Valjean, he lets him go. Since Javert had broken the law… that he loved so dearly, he kills himself shortly thereafter, by jumping into a river.
Victor Hugo’s Les Misèrables is a classic novel that demonstrates how a child is unable to mature in darkness. In the book, Fantine, gets pregnant and is left alone with her child, Cosette. Fantine searches for a place where Cosette can stay while she goes out to work. When she finds the right house she leaves her child, little did Fantine know that Cosette was going to be mistreated and miserable. On Fantine’s death bed, she begs Jean Valjean to find and take care of her child. In Victor Hugo’s novel, Les Misèrables, Cosette is a symbol of the child atrophy by darkness through her time spent with the Thènardiers, her transformation with Jean Valjean, and her flourishing into a young woman. Victor Hugo uses Cosette to represent the children of the time period and how they cannot grow without love and light.
How do Jean Valjean’s actions and words in the final reading (pp. 548-595) relate to or develop a theme of the novel?