The impact of the Marginal Character “Every man has three characters - that which he exhibits, that which he has, and that which he thinks he has” – (Alphonse Karr). Victor Hugo’s Les Miserables takes place during the tumultuous time of the French Revolution. A period of radical, social, and political upheaval in France, a time when one’s true character is revealed. “French society underwent an epic transformation as religious, feudal, and aristocratic privileges evaporated under a sustained assault from liberal political groups and the masses on the streets. Old ideas about tradition and hierarchy succumbed to new enlightenment principles of citizenship and inalienable rights” (World News). People of the 1700s lived through the storming of the Bastille, multiple constitutions, and changes in the role of women, the system of government, and the hierarchy of the Estates- General. The French Revolution became a symbol of change, of ideals, a mark on history. Through deeper explication of Victor Hugo’s Les Miserables, the intersections of the ideals of society, government, class, religion, and individuality, extremely prevalent throughout the French revolution, clearly manifest themselves in the actions of the marginal characters often overlooked. Through his setting and minor characters, Mademoiselle Baptistine, Madame Magloire, the Bishop, and Javert, Hugo clearly expresses his beliefs on the interaction of ideals in one’s life and the resulting effect on one’s character. Accordingly, Mademoiselle Baptistine, as a marginal character, is often overlooked, but if deeper explicated, she proves to unmistakably represent the intersection of the ideals of society, religion, and individuality so ubiquitous in Victor Hugo’s novel Les ... ... middle of paper ... ...] implacable duty [to be] absorbed in the police, [as] a pitiless detective, his whole life contained in these two words: waking and watching” (Hugo 55). All as a result of his unwanted heritage as a criminal’s son, Javert devotes his life to justice, discipline, and order as a path to redemption from his deprived class, Javert views rooting out the unjust in the world as the divine act that can save him from his misfortune. Throughout Hugo’s Les Miserables, intersections are prevalent between society, class, religion, government, and the individual. Works Cited "Alphonse Karr Quotes - BrainyQuote." Famous Quotes at BrainyQuote. Web. 22 Feb. 2011. . "Category:1794 Events Of The French Revolution." World News. Web. 22 Feb. 2011. .
Europe saw a time of literature works of great and broadly inclusive significance. The period, commonly known as the Age of Enlightenment, saw intellectual movements incite the rise of the French Revolution through philosophical ideas. These group of intellectuals included Moliere and Voltaire, two professional writers who used satirical approaches in their works to express their idea for challenging the absolute right to rule and promote ideas for the annulment of the social class system. The purpose of this paper is to provide an analysis into the life and works of the two writers.
The band of characters is drawn from every level of the class system. Unique interactions among characters from different social standings are conveyed, from the distressed, kindly gardener, to the impertinent daughter of the village innkeeper, to the prosperous de Luce family, and to the royalty. What appealed to me was that Flavia could trace her family’s history back many generations, and for one to be able to make these personal connections is extremely rare. Of course, this awareness of their past is correlated to the de Luce’s chain of affluence.
