Leonardo Da Vinci Art Influence

Leonardo da Vinci (1452 - 1519) was one of the greatest masters of the High Renaissance, perhaps most well-known for his paintings, such as the famous “Mona Lisa” or “The Last Supper”. Moreover, he was a master in other fields as sculptor, architect, engineer, and scientist. His desires and huge ambitions for knowledge and research turned him into the famous person that he is today. His scientific studies were very important for the development of different inventions that exist nowadays. In this paper, I am going to focus on “The Triple Barrel Canon” and “The Glider”, and how they had an impact on life at that time, or how today these ideas are still used by scientist in order to make new inventions.

Leonardo da Vinci (A.L.) 2. Leonardo da Vinci was born on April 1452 and died on May 1519. Leonardo da Vinci, a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer, was an italian polymath. His style of art the he produced influenced later artists such as Michelangelo and Raphael by his innovative use of human form and the way he registered human emotion in expression and gesture.

Renaissance After the Medieval period, art began to separate itself from its bounds to the church and religion. As a consequence of both this freedom and the rapid growth of technological advancements, science became a source of creative fuel for many artists. An artist who is particularly well remembered for his masterful blending of the creative and the scientific is the Italian genius Leonardo da Vinci. A famous illustration of his passion to incorporate science into art is The Vitruvian Man. This pen and ink drawing presents a sketch of a male body in two positions, standing upright and with arms and legs stretched (Ashrafian, 2011).

Renaissance artists actually made many significant scientific discoveries and observations because of their constant, lucid examination of the world around them, advancing the understanding of anatomy, physics, and chemistry. This is where Leonardo comes in. One of the most influential, and consequently most well-known thinkers of the Renaissance was Leonardo da Vinci. Leonardo was the breathing definition of the term “Renaissance Man”, he was an artist, painter, inventor, scientist; all of it inspired him. Many of the new artistic techniques that surfaced during the Renaissance came from Leonardo and his studies.

Most of all, Leonardo da Vinci developed new art techniques and revolutionized art and science as it was. Leonardo was also an architect, musician, engineer, anatomist, geologist, cartographer, botanist, and writer. Da Vinci was born on April 15, 1452 in Vinci, Italy. His father was a public notary in Milan, and his mother, a simple maiden. When Leonardo was little, he would always try to invent new things, and was very intelligent.

Kristin Burns Mrs. Lewis World History P-AP (B) 6 May 2014 Transformation of the West Leonardo da Vinci was a scientist, inventor, architect, and a mathematician as well as an artist that lived during the Italian Renaissance. Da Vinci's countless contributions to fields of art, technology, science, and math enabled him to have the label as a true Renaissance man. "Leonardo went a step further to figure out how the bodily systems beneath the surface worked. Leonardo's early paintings were studies in a new humanistic style of art, and he was far ahead of his contemporaries in this regard." Doc.

From these autopsies, Leonardo illustrated the Vitruvian Man in one of his many notebooks. The Vitruvian Man was drawn to reveal the perfect proportions of the human body. Leonardo stated that “a human body can be symmetrically inscribed within both a circle and a square; this idea influenced his architectural practice (Vitruvian Man)”. The text written on the image clarifies the theory created by Vitruvius, a Roman architect. Leonardo’s purpose in creating the image brought in new ideas of science, anatomy, architecture, and art that are still studied and used to this day.

Leonardo Da Vinci Leonardo DA Vinci (1452-1519), Florentine artist, one of the great masters of high Renaissance, celebrated as a painter, sculptor, architect, engineer, and scientist. His profound love of knowledge and research was the keynote of both his scientific and artistic endeavors. His innovations in the field of painting influenced the course of Italian art for more than a century after his death, and his scientific studies, particularly in the fields of anatomy, optics, and hydraulics. He anticipated many of the developments of modern science. Leonardo was born in the small town of Vinci, in Tuscany, near Florence.

Furthermore, he applied mathematical concepts in the composition of his pieces to provide them with an unprecedented sense of depth. With th... ... middle of paper ... ...human nature constitutes an important aspect defining the Renaissance movement. In that sense, I find his warfare designs inconsistent with the Renaissance’s concept of honoring human nature. Having mentioned that, measured in Renaissance standards, Leonardo da Vinci was definitely a universal genius. In a way, Leonardo is the Vetruvian Man of the Renaissance movement, his individual work and approach to the creative and intellectual process constitutes the microcosm within the artistic and scientific flourish of the Renaissance macrocosm in the manner in which earthly ideas focused on enjoying and understanding this life rather than the next.

Leonardo Da Vinci (1452-1519), Florentine artist of the Renaissance (the period of Western European history stretching from the early 14th century to the mid to late 16th century), a painter, sculptor, architect, engineer, and scientist. His deep love for nature, knowledge, research and experience, was the central reason of both his artistic and scientific accomplishments. " Though I have no power to quote from authors as they do I shall rely on a bigger and more worthy thing-on experience. "{The Notebooks of Leonardo Da Vinci pg.2} His originality in the field of painting influenced the course of Italian art for more than a century after his death, and his scientific studies--particularly in the fields of anatomy, optics, and hydraulics--anticipated many of the developments of modern science. His amazing powers of observation and skill as an illustrator enabled him to notice and recreate the effects he saw in nature, and added a special liveliness to his portraits.