However, what really frames Francine du Plessix Gray’s biography is not so much the “fin du dix huitième siècle” but the “fin du vingtième siècle” and the “reality” material from Sade’s life that made it possible to represent the Marquis, his sons, his wife, mother-in-law, father-in-law, and uncle as so many of the people who populate the running narrative of criminals, deadbeat dads, incestuous relatives, date-raping playboys, and battered women that fill soap operas, day-time talk, women’s magazines, talk radio, and the tabloids. This paper, then, explores Sade’s biography not as a narrative of (the Marquis de Sade’s) his life, but as a narrative that pleases today’s reader because it serves up a voyeur’s view of (in) his “dysfunctional” family life “at home” that we are all too familiar with. This becomes abundantly apparent when du Plessix-Gray’s rendering of the Marquis and the Marquise’s lives are superimposed over the récit of lives that we read about all the time in the popular press and observe in television soaps and other series. Ultimately, we are interested in what such a reading, writing and representation of Sade’s life does to Sade’s persona and status, both in the world of letters, but more importantly, in the world at large.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
The French Revolution can best be described by Dickens in the opening phrase of his novel A Tale of Two Cities: “It was the best of times, it was the worst of times” (Dickens 1). A Tale of Two Cities, written by Charles Dickens in 1859, takes place in London and Paris during the French Revolution. The book tells the story of a circle of people living and fighting during this dangerous time. These characters include Dr. Manette, a doctor and prisoner of the Bastille for eighteen years who is just reunited with his lovable daughter, Lucie, for the first time since his imprisonment. Mr. Lorry is a banker and family friend of the Manette’s and Charles Darnay is a kind, generous man with a corrupt, noble family who marries Lucie. The Defarges are a married couple who lead the peasants’ revolt in the Revolution, and Sydney Carton is a lawyer’s assistant with a seemingly wasted life, but finds his life’s worth in the end. From these characters and this story, the theme of sacrifice is well displayed, especially the sacrifice for loved ones. The book shows us that love overcomes evil every time through the sacrifices of Miss Pross, Dr. Manette, and Sydney Carton.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In his novel, Les Miserables, author Victor Hugo makes a strong statement about society being the cause for evil in man. Les Miserables is based on a poor man, Jean Valjean, who was arrested for stealing a loaf of bread to feed his sister’s starving baby. Valjean is sentenced to 20 years for his crime, and, when he is released, he is shunned for his past, which he has more than paid for. Society turns him out at every turn for his past crime, and will hear no excuses for his deed. With this scenario, Hugo shows the cruelty of a “civilized” world that would cause a man to suffer unending prejudice for stealing a single loaf of bread to feed a small child.
[7] Hunt, Lynn. Politics, Culture, and Class in the French Revolution. Berkeley: U of California, 1984. Print.
“It is precisely of him that I wished to speak. Dispose of me as you please; but help me first to carry him home. I only ask that of you.” Upon examination of Les Miserables, it is clearly evident that the elements of Forgiveness, Self – Sacrifice, and Courage are only a few of the main themes Hugo wanted to develop.
The thesis of this study is how society was during the French Revolution from 1789 to 1799. The French Revolution during this time went through significant changes from the beginning when society was run by the wealthy class and being undemocratic and changed to being a democratic state. From 1789 to 1799, the French Revolution was a “cataclysmic political and social upheaval.” French society was going through a hard period in France.
Long ago in France, there were three types of people. There lived the poor people whom lived off of their land and the business of other people, which created the bottom of the social classes. There lived the rich people whom lived off of themselves and their businesses that they owned, which granted them noble power. Finally, there lived the royalties: King, Queen, and their people. These people belonged to their explicit social classes in France, which is the basis of the novel A Tale of Two Cities by Charles Dickens. Dickens uses these classes in his story to express the French Revolution and show how the poor were mistreated by the rich, and how the royalties were the most corrupt of the land. The French Revolution was the turning point of France at the time, which turned the entire basis of France’s monarchy around thanks to the classes of France banding together to stop the King. The social classes of France comprised the Revolution that turned France around and became a more civilized and fair society, and this is quite evident in Charles Dickens’s novel A Tale of Two Cities.
Social injustice had always been an uncorrected shortcoming for France from the early 19th century to the present. While the social injustice that appeared in the form of French religious persecution was much more visible during the early 19th century than in the reasonably tolerant 21st century, as seen in the contrasting cases of the Anti-Sacrilege Act in 1825 and the About-Picard Law in 2001, social injustice was a ubiquitous presence in many religious institutions of France. In a different degree of paramountcy, the social injustice manifested in the style of French political inequalities remains to be a perennial prejudice against the “forgotten man”, one clear-cut case being the anti-Semitic and espionage controversy of the Dreyfus Affair in the modern 20th century. In the same way, the social injustice seen in the economic discrimination in France was so prominent that literary works such as Les Miserables by eminent novelist Victor Hugo and its more modern philosophical counterpart, La Misère Du Monde by prominent French sociologist Pierre Bourdieu continually emphasized on the French economic inequalities between the inferior social classes and bourgeois-esque citizens. While religious persecution in France was more visible in the 1800s than that of recent times, the social injustice seen in the case of political inequalities and economic discriminations remained more or less the same throughout the 19th and 21st centuries